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Winner, Melva J. Dwyer Award
Honourable Mention, Canadian Museums Association Award for Outstanding Achievement (Research)
Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.
The inside track on an under-told story about the intersection of race and sports in Canada.
In the 1960s, Harry Jerome set 7 world records, including the 100-yard dash, earning him the title of the world’s fastest man. His grandfather, John “Army” Howard, was Canada’s first Black Olympian, running in Stockholm in 1912 against nearly impossible odds. Harry’s sister, Valerie, competed for Canada at the 1960 Rome Olympics. With Races, Valerie Jerome sets the record straight on her heroic family’s history, and the racism they fought along the way — from their community, the press, their country, and even inside their family home.
Races tracks Harry’s life through his inimitable athletic career and into his work as an advocate for youth sport and education. Bringing readers inside the Jerome household, Races reveals the hurdles they faced during the heavily segregated ’60s and the long reach of racism that plagued their family history.
A tale of courage and conviction, Races is the difficult, yet inspiring story of the Jerome family: what propelled them in life and on the track.
In Racket, editor and acclaimed fiction writer Lisa Moore introduces us to ten of the most exciting new writers currently at work in Newfoundland. Featuring a diverse range of previously unpublished short stories, this unique anthology showcases a generation of voices soon to emerge as the next great wave of Newfoundland writers.
“A gem of a novel.” — Terry Fallis, two-time winner of the Leacock Medal for Humour
Longlisted for the 2024 Stephen Leacock Memorial Medal for Humour
Stephen Millburn moved halfway across the country, from Ottawa to Victoria, to fulfill his dream of being an early-morning radio host, but he’s barely holding it together. Trying to balance parental duties (he and his wife have a newborn son) with his work schedule leaves Stephen running on coffee fumes and falling asleep at the most inconvenient times, including mid-broadcast.
Stephen treads a narrow path at CIFU. When he arrived, the station ranked dead last in ratings. Months into his new hosting position, his show and the station are growing in popularity. He’s something of a golden boy — but he’s a golden boy with a passion for good journalism, which leads him to pursue a story about an encampment of unhoused people on the lawns of the city’s court house.
Bleeding heart liberalism is not the stuff that Mr. George Caulfeild, station owner, believes his new audience wants to hear at eight a.m. and Stephen finds himself in a seriously conflicted position. He needs this job to support his growing family and pay down his crippling mortgage, but he knows this exposé is ethically and politically important — and it’s a journalist’s dream story. Will he be able to pull it all together or is he heading for a downfall?
A new edition of Bernice Morgan’s classic, best-selling family saga. Forced to flee England, the Andrews family books passage from Weymouth, England to unknown prospects, only to discover a barren, inhospitable land at the end of their crossing: a fresh start in a distant country, New Found Land. There, on the island of Cape Random, the Vincent family introduces them to their way of life. To the pensive, seventeen-year-old Lavinia Andrews, uprooted from everything familiar, it seems a fate worse than the one they left behind. Driven by loneliness she begins a journal. Random Passage satisfies the craving for those details that headstones and history books can never give: the real story of our Newfoundland ancestors, of how time and chance brought them to the forbidding shores of a new found land. It is a saga of families and of individuals; of acquisitive Mary Bundle; of charming Ned Andrews, whose thievery has turned his family into exiles; of mad Ida; of Thomas Hutchings, who might be an aristocrat, a holy man, or a murderer; and of Lavinia – who wrote down the truth and lies about them all. Random Passage has been adapted into a CBC miniseries and is now a national bestseller.
Ray Guy: The Final Columns, 2003-2013 is a collection of the columns Ray Guy wrote for The Northeast Avalon Times, a community newspaper based in Portugal Cove. Guy previously achieved fame and acclaim for his astute and humorous observations of Newfoundland politics and society in columns in The Telegram and The Sunday Express from the 1960s to 1990s. Guy began writing for The Northeast Avalon Times in 2003, the same year Danny Williams was elected premier of the province. During the ensuing decade, Guy exercised the wit and satire that made him so admired by Newfoundland readers. Ray Guy: The Final Columns, 2003-2013 aims to make the brilliant writing of his last decade available to a broader audience. The foibles and folly of premiers on Confederation Hill, the looming disaster of the Muskrat Falls hydroelectric project and the frustrating fickleness of “the great Newfoundland voter” were repeatedly addressed by Guy in his unequaled style. Guy was quick to recognize Danny Williams as “another Smallwood,” and had much to say and much to mock about the pomp, arrogance and authoritarian rule that largely led to the troubled times Newfoundland subsequently found itself in.
“Larry Grant’s life is a model of what it means to rise above hardship, transcend preconceived notions, and live life in a good way. I’ve had the honour of meeting him, but this book makes me feel as if I know him. And that is a profound gift.” — Shelagh Rogers, Honorary Witness, Truth and Reconciliation Commission; broadcast journalist, CBC Radio
A personal and historical story of identity, place, and belonging from a Musqueam-Chinese Elder caught between cultures
It’s taken most of Larry Grant’s long life for his extraordinary heritage to be appreciated. He was born in a hop field outside Vancouver in 1936, the son of a Musqueam cultural leader and an immigrant from a village in Guangdong, China. In 1940, when the Indian agent discovered that their mother had married a non-status man, Larry and his two siblings were stripped of their status. With one stroke of the pen, they were disenfranchised—no longer recognized as Indigenous.
Reconciling is a series of conversations between Larry and writer Scott Steedman as they visit pivotal geographical places together, including the Musqueam reserve, Chinatown, the site of the Mission residential school, the Vancouver docks and the University of British Columbia. Larry tells the story of his life, including his thoughts on reconciliation and the path forward for First Nations and Canada. His life echoes the barely known story of Vancouver and spans key events of the last two centuries, including Chinese immigration and the Head Tax, the ravages of residential school and now Indigenous revival and the accompanying change in worldview.
When Larry talks about reconciliation, he uses the verb reconciling, an ongoing, unfinished process we’re all going through, Indigenous and settler, immigrant and Canadian-born. “I have been reconciling my whole life, with my inner self,” he explains. “To not belong was forced upon me by the colonial society that surrounded me. But reconciling with myself is part of all that.”
Most people think Alzheimer’s Disease is the same as memory loss, if they think about it at all. But most people prefer to ignore it, hoping that if they ignore it hard enough, it will go away. That was certainly Marion Agnew’s hope, even after she knew her mother’s diagnosis. Yet, with her mother’s diagnosis, Marion’s world changed. Her mother ? a Queens and Harvard/Radcliffe-educated mathematician, a nuclear weapons researcher in Montreal during Word War II, an award-winning professor and researcher for five decades, wife of a history professor, and mother of five ? began drifting away from her. To keep hold of her, to remember her, she began paying attention, and began writing what she saw. She wrote as her mother became suspicious on outings, as she lost even the simplest of words, as she hallucinated, as she became frightened and agitated. But after her mother’s death, Marion wanted to honour the time of her mother’s life in which she had the disease, but she didn’t want the illness to dominate the relationship she’d had with her mother. This moving memoir looks at grief and family, at love and music. It is a coming-to-terms reflection on the endurance of love and family.
A dramatic and often humorous look at six black Canadians of diverse backgrounds who share a Toronto house. Their lives unfold against the backdrop of civil unrest, which erupted when the Los Angeles police ofÞcers on trial for the beating of Rodney King are acquitted. The fracas outside keeps intruding as characters clash, collide, and swap jokes about everything from racism to the status of Quebec as a distinct society, from Malcolm X to The Road to Avonlea.
The foremost political figure from the years of responsible government in Newfoundland, Robert Bond led a spectacularly successful but often tortured life. Cultured and well-to-do, he tried to play the game of politics like a gentleman, and over a period of 30 years never suffered a defeat at the polls. During his remarkable career, he built a reputation as a statesman, negotiating two trade agreements with the United States and reclaiming Newfoundland’s rights to the French Shore. In the dark days following the bank crash of 1894, he personally intervened to save the country from bankruptcy. As prime minister he led a scrupulous and scandal-free administration. In private life, he was a recluse. He idolized his mother, never married, agonized over his health, and suffered a tortured relationship with his mentor William Whiteway. His place of solace was Whitbourne, where he built a magnificent country estate, complete with an elegant manor house, beautiful gardens and a working farm. This carefully researched and engaging biography delves into Bond’s life and times, following him from his school days in St. John’s and England to his rapid rise in politics in the 1880s and ’90s and his time as prime minister in the first decade of the twentieth century. Along the way it reveals Bond’s relationship with the unforgettable characters in this formative and turbulent time in Newfoundland politics.
My great-
grandmother slept
in a boxcar on the night
before she made the crossing. The steel
ended in Sangudo then, there was
no trestle on the Pembina, no siding
on the other side. They crossed
by ferry, and went on by cart through bush,
the same eight miles. Another
family legend has it that she stood there
in the open doorway of the shack
and said, “You told me, Ernest,
it had windows and a floor.” – from “Robinson’s Crossing”
The poems in this book arise from Robinson’s Crossing – the place where the railway ends and European settlers arriving in northern Alberta had to cross the Pembina River and advance by wagon or on foot. How have we crossed into this country, with what violence and what blind love? Robinson’s Crossing enacts the pause at the frontier, where we reflect on the realities of colonial experience, but also on the nature of living here- on historical dwelling itself. In long meditative narratives and shorter probing lyrics, Jan Zwicky shows us-as she has in her celebrated Lyric Philosophy and the Governor General’s award-winning Songs for Relinquishing the Earth – how music means and meaning is musical.
Romancing History?: Wayne Johnston and “The Colony of Unrequited Dreams” closely re-examines how Wayne Johnston’s seminal historical novel combines fact and fiction to shape our perception of the truth.
First published in 2000, Wayne Johnston’s The Colony of Unrequited Dreams is an enduring contribution to the literature of Newfoundland and Labrador. In Romancing History?, Stan Dragland examines the novel’s indelible portrait of its central character, Joey Smallwood. What liberties did Johnston take in transforming Smallwood from historical figure to literary character, and to what end? Starting with this incisive analysis of Smallwood’s “sea change,” Dragland offers a luminous reading of Johnston’s novel that sees it as “a giant contemplation of Newfoundland,” one “large enough and compelling enough and playfully original enough to earn a place alongside other nation-making epics.”
Stan Dragland’s Romancing History?: Wayne Johnston and “The Colony of Unrequited Dreams” is the 2001 Pratt Lecture, the oldest public lecture at Memorial University of Newfoundland and Labrador. The Pratt Lectures were established in 1968 to commemorate the legacy of E. J. Pratt. Over the years, the series has hosted world-renowned authors and scholars, including Northrop Frye, Seamus Heaney, Helen Vendler, Mary Dalton, George Elliott Clarke, and Dionne Brand.