Your cart is currently empty!
A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Browse featured titles from the ebooks for Everyone collection of accessible epubs.
Showing 461–480 of 648 results
Poems to read in the small hours before dawn, when the sirens start up again.
Swivelmount’s concerns – the collapse of subject and world, eros and law, knowledge and bafflement – gain new urgency as Babstock fiercely reimagines and reassembles the remnants into a viable order. At the core of their kinetic imagery is a freefall into mourning, but also a faith in others: a Babstock poem is the voice next to you in the ER waiting room, becalmed, compassionate, darkly humorous. This is Babstock at his best.
Past Praise:
“This is a poetry that is so uncompromising in how it deals with traditions – of poetic forms, of dictions, of militaristic histories – that it becomes something magnificent: brittle and hard. It will change how you think.” —Juliana Spahr for On Malice
“On Malice is a fascinating and elegiac rebuke to surveillance technologies and its discontents. Ken Babstock is a wonderful and spirited poet. His work is full of musicality, syncopation, wit, and formal acuity.” —Peter Gizzi
“The flavour of this poetry is complex – it will have to be consumed in small amounts like a sipping tequila. It inebriates quickly. It imparts a convivial brilliance to life. And it is not without its sinister edge.” —Ange Mlinko for Methodist Hatchet
“I felt as if I were reading poems written with a scalpel. Methodist Hatchet swaggers with confidence, intelligence, technique, humour, and that pinioning accuracy of observation we’ve come to expect from Babstock, surely one of the most versatile, switched-on, and linguistically savvy poets of our time.” —Simon Armitage
“Methodist Hatchet is as precise as it is expansive, as complex as it is companionable. It refuses to look away from the unstable nature of self and world and word. That is why Babstock is one of the most exciting lyric poets writing today.” —Sina Queyras, The Globe and Mail for Methodist Hatchet
Welcome to Phantom City where a cat-shaped pendant with magical powers takes a detective on a precarious journey. Award-winning artist and animator Patrick Jenkins has devised a story as affecting as his complex line art. With a mixture of film noir and magic realism, Jenkins employs smoky halftones and sumptuous linework as a binding elements in a sequence of bizarre twists, offering a layered vortex of visual delights without linear paths or escape. Jenkin’s debut is a stunning kaleidoscopic treasure.
This practical handbook will equip readers with the tools to have meaningful conversations about death and dying
Death is a part of life. We used to understand this, and in the past, loved ones generally died at home with family around them. But in just a few generations, death has become a medical event, and we have lost the ability to make this last part of life more personal and meaningful. Today people want to regain control over health-care decisions for themselves and their loved ones.
Talking About Death Won’t Kill You is the essential handbook to help Canadians navigate personal and medical decisions for the best quality of life for the end of our lives. Noted palliative-care educator and researcher Kathy Kortes-Miller shows readers how to identify and reframe limiting beliefs about dying with humor and compassion. With robust resource lists, Kortes-Miller addresses
Far from morbid, these conversations are full of meaning and life — and the relief that comes from knowing what your loved ones want, and what you want for yourself.
What do you do when your outspoken, passionate, and quick-witted mother starts fading into a forgetful, fearful woman? In this powerful graphic memoir, Sarah Leavitt reveals how Alzheimer’s disease transformed her mother Midge—and her family—forever.
In spare black and white drawings and clear, candid prose, Sarah shares her family’s journey through a harrowing range of emotions—shock, denial, hope, anger, frustration—all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard-educated intellectual, struggles to comprehend the simplest words; Sarah’s father Rob slowly adapts to his new role as full-time caretaker, but still finds time for word-play and poetry with his wife; Sarah and her sister Hannah argue, laugh, and grieve together as they join forces to help Midge get to sleep, rage about family friends who have disappeared, or collapse in tears at the end of a heartbreaking day.
Tangles provides a window on the complexity of Alzheimer’s disease, and ultimately opens a knot of moments, memories, and dreams to reveal a bond between a mother and a daughter that will never come apart.
The remarkable life and legacy of an extraordinary man whose influence echoes through time.
Tappan Adney travelled from New York to New Brunswick for a summer holiday at the age of 19 in 1887, and it changed the course of his life.
Adney is best known for a singular achievement. He was the artist, writer, and illustrator whose chance encounter with Peter Jo, a Wəlastəkwi Elder–craftsman, led to a passionate, lifelong interest in the birchbark canoe and Wəlastəkwey culture.
But that is only part of the story. Throughout his life, little escaped Adney’s curiosity. From his extensive documentation of the design of Indigenous canoes to his reportage on the Klondike Gold Rush; from his work as an illustrator, photographer, and designer to his natural history journalism; from his activism for Indigenous rights to his documentation of the Wəlastəkwey language, Adney’s mind roamed from one passion to another, leaving behind a treasure trove of natural history and ethnographic research. This book tells the intriguing story of his remarkable life and his multifaceted legacy.
The remarkable life and legacy of an extraordinary man whose influence echoes through time.
Tappan Adney travelled from New York to New Brunswick for a summer holiday at the age of 19 in 1887, and it changed the course of his life.
Adney is best known for a singular achievement. He was the artist, writer, and illustrator whose chance encounter with Peter Jo, a Wəlastəkwi Elder–craftsman, led to a passionate, lifelong interest in the birchbark canoe and Wəlastəkwey culture.
But that is only part of the story. Throughout his life, little escaped Adney’s curiosity. From his extensive documentation of the design of Indigenous canoes to his reportage on the Klondike Gold Rush; from his work as an illustrator, photographer, and designer to his natural history journalism; from his activism for Indigenous rights to his documentation of the Wəlastəkwey language, Adney’s mind roamed from one passion to another, leaving behind a treasure trove of natural history and ethnographic research. This book tells the intriguing story of his remarkable life and his multifaceted legacy.
This is a book about grief, death and longing. It’s about the gristle that lodges itself deep into one’s gums, between incisors and canines.
Teeth details not only the symptoms of colonization, but also the foundational and constitutive asymmetries that allow for it to proliferate and reproduce itself. Dallas Hunt grapples with the material realities and imaginaries Indigenous communities face, as well as the pockets of livability that they inhabit just to survive. Still this collection seeks joy in the everyday, in the flourishing of Indigenous Peoples in the elsewhere, in worlds to come.
Nestling into the place between love and ruin, Teeth traces the collisions of love undone and being undone by love, where “the hope is to find an ocean nested in shoulders—to reside there when the tidal waves come. and then love names the ruin.”
Linked poems that uncover the ache and whimsy of raising children on the autism spectrum.
Through public judgments, detouring dreams and unspoken prayers, Tell Them It Was Mozart, Angeline Schellenberg’s debut collection, traces both a slow bonding and the emergence of a defiant humour. This is a book that keens and cherishes, a work full of the earthiness and transcendence of mother-love. One of the pleasures of this collection is its playful range of forms: there are erasure poems, prose poems, lists, found poems, laments, odes, monologues and dialogues in the voices of the children, even an oulipo that deconstructs the DSM definition of autism. From a newborn “glossed and quivering” to a child conquering the fear of strange toilets, Tell Them It Was Mozart is bracing in its honesty, healing in its jubilance.
Michelangelo slept in his clothes and seldom ate Newton lectured to empty rooms at scheduled times if no one showed up to hear him … Only staying where room numbers were divisible by three, Tesla tested turbines in his mind, would not touch round objects … Charles Darwin formulated the theory of natural selection, the foundation for our understanding of the diversity of life on earth: advantageous traits survive Mozart meowed on tables –from “Posthumously diagnosed”
Praise for Tell Them It Was Mozart:
“By turns, Angeline Schellenberg’s words are blunt, musical, unflinching, transcendent. Her speaker raises two children on the autism spectrum, but she is never a martyr, never a victim, never a saint. Schellenberg has drawn a woman who turns the experience inside out–finding its humour, its turbulence, and ultimately, its joy.” –Kimmy Beach
A new and expanded version of Gord Hill’s seminal illustrated history of Indigenous struggles in the Americas.
When it was first published in 2010, The 500 Years of Resistance Comic Book was heralded as a groundbreaking illustrated history of Indigenous activism and resistance in the Americas over the previous 500 years, from contact to present day. Eleven years later, author and artist Gord Hill has revised and expanded the book, which is now available in colour for the first time.
The 500 Years of Indigenous Resistance Comic Book powerfully portrays flashpoints in history when Indigenous peoples have risen up and fought back against colonizers and other oppressors. Events depicted include the the Spanish conquest of the Aztec, Mayan and Inca empires; the 1680 Pueblo Revolt in New Mexico; the Battle of Wounded Knee in 1890; the resistance of the Great Plains peoples in the 19th century; and more recently, the Idle No More protests supporting Indigenous sovereignty and rights in 2012 and 2013, and the resistance to the Dakota Access Pipeline in 2016. Canadian events depicted include the Oka crisis in 1990, the Grand River land dispute between Six Nations and the Government of Canada in 2006, and the Wet’suwet’en anti-pipeline protests in 2020.
With strong, plain language and evocative illustrations, this revised and expanded edition of The 500 Years of Indigenous Resistance Comic Book reveals the tenacity and perseverance of Indigenous peoples as they endured 500-plus years of genocide, massacre, torture, rape, displacement, and assimilation: a necessary antidote to conventional histories of the Americas.
The book includes a foreword by Pamela Palmater, a Mi’kmaq lawyer, professor, and political commentator.
The first in a phenomenal new fantasy trilogy, where the power of words can change the fate of all dimensions
As a new Initiate with the Alchemists’ Council, Jaden is trained to maintain the elemental balance of the world, while fending off interference by the malevolent Rebel Branch. Bees are disappearing from the pages of the ancient manuscripts in Council dimension and from the outside world, threatening its very existence. Jaden navigates alchemy’s complexities, but the more she learns, the more she begins to question Council practices. Erasure — a procedure designed not only to remove individuals from Council dimension but also from the memories of other alchemists — troubles Jaden, and she uses her ingenuity to remember one of the erased people. In doing so, she realizes the Rebel Branch might not be the enemy she was taught to fight against.
Jaden is caught between her responsibility to the Council and her growing allegiance to the rebels, as the Council finds itself at the brink of war. She is faced with an ethical dilemma involving the free will of all humanity and must decide whether or not she can save the worlds.
Winner of the 2020 International Book Award for Multicultural Fiction; Winner of the 2020 Ippy Gold Medal for Multicultural Fiction.
It is 1970. The evergreens are thick with snow despite it being the month of April. In an Ottawa hospital, another daughter is born to the Azar family. The parents are from Kfarmichki, a village in Lebanon but their daughters were born in Canada. Four daughters, to be precise. No sons. Youssef is the domineering father. Samira is the quiescent mother. Rima, Katrina and Mona are the traditional daughters. Then there is Adele, the newest member. “You should’ve been born a boy,” Samira whispers to Adele shortly after her entrance into the world. As she grows, Adele learns there are certain rules Lebanese girls must follow in order to be good daughters. First off, they must learn to cook, master housework, learn Arabic and follow the traditions of their culture. Above all, they must save themselves for marriage. But Adele dreams of being an artist. When she is accepted to the University of Toronto, this is her chance to have a life outside the confines of her strict upbringing. But can she defy her father?
When Youssef surprises her with a family trip to her ancestral home, Adele is excited about the journey. In Lebanon, she meets Elias. He is handsome and intelligent and Adele develops feelings for him until Elias confides to her that her unexpected meeting with him was actually a well-devised plan that is both deceitful and shocking.Will this unravel the binding threads of this close-knit Lebanese family? Crisscrossing between Ottawa, Toronto and Lebanon, The Allspice Bath is a bold story about the cultural gap and the immigrant experience.
Winner, Canadian Authors Award for Canadian History, Jeanne Clarke Memorial Local History Award, and Prince Edward Island Book Award for Non-Fiction
Is it possible to reach back in time and solve an unsolved murder, more than 170 years after it was committed?
Just after midnight on April 21, 1842, John McLoughlin, Jr. — the chief trader for the Hudson’s Bay Company at Fort Stikine, in the northwest corner of the territory that would later become British Columbia — was shot to death by his own men. They claimed it was an act of self-defence, their only means of stopping the violent rampage of their drunk and abusive leader. Sir George Simpson, the HBC’s Overseas Governor, took the men of Stikine at their word, and the Company closed the book on the matter. The case never saw the inside of a courtroom, and no one was ever charged or punished for the crime. To this day, the killing remains the Honourable Company’s dirtiest unaired laundry and one of the darkest pages in the annals of our nation’s history. Now, exhaustive archival research and modern forensic science — including ballistics, virtual autopsy, and crime scene reconstruction — unlock the mystery of what really happened the night McLoughlin died.
Using her formidable talents as a writer, researcher, and forensic scientist, Debra Komar weaves a tale that could almost be fiction, with larger-than-life characters and dramatic tension. In telling the story of John McLoughlin, Jr., Komar also tells the story of Canada’s north and its connection to the Hudson’s Bay Company.
The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she’s written the works of Baudelaire.
One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life.
Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.
Lisa Braun struggles to understand both her own life and the tragic historic events that haunt her in this engaging new novel written in Marlis Wesseler’s characteristically understated, confiding prose.
The novel begins with Lisa heading off into a beautiful beech forest in Germany, near where her in-laws live. As she walks, she ponders the stark contrast between the peaceful forest and the notorious concentration camp, both known as Buchenwald. Her husband Gerhardt’s family has always been reticent, or maybe evasive, about the Holocaust and their family’s World War Two experiences, and Lisa has learned not to ask too many questions.
After they return to Canada, Lisa unexpectedly finds herself very alone and at loose ends, and through a series of events befriends an elderly man, Ben Meisner, who was interned in Buchenwald–and the questions she has always wanted to ask come searingly into focus. Lisa gets a closer view of unthinkable events than she bargained for, and in time Ben Meisner relies on her in a way she could never have predicted.
This wry, perceptive novel is about secrets and silences; about estrangements between family members, and gaps in understanding between well-intentioned people who struggle to bridge the distances between one another. The Beech Forest looks into the dark corners of the human heart, and brings us back out into the light of day with humour and compassion.
A history of the Beothuk of Newfoundland. Exciting in its detail, this book gives us a rare picture of a lost people whose culture was destroyed after the arrival of white settlers.
Bunny Best has met her unfortunate end after a mishap at a Gay Days parade. Now her two sons, Kyle and Hamilton, have the task of arranging her funeral and caring for her most beloved companion, a troublesome Italian greyhound named Enzo. In the bustle of obituary-writing, eulogy-giving, and dog-sitting, sibling rivalry quickly reaches its peak and years of buried contentions surface.
The Best Brothers is a bittersweet comedy that explores the many ways in which we grieve and the love we find in unexpected places.
***2022 PRINCE EDWARD ISLAND BOOK AWARD: FICTION – WINNER***
***2022 BMO WINTERSET AWARD – LONGLIST***
A haunting and evocative exploration of the meaning of family and home.
Ingrid and Norah have an unconventional upbringing—growing up in a motel, raised by their mother and her female partner. The girls’ grandmother, Ada, who owns the Blue Moth, has always kept them at a distance. But when she buys a piano for the motel, that all changes. Years later in England, training to be a soloist, Ingrid loses her voice and must decide what to do. She hears from Norah, who’s reviving a party that began during their childhood to celebrate the arrival of mysterious and elusive blue moths. The Blue Moth Motel deals with family dynamics, grief, and the concept of home.