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Indigenous Litspace Lists
Browse the books in the All Lit Up Indigenous Litspace by category.
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Drama
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Showing 41–60 of 154 results
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Dreary and Izzy
$17.951975, Lethbridge Alberta. When the Monoghan sisters lose their parents in a car accident, Deirdre remains as the sole caregiver to her older sister, Isabelle. Just as Deirdre is poised to enter university and begin exploring, for the first time, her own future and independence, she must choose how much of her own life she will sacrifice for the love of Isabelle. Deirdre is barely staying afloat under the strain of this reality when hope arrives in the form of gorgeous vacuum cleaner salesman Freddie Seven Horses. Both sisters find in Freddie a new world of unexplored emotions and ideas, where Freddie is a port in a storm.
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Emma’s Gift
$16.00Emma wants to participate in her community’s annual ‘King’s Day’ celebration that is held every year on January 6th. She loves to see the gifts that are given and hear the stories people tell when they visit. Her mother, however, feels that Emma is too young. When Emma’s grandmother hurts herself, Emma reluctantly agrees to help. In helping her grandmother prepare and serve her King’s Day meal, Emma discovers the meaning behind this special day. ‘King’s Day’ is about celebrating Christ’s birth and the Three Wise Kings who visited the baby Jesus bearing gifts on this holy day. Emma learns that ‘King’s Day’ is not only about exchanging gifts, it’s also about helping family and friends by giving one’s time. Beautifully illustrated by Jay Odjick.
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Ernestine Shuswap Gets Her Trout
$16.95Based on a deposition signed by 14 Chiefs of the Thompson River basin on the occasion of a visit to their lands by Canadian Prime Minister Sir Wilfrid Laurier in 1910, Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of the most compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent.
Written in the spirit of Shuswap, a “Trickster language” within which the hysterically comic spills over into the unutterably tragic and back, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.
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Eskimo Pie: A Poetics of Inuit Identity
$16.95Eskimo Pie: A Poetics of Inuit Identity examines Dunning’s lived history as an Inuk who was born, raised and continues to live south of sixty. Her writing takes into account the many assimilative practices that Inuit continue to face and the expectations of mainstream as to what an Inuk person can and should be. Her words examine what it is like to feel the constant rejection of her work from non-Inuit people and how we must all in some way find the spirit to carry through with what we hold to be true demonstrating the importance of standing tall and close to our words as Indigenous Canadians. We are the guardians of our work regardless of the cost to ourselves as artists and as Inuit people, we matter.
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From Bear Rock Mountain
$30.00In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school—and his path to healing.
In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school—run by the Roman Catholic Church in collusion with the Government of Canada—three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity.
While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues.
As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity.
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From Oral to Written
$35.00Aboriginal Canadians tell their own stories, about their own people, in their own voice, from their own perspective.
If as recently as forty years ago there was no recognizable body of work by Canadian writers, as recently as thirty years ago there was no Native literature in this country. Perhaps a few books had made a dent on the national consciousness: The Unjust Society by Harold Cardinal, Halfbreed by Maria Campbell, and the poetry of Pauline Johnson and even Louis Riel. Now, three decades later, Native people have a literature that paints them in colours that are psychologically complex and sophisticated. They have a literature that validates their existence, that gives them dignity, that tells them that they and their culture, their ideas, their languages, are important if not downright essential to the long-term survival of the planet.Tomson Highway’s From Oral to Written is a study of Native literature published in Canada between 1980 and 2010, a catalogue of amazing books that sparked the embers of a dormant voice. In the early 1980s, that voice rose up to overcome the major obstacle Native people have as writers: they are not able to write in their own Native languages, but have to write in the languages of the colonizer, languages that simply cannot capture the magic of Native mythology, the wild insanity of Trickster thinking. From Oral to Written is the story of the Native literary tradition, written – in multiple Aboriginal languages, in French, and in English – by a brave, committed, hard-working, and inspired community of exceptional individuals – from the Haida Nation on Haida Gwaii to the Mi’kmaq of Nova Scotia’s Cape Breton Island.
Leading Aboriginal author Tomson Highway surveys the first wave of Native writers published in Canada, highlighting the most gifted authors and the best stories they have told, offering non-Native readers access to reconciliation and understanding, and at the same time engendering among Native readers pride in a stellar body of work.
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Gabriel Dumont Speaks 2nd Edition
$16.95In 1903, eighteen years after leading the Métis Army against the Northwest Expeditionary Force and the Northwest Mounted Police at Fish Creek, Duck Lake and Batoche, Louis Riel’s Adjutant General Gabriel Dumont dictated his memoirs to a group of friends, one of whom is thought to have written Dumont’s stories out in longhand during that epic meeting. This manuscript languished unseen and unpublished in the Manitoba Provincial Archives as part of L’Union nationale métisse de Saint-Joseph collection until its discovery there by Michael Barnholden in 1971. Now re-translated into English, it preserves the record of an unrepeatable oral recital, offering us a rare opportunity to view one of the central events in the history of the Métis in a new context: as perceived by one of their key heroes.
Like Riel, Dumont put the interest of his people ahead of his own. Although he could neither read nor write, he was an eloquent speaker, sought after to defend Métis rights both in Canada and the United States throughout the 1880s and 1890s. Known to have spoken Blackfoot, Sioux, Crow, Cree, French and English, Dumont dictated his memoir in “incipient Michif,” thought to be his first language: using Cree syntax and some verbs, with a vocabulary that was primarily French.
Dumont’s first-person account of the details of his early life, leading up to the events variously referred to as the Riel Rebellion, the Northwest Rebellion or the War of 1885, provide a third reading of the “Rebellion” from the point of view of its military leader, as well as many personal, cultural and historical revelations worthy of examination. In addition, Dumont’s sheer strength of narrative carries these decisive events with a conviction, drama and suspense that only the tradition of oral history can deliver.
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Generations Re-merging
$18.95“Each generation must make their own / journey through a thick terrain” starts Generations Re-merging, a collection of poems which explores the complex tangle of intergenerational relationships and cultural issues encountered by a Mi’kmaw woman in the modern context, “where every moment / is the loss of something.” Alert to the fragility of community and culture, and to the pervasive threats against the natural and social environments which have traditionally fostered them, shalan joudry writes with lucidity of the challenge of confronting these global issues personally on her home ground, and of honouring the hope of past generations by renewing it in the present.
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Ghost Lake
$19.95In Ojibwe cosmology there are thirteen moons, and in these pages are thirteen offerings from Ghost Lake, an interrelated cast of characters and their brushes with the mysterious. Issa lives in fear of having her secret discovered, Aanzheyaawin haunts the roads seeking vengeance, Zaude searches for clues to her brother’s death, Fanon struggles against an unexpected winter storm, Eadie and Mushkeg share a magical night, Tyner faces brutal violence, and Tyler, Clay, and Dare must make amends to the spirits before it’s too late. Here the precolonial past is not so distant, and nothing is ever truly lost or destroyed because the land remembers. Ghost Lake is a companion volume to Adler’s Indigenous horror novel, Wrist (2016, Kegedonce Press). It was the winner of the 2021 Indigenous Voices Award in Published English Fiction, and was shortlisted for the 2021 Eric Hoffer da Vinci Eye Award in Book Design.
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Glass Beads
$20.00These short stories interconnect the friendships of four First Nations people — Everett Kaiswatim, Nellie Gordon, Julie Papequash, and Nathan (Taz) Mosquito — as the collection evolves over two decades against the cultural, political, and historical backdrop of the 90s and early 2000s.
These young people are among the first of their families to live off the reserve for most of their adult lives, and must adapt and evolve. In stories like “Stranger Danger”, we watch how shy Julie, though supported by her roomies, is filled with apprehension as she goes on her first white-guy date, while years later in “Two Years Less A Day” we witness her change as her worries and vulnerability are put to the real test when she is unjustly convicted in a violent melee and must serve some jail time. “The House and Things That Can Be Taken” establishes how the move from the city both excites and intimidate reserve youth — respectively, how a young man finds a job or a young woman becomes vulnerable in the bar scene. As well as developing her characters experientially, Dumont carefully contrasts them, as we see in the fragile and uncertain Everett and the culturally strong and independent but reckless Taz.
As the four friends experience family catastrophes, broken friendships, travel to Mexico, and the aftermath of the great tragedy of 9/11, readers are intimately connected with each struggle, whether it is with racism, isolation, finding their cultural identity, or repairing the wounds of their upbringing.
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Grey Eyes
$20.95Winner of the 2015 Burt Award for First Nations, Metis, and Inuit Literature!
In a world without time and steeped in ceremony and magic, walks a chosen few who hold an ancient power: the Grey Eyes. True stewards of the land, the Grey Eyes use their magic to maintain harmony and keep evil at bay. With only one elderly Grey-Eye left in the village of the Nehiyawak, the birth of a new Grey-Eyed boy promises a renewed line of defence against their only foe: the menacing Red-Eyes, whose name is rarely spoken but whose presence is ever felt. While the birth of the Grey-Eyed boy offers the clan much-needed protection, it also initiates a struggle for power that threatens to rip the clan apart, leaving them defenceless against the their sworn ememy. The responsibility of restoring balance and harmony, the only way to keep the Nehiyawak safe, is thrust upon a boy’s slender shoulders. What powers will he have, and can he protect the clan from the evil of the Red Eyes?
Check out “Grey Eyes in the Classroom,” the IndieGogo campaign aimed to donate copies of Grey Eyes to underfunded First Nation schools across Canada:
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Hear and Foretell
$15.95“Hear and Foretell” is a compelling poetry collection with spotlight on urban Aboriginal life in Canada. The poems illustrate deep spiritual transformation and understanding of the ever-present feeling of being hunted by not so distant historical past. This collection of poems emphasizes cultural struggles, articulates everyday rituals through decisive narrative, and appeals to human compassion. “Hear and Foretell” is an ambitious, lasting, and meaningful work of Canadian Aboriginal literature that will not soon fade away. It is an exceptional reading experience to be enjoyed and savoured.
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How the Robin Got Its Red Breast
$12.95These traditional teaching legends come straight from the oral traditions of the Sechelt Nation. Simple enough to be understood by young children, yet compelling enough for adults, they are gentle, beautifully presented cautionary tales. You’ll want to read them again and again – and you’ll learn a few words of the Shishalh language while you’re at it. Charlie Craigan is a young Sechelt artist who works in a tiny studio set up in his bedroom. He studied traditional wood carving with Sechelt Nation carvers, but learned to draw and paint by studying books.
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Huff & Stitch
$18.95In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull destructive pranks. Preyed upon by Trickster and his own fragile psyche, Wind looks for a way out, one that might lead him into his mother’s shadow.
In Stitch, Kylie Grandview is a single mom struggling to make a living as a porn star while dreaming of being on the big screen. She’s painfully aware that she is among the many nameless faces on the Internet, the ones that blip across cyberspace, as her yeast infection, Itchia, reminds her at every turn. But when Kylie is offered the chance at a big break, a series of twisted events lead her down a destructive path, revealing a face no one will forget.
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I Will Be Corrupted
$20.00I Will Be Corrupted is a collection of poems about a man who suffers from serious depression but is able to appear normal and live somewhat of a normal life. And yet what he sees and experiences in his everyday become poems and an insight into the mind of a kind and gentle person who wants to understand why he is here.
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In Spirit
$17.95Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. Molly declined, out of interest for her own safety. The next things Molly remembers are dirt, branches, trees, pain, and darkness.
Molly is now a spirit.
Mustering up some courage, she pieces together her short life for herself and her family while she reassembles her bicycle—the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly’s chilling tale becomes more and more vivid, challenging humanity not to forget her presence and importance.
In an intimate, loving approach to the tragic subject of missing and murdered Indigenous women and girls, the acclaimed author of Dreary and Izzy shines a light on the haunting tale of a preteen’s last moments.
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In the Dog House
$16.95In her first idiom-shattering book of poetry, Wanda John-Kehewin endeavours to “speak her truth,” combining elements of First Nations oral tradition with a style of dramatic narrative that originates from the earliest traditions of cultural storytelling and also keeps pace with the rhythmical undulations of Canadian poets such as James Reaney and E.J. Pratt.
However, in a contemporary setting, the magniloquent narrative of nation-building has given way to fragmentary and reflexive self- examination that is inextricably bound to a history of colonization, the residual effects of which are buried deep within silent sufferers. Divided into four aspects of the Medicine Wheel – one of many stone structures scattered across the Alberta Plains – this collection calls for us to acknowledge the blatant neglect of quality of life on Native reserves and to explore ameliorative processes of restorative justice.
In emotive and yet wryly unsentimental tones, John-Kehewin lends her voice to many forms of suffering that surround enforced loss of culture, addressing topics such as alcohol addiction, familial abandonment, religious authority, sexual abuse, and the pain of mourning for loved ones. John-Kehewin does not spare herself when relating her own stories, even as she tells the stories of others that are so like her own, admonishing humanity for its lack of conscience in poems that journey from the turmoil of the Gaza Strip to rapidly dissolving ice floes …
Wanda John-Kehewin is, as she describes herself, “a First Nations woman searching for the truth and a way to be set free from the past” – shoving aside that lingering sense of shame and stigma – taking the reader on a healing journey that reveals language to be an elusive creature indeed and one that gives new definition to what being “in the dog house” could be, if we as human beings listen carefully and learn to remedy our misunderstandings.
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In the Silhouette of Your Silences
$15.95David Groulx’s latest book of poems is as smooth as a mirror, but as cutting and dazzling as shards of glass, reflecting back to us the collective voice of fractured lives. Weaving the ephemeral with the infinite, and the present with the past, he speaks with the strength and confidence of scarred experience, drawing the reader into a compelling narrative that confronts reality with black humour and raw beauty. Remarkable in its brilliance, and brilliant in its candour, In the Silhouette of Your Silences illuminates the delicate threads that bind us together, proving yet again that the distinctive voice of Aboriginal Canadians must and shall be heard.
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In This Together
$19.95What is real reconciliation? This collection of essays from both Indigenous and non-Indigenous contributors from across Canada welcomes readers into a timely, healing conversation—one we’ve longed for but, before now, have had a hard time approaching.
These reflective and personal pieces come from journalists, writers, academics, visual artists, filmmakers, city planners, and lawyers, all of whom share their personal light-bulb moments regarding when and how they grappled with the harsh reality of colonization in Canada, and its harmful legacy. Without flinching, they look deeply and honestly at their own experiences and assumptions about race and racial divides in Canada in hopes that the rest of the country will do the same.
Featuring a candid conversation between CBC radio host Shelagh Rogers and Chief Justice Sinclair, this book acts as a call for all Canadians to make reconciliation and decolonization a priority, and reminds us that once we know the history, we all have the responsibility—and ability—to make things better.
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Indian Act
$29.95Indian Act is a tribute and thank you to those who survived the Indian Residential School system so that future generations could be free to pursue their lives unhindered by educationally enforced lowered expectations and institutionalized abuse. Seven plays by contemporary First Nations and Metis playwrights cover the broad scope of residential school experiences, all kinds of characters, and no stereotypes, giving voice to those who could not be heard.