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While working to restore an historic theatre in a seedy part of the city, a graduate student named Anthea searches to find her best friend, lost to the rhetoric of an itinerant street mystic. Almost a century earlier, Liam, a tenth-rate tenor, visits the same theatre while eking out a career on the dying Vaudeville circuits of the day. In both eras, an apocalyptic strain of mysticism threatens their existence: Anthea contends with a nascent New Age movement in the heart of the city while Liam encounters a radical theosophical commune along the coast of British Columbia, who appear to be building … something.
The Paradise Engine unfolds across a colourful backdrop of labour organizers, immaculately-attired cultists, ambitious socialites, basement offices and coffee shops. Its cast of characters and historical setting recalls Robertson Davies’ Fifth Business or Thomas Pynchon’s Against the Day, while its approach to memory and community is reminiscent of The Wind-Up Bird Chronicle by Haruki Murakami.
André Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral.
SHORTLISTED FOR THE WRITERS’ TRUST OF CANADA FICTION PRIZE
ONE OF THE GLOBE AND MAIL‘S GLOBE 100: BEST BOOKS OF 2014
There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant’s second day were the ones who could not resist seeing him sooner. Here was the man to whomthey would confess the darkest things. It was important to feel him out. Mrs. Young, for instance, after she had watched him eat a piece of her macaroni pie, quietly asked what he thought of adultery.
For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it is sleepily bucolic – toomuch Barrow Brew on Barrow Day is the rowdiest it gets. But things aren’t so idyllic for Liz Denny, whose fiancé; doesn’t want to choose between Liz and his more worldly lover Jane, or for Father Pennant himself, whose faith is profoundly shaken by the miracles he witnesses – a mayor walking on water, intelligent gypsy moths and a talking sheep.
In these fifteen searingly honest personal essays, debut author Susan Olding takes us on an unforgettable journey into the complex heart of being human. Each essay dissects an aspect of Olding’s life experience—from her vexed relationship with her father to her tricky dealings with her female peers; from her work as a counsellor and teacher to her persistent desire, despite struggles with infertility, to have children of her own. In a suite of essays forming the emotional climax of the book, Olding bravely recounts the adoption of her daughter, Maia, from an orphanage in China, and tells us the story of Maia’s difficult adaptation to the unfamiliar state of being loved.
Written with as much lyricism, detail, and artfulness as the best short stories, the essays in Pathologies provide all the pleasures of fiction combined with the enrichment derived from the careful presentation of fact. Susan Olding is indisputably one of Canada’s finest new writers, one who has taken the challenging, much-underused form of the literary essay and made it her own.
PB spends her summer on Fox Island with the other sheep and goats, but she’s more interested in stargazing than nibbling on the grass. She knows a famous astronomer once visited Toads Cove, and has set her sights on following in his path and finding a comet. Her determination irks a cantankerous old goat who plots to undermine her efforts.
This playful poetic tale about a sheep who won’t give up and an old goat who learns a thing or two is inspired by the author’s community, where sheep and goats really do graze on islands off the coast, and a famous astronomer really did once visit.
Award-winning artist Veselina Tomova’s illustrations offer a delightfully whimsical complement to this charming story.
A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut.
Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly — a dominatrix — moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers.
James Yékú’s second collection lingers on a poetics of elsewhere, as seen through poems that evoke various memories. In A Phial of Passing Memories, the poems offer shifting sceneries that record the everyday and chronicle vagrant seasons. This collection presents the vivid imagination of a keen mind documenting the passing rhythms of the abiding and the mundane, unfurling in a dance of elegance and lyrical beauty. The poems meander but remain anchored in particular geographies, from where they engage the varied cadences of the human condition. They blend the strange and the familiar into a meditation on the power of unforgetting, the enjambments and stoppages of journeys, and the nature of things themselves.
LONGLISTED FOR THE 2016 SCOTIABANK GILLER PRIZE
SHORTLISTED FOR THE 2016 KOBO EMERGING WRITER PRIZE
Most of the things Pillow really liked to do were obviously morally wrong. He wasn’t an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who’d committed no crimes, but he just loved it. The way Pillow figured it, love wasn’t about goodness, it wasn’t about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.
Pillow loves animals. Especially the exotic ones. Which is why he chooses the zoo for the drug runs he does as a low-level enforcer for a crime syndicate run by André Breton. He doesn’t love his life of crime, but he isn’t cut out for much else, what with all the punches to the head he took as a professional boxer. And now that he’s accidentally but sort of happily knocked up his neighbor, he wants to get out and go straight. But first there’s the matter of some stolen coins, possibly in the possession of George Bataille, which leads Pillow on a bizarre caper that involves kidnapping a morphine-addled Antonin Artaud, some corrupt cops, a heavy dose of Surrealism, and a quest to see some giraffes.
Dive into the powerful narrative of Poetry Marching for Sindy as Virginia Pésémapéo Bordeleau examines the haunting disappearance of Sindy Ruperhouse in 2014, a woman from the Abitibiwinni First Nation. In this poignant seventh literary work, Bordeleau navigates the raw emotions of anger, sadness, and compassion that echo across the continent due to the vanishing of too many Indigenous women.
Through this evocative longform poem, Bordeleau delves into the depths of societal contempt and hatred towards Indigenous women, igniting crucial reflections on the root causes of violence against them. With a blend of spirituality and profound sensitivity, she crafts a compelling narrative that urges readers to join in her quest for justice and understanding.
Poetry Marching for Sindy serves as both a lament for Sindy?s absence and a celebration of women?s voices and the resilience of communities in the face of tragedy. Join Bordeleau on a journey of grief, longing, and hope as she honors Sindy’s memory and amplifies the voices of those who demand justice and closure. Poetry Marching for Sindy is a testament to the enduring strength of the human spirit and the unwavering power of collective action.
Home and Garden reporter, Robin MacFarland finds herself in the middle of yet another murder mystery. This time, aiming to prove that the death of the premier of Ontario at her family cottage had been murder and no mere accident.
The village of Supino looks as sleepy as the opening shot of an old black and white Fellini film. At the newspaper office, Bianca stumbles into a job meant for someone else and a new advice column, Ask Minerva, is born. Soon everyone is engaged in trying to discover the mystery columnist’s identity as well as the identity of her correspondents.
Seven years have passed since Rosa’s husband’s disappearance and now he’s been declared legally dead. And her secret lover (that all the villagers know about) wants to marry her. Bravo! Except Rosa is uncertain and when she’s uncertain she tends to run away. That’s why she’s taken her son Carlito to Venice for a week. As Rosa’s relationship unravels, Carlito does some unraveling of his own and inches closer to uncovering the mystery of his father’s identity. Back in the village, Rosa’s best friend Assunta is lonely. Perhaps that?s why Assunta falls so quickly and naively for Enzo, the smooth-talking bottle cap salesman.
Every villager, from the hairdresser to the barman and each one in between, has an opinion on Bianca’s column, Ask Minerva! The young hairdresser’s assistant has trouble with her marriage to a man with a wandering eye, not to mention other body parts, and at the Kennedy Bar, the men gather to laugh over the columnist, Ask Minerva’s advice until they begin to realize that it’s their wives who are requesting the advice.