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Browse the books in the All Lit Up Poetry Litspace by category.
Showing 21–40 of 196 results
The poems in “Between the Moments” immerse the reader deep into the reflection of humanity and tangible reality of life to explore the moments of perplexity and simplicity of life. Throughout the book, the author roams the crevices of her desire and invites us into the world filled with tides and stars, mirages and reflections, moments of confusion and enlightenment to resolve deep emotional issues and to find the light in the darkness. In “Between the Moments” the emotions are overlapping and the feelings are evolving until the end of the night.
Blood follows a Two-Spirit Indigenous person as they navigate urbanity, queerness, and a kaleidoscope of dreams, memory, and kinship.
Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock’s Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker’s relationship to the living–never forgetting non-human kin.
This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw.
“A music as sensitive as it is revelatory.”–Canisia Lubrin, author of The Dyzgraphxst
The voices of Blue Marrow sing out from the past and the present. They are the voices of the Grandmothers, both personal and legendary. They share their wisdom, their lives, their dreams. They proclaim the injustice of colonialism, the violence of proselytism, and the horrors of the residential school system with an honesty that cuts to the marrow. Speaking in both English and Cree, these are voices of hopefulness, strength, and survivance. Blue Marrow is a tribute to the indomitable power of Indigenous women of the past and of the present day.
More than twenty years since its first publication, this critically acclaimed collection is available in a redesigned edition, including an all-new interview with its celebrated author, Louise B. Halfe – Sky Dancer.
Translated from French by Howard Scott
In this, her third volume of poetry, this Aboriginal writer from Quebec again confronts the loss of her landscape and language.
On my left hip
a face
I walk
I walk upright
like a shadow
a people on my hip
a boatload of fruit
and the dream inside
women and children first
“A cry rises in me and transfigures me. The world waits for woman to come back as she was born: woman standing, woman powerful, woman resurgent. A call rises in me and I’ve decided to say yes to my birth.”
brat is an anthology of forest creatures, lost girls and tiny precious moments. In this collection of poetry, smallness begets uprising, rats signify life rather than death and bunnies are slutty woodland sprites. brat makes smallness into power, resilience and survival. In these poems, to be a brat is to be a scamp, an upstart, an agent of mischief: to cause trouble; to riot; to right wrongs; to enact change because it is right, regardless of a corrupt legal system. If brathood is the irreverent claiming of ownership over all good things, then this collection is the quintessential brat.
Buoyancy Control, the latest collection of poems from Vancouverite Adrienne Gruber, presents a fascinating culmination of land and sea, mind and body, in linguistic form. Metaphors of oceans, lakes, and other bodies of water (as well as the creatures that inhabit those spaces), swim and swirl their way through Gruber’s languid poems, which are divided into two evocative sections that explore themes of sexuality, sexual identity, and queerness, while confronting the feelings of loss and longing found in relationships, and the chance glimpse into a new life, while still recovering from a painfully failed connection.
Buoyancy Control is an honest, at times humorous, and revealing look inside the mind and body of a woman manoeuvring through experiences of longing, loss, and the fluidity of sexual identity, presented in a powerfully feminist and unapologetic poetic voice, from one of Canada’s most promising young writers.
A deeply scouring poetic account of the residential school experience, and a deeply important indictment of colonialism in Canada.
Many of the poems in Louise Halfe’s Burning in This Midnight Dream were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. In heart-wrenching detail, Halfe recalls the damage done to her parents, her family, herself. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures.
Halfe’s poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture.
Originally published in 2016 by Coteau Books, Burning in This Midnight Dream won the Indigenous Peoples’ Publishing Award, the Rasmussen, Ramussen & Charowsky Indigenous Peoples’ Writing Award, the Saskatchewan Arts Board Poetry Award, the League of Canadian Poets’ Raymond Souster Award, and the High Plains Book Award for Indigenous Writers. It was also the 2017 WILLA Literacy Award Finalist in Poetry. This new edition includes a new Afterword by Halfe.
“Burning in this Midnight Dream honours the witness of a singular experience, Halfe’s experience, that many others of kin and clan experienced. Halfe descends into personal and cultural darkness with the care of a master story-teller and gives story voice to mourning. By giving voice to shame, confusion, injustice Halfe begins to reclaim a history. It is the start of a larger dialogue than what is contained in the pages.” –Raymond Souster Award jury citation
Poems that examine the creative achievements of the human hand, from cave art to contemporary photography.
John Reibetanz’s twelfth collection, By Hand, begins with an epigraph from Lewis Mumford: “Until modern times, apart from the esoteric knowledge of the priests, philosophers, and astronomers, the greater part of human thought and imagination flowed through the hands.” Reibetanz’s new poems investigate human creativity as a visceral interaction with the world: our imagining hands finding the music implicit in the stuff of earth, a “duet// of earthbound songsters,” of mind and material, each shaping the other. Centered on this duet, the book encompasses the wide-ranging aspects of our humanity–hands used for good and ill–portrayed in the examined paintings and sculptures, gardens, tapestries, photographs, and carvings. And they explore in particular the relationship in these artifacts between the “givens” of nature and the modifications and contributions of human culture. As Roo Borson says of the collection, “the poems are shot through with moments in which language’s particular dexterity comes into its own and real objects are remade, as when these lines from ‘The Installation’ celebrate the ‘commonality of clay’ in a relief by della Robbia:”
the light-quickened humus
of the eyes that, for hundreds of years, have read the notes
inscribed on the banner an angel is unscrolling…
“These are the words of a real craftsman, writing about other makers. …Through acute seeing, [Reibetanz] communicates to the reader the nowness of things made centuries ago and the humanity of their creators.” –Robert Lemay
“Calling Down the Sky“ is a poetry collection that describes deep personal experiences and post generational effects of the Canadian Aboriginal Residential School confinements in the 1950’s when thousands of First Nations, Métis, and Inuit children were placed in these schools against their parents’ wishes. Many were forbidden to speak their language and practice their own culture. The author portrays how the ongoing impact of the residential schools problem has been felt throughout generations and has contributed to social problems that continue to exist today.
At one moment, a pure abstraction; at the next, an incontrovertible presence of hooves, antlers, and fur. The beating heart of this assured debut by Richard Kelly Kemick is the Porcupine caribou herd of the western Arctic.
In Caribou Run, Richard Kelly Kemick orchestrates a suite of poems both encyclopedic and lyrical, in which the caribou is both metaphor and phenomenon — text and exegesis. He explores what we share with this creature of blood and bone and what is hidden, alien, and ineffable.
Following the caribou through their annual cycle of migration, Kemick experiments with formal and thematic variations that run from lyric studies of the creature and its environment, to found poems that play with the peculiar poetry of scientific discourse, to highly personal poems that find resonance in the caribou as a metaphor and a guiding spirit. Running the gamut from long-lined free verse and ghazal form to tightly controlled tankas and interwoven rhyme schemes, Caribou Run serves notice that a formidable new talent has been let loose on the terrain of Canadian poetry.
Chaos Inside Thunderstorms draws the audience into the centre of the tumultuous political, socio/economical and historical reality of the First Nations experience in Canada today. It is poetic expression that examines leadership, resilience, honour, shame, and love. It examines the issues implicit in the Idle No More Movement and the Truth and Reconciliation conferences. Although the book speaks of age-old themes, it explores them through fresh modern eyes. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race. There is nothing polite about them. Like his two previous collections of poems, Chaos Inside Thunderstorms is candid and challenging. More importantly, it is thought-provoking and engaging.
Chenille or Silk is a startling first collection of confessional poetry examining the slippery relations of desire, class, embodiment and trauma. Emma McKenna’s writing traverses the bounds and the wounds of a family marked by poverty and intergenerational trauma. The collection asserts the primacy of intimacy and sexuality to subjectivity, as the poems move through the struggle to find identity, love and belonging in an urban queer community’s ever-shifting economy of desire. Striking, brave and at times uncomfortable, Chenille or Silk captures the ambivalence–and the hope–of possibility.
Canadian poet Shirley Camia presents a harrowing but exhilarating examination of life before adolescence. In a series of razor-sharp sketches, Camia’s piercing observations are offered as a perfectly balanced counter-weight to the sing-song melody of innocence. Camia and Vancouver illustrator Cindy Mochizuki offer an individual reckoning that unpacks for the reader the universal truth that fear and danger respect no age and ignore all boundaries.
The poems in Collecting Silence arc through youth, love and loss, to maturation, aging, peace. Wide travels throughout Asia, Europe and North America bring Narwani face to face with the oppressions of poverty, caste and religion, as well as the seductions of magical new beauty. The poems take the reader down the Chao Phraya River in Bangkok, to Chopin’s garden; a village of untouchables in India, to remnants of the Berlin Wall; from the Pietà and the Mona Lisa to Magritte’s The False Mirror. Always they are grounded in what Narwani can touch, see, love and remember. Growing up in Canada in a Baltic-German family that was forced to emigrate from their homeland of Latvia at the onset of WWII, Narwani strives to retain language, preserve links to the family’s past, a vanished way of life, so it may deepen her own. Always she listens for what connects, what bridges boundaries and separations, for the inner home that sustains and renews her. It is in our silences, Narwani says, that memories, our deepest experiences, talk to us in a “language we all know without speaking.” In this time of non-stop connectivity and chatter, Collecting Silence offers a timely alternative.
In this poetry collection written by an award-winning author and translated from French by an award-winning translator, the relentless force of water waves rambles the streets of a small village with fear. The streets become empty and the people vanish without a trace. With his intricate and distinctive poetic style, Paul Savoie successfully portrays his creative talent and explores a wide range of human feelings, fears, and perceptions inviting us to the world of mystery, fantasy, and suspense.