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Longlisted Pat Lowther Award
A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism.
Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan’s impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and “money models of madness,” and “wellness” checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto–and how the “wrong” kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts–care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.
“This book is filled with important information and excellent insights. … You should buy it … please don’t illegally download it.” — John Degen, The British Columbia Review
Copyright is one of the cornerstones of western civilization; it is as relevant today, if not more so, than it was when the first formal copyright laws were enacted in the eighteenth century.
With the rise of the Digital Age, new challenges have been brought to the frontlines of the copyright battle. Online piracy, extensive unauthorized use of copyrighted works by educational institutions, and artificial intelligence are testing the ability of copyright laws to protect creators and their intellectual property.
Canada’s copyright laws are out of step with other western democracies and are overdue for updating. They need to be resilient and adaptive to the digital age to promote the production of new work and ideas.
Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. Molly declined, out of interest for her own safety. The next things Molly remembers are dirt, branches, trees, pain, and darkness.
Molly is now a spirit.
Mustering up some courage, she pieces together her short life for herself and her family while she reassembles her bicycle—the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly’s chilling tale becomes more and more vivid, challenging humanity not to forget her presence and importance.
In an intimate, loving approach to the tragic subject of missing and murdered Indigenous women and girls, the acclaimed author of Dreary and Izzy shines a light on the haunting tale of a preteen’s last moments.
When Landon and Joy meet they feel an instant connection and quickly become inseparable. One day shortly after they’ve met, they take a trip to view The Hart Farm, an idyllic property located in a remote area. It’s perfect, with room for Landon to set up his carpentry shop and Joy to have an art studio. The real estate agent feels complete disclosure of the property’s tragic and potentially violent past is necessary but Landon and Joy decide ignorance is bliss and ask to not be told the details. They’re in love and smitten with the farm and decide on the spot to buy it.
As they spend their days creating art, reading, cooking for each other, listening to music, and making love, they can barely believe their good fortune. However, when the heat of summer–as well as their initial infatuation–begins to wane, Landon and Joy realize how little they know about each other or the house they now call home. They begin to feel a mounting sense of danger and uncertainty about what they used to delight in–the mysterious and tragic history of The Hart Farm, the wolves that prowl in the dark of night, and the near stranger they share a bed with.
In the Country in the Dark is a thrilling psychological exploration of the secrets we keep and why, the obsessions we live with, the love we all need, the family we sometimes find–and the lengths we might go to keep it.
Triangulated against the backdrop of a deteriorating world, In the Key of Decay pushes past borders both real and imagined to attend to those failed by history. Attuned to scientific racism, systemic medical failures, and climate change, Em Dial’s poems incisively carve out space for interrogation. Their place-finding and place-making is often surprising, centring care and desire, where Dial’s speaker “calls for someone to call me what I am and for that someone to be a lover, bare on silk sheets, inside walls of confidential lilac.” In the Key of Decay doesn’t just hum along, it sings.
Poems that show us a world in which precedent for gender transition is everywhere if you know how to look.
“I delete my history / badly,” writes Estlin McPhee in this searing, witty, lyrical, and elegiac debut collection of poems about intersections of trans identity, magic, myth, family, and religion. The line refers at once to a young person’s browser data that reveals an interest in gender transition; an adult’s efforts to reconcile complicated relationships; a culture’s campaign to erase queerness and transness from the historical record; and a religion’s attempt to pretend that its own particular brand of miraculous transformation is distinct from the kind found in folktales or real life. Populated by transmasculine werewolves, homoerotic Jesuses, adolescent epiphanies, dutiful sisters, boy bands, witches, mothers who speak in tongues, and nonnas who cross the sea, this is a book in which relational and narrative continuity exists, paradoxically, as a series of ruptures with the known.
Tracing through Indigenous institutional development in Winnipeg, and providing a unique perspective on the history of Indigenous housing development, education, and economic development, Indigenous Resistance and Development in Winnipeg 1960-2000 explores Indigenous resistance in Winnipeg through the work of various Winnipeg institutions, including The Indian and Métis Friendship Centre, Children of the Earth and Niji Mahkwa schools, The Indigenous Women?s Collective of Manitoba: Dibenimisowin (We Own Ourselves), the Ma Maw Wi Chi Itata Centre, The Native Women?s Transition Centre, and Two Spirited People of Manitoba, among others. Taking on a rich historical grounding and encompassing a new generation of Indigenous organizing, this is the first book that explores Winnipeg history exclusively through the impactful development and resistance work of Indigenous organizations. Contributors include Nicole Lamy, Shauna MacKinnon, Kathy Mallett, Lawrie Deane, Lynne Fernandez, Doris Young, Annetta Armstrong, Josie Hill, John Loxley, Chantal Fiola, and Albert McLeod.
Winner of the 2014 Margaret Laurence Award for Fiction at the Manitoba Book Prizes!
Finalist for Best Book Cover / Jacket Design at the 2014 Alberta Book Design Awards!
Edith Stoker’s father is building a wall in their backyard. A very, very high wall–a brick bulwark in his obsessive war against their hated neighbour Edward Black.
It is 1969, and far away, preparations are being made for man to walk upon the moon. Meanwhile, in the Stokers’ shabby home in the East Midlands, Edith remains a virtual prisoner, with occasional visits from her grotesque and demanding Aunt Vivian serving as the only break in the routine.
But when shy, sheltered Edith begins to quietly cultivate a garden in the shadow of her father’s wall, she sets in motion events that might gain her independence… and bring her face to face with the mysterious Edward Black.
Rosie Chard’s followup to her award-winning debut Seal Intestine Raincoat is an engrossing, often mordantly funny portrait of a young woman who miraculously finds her own pathway to freedom within the most stifling of environs.
This haunting exploration of love and desire, disability and madness, trauma and recovery, is a diaristic marvel for fans of Annie Ernaux.
Weaving personal memory with magic realism and folklore, Iris and the Dead asks: What if you could look back and tell someone exactly how they changed the course of your life?
For our narrator, that someone is Iris, the counsellor with whom she developed an unusual, almost violent bond. There are things she needs to tell Iris: some that she hid during the brief time they knew each other, and some that she has learned since. She was missing her mind the autumn they spent together and has since regained it.
Iris and the Dead unfurls the hidden power dynamics of abuse, offering a beguiling inquiry into intergenerational trauma, moral ambiguity, and queer identity.
“What a monumental achievement this book is. I was fascinated from the first page. Brian Solomon filled in so many blanks for me and also reintroduced many wrestlers I’d long forgotten about. I’ll put it right next to my favorite pro wrestling books ever!” — Bret Hart
Features rare photos and a detailed career timeline, exploring Gorilla’s groundbreaking contributions to the sport.
A crucial figure in the development of what would eventually become the juggernaut known as WWE, Robert “Gino” Marella, better known as Gorilla Monsoon, has never had his whole story told — until now.
It’s a story that starts with the aspirations of the son of Italian immigrants who becomes a national standout in collegiate wrestling and an Olympic hopeful, then takes an unlikely trajectory through the bizarre world of pro wrestling, eventually landing him in what was then known as the WWWF.
From Gino’s wrestling days as the rampaging monster who sold out Madison Square Garden and challenged world champion Bruno Sammartino dozens of times, to his pivotal role behind the scenes as part owner and would-be successor to Vince McMahon Sr., to his days as the beloved television commentator who narrated the memories of millions of young fans, Brian Soloman, the author of Blood and Fire: The Unbelievable Real-Life Story of Wrestling’s Original Sheik, has once again crafted the definitive biography of one of the most fascinating characters in pro wrestling history. Gino’s name and his voice are etched deep in the memory of wrestling fans the world over. This is his incredible story.
Winner, J.M. Abraham Atlantic Poetry Award
Longlisted, First Nation Communities READ
“Canada rejected our applications for enrolment in the Qalipu First Nation. Initially, I was relieved by the rejection. I’d watched my hometown divide itself — are you Mi′kmaq or settler? Mi′kmaq or not Mi′kmaq enough?”
Centred around the Newfoundland Mi’kmaq experience in the wake of the controversial Qalipu First Nation enrolment process, Island wades through the fracture and mistrust that continues to linger in many communities. In this new collection, Douglas Walbourne-Gough expands upon issues of identity and history that he introduced in Crow Gulch, offering a deeply personal and equally beautiful exploration of Mi’kmaw and Newfoundland identity.
Walbourne-Gough’s narrative poems trace the formation of identity, not through status documentation, but through its deeper roots in childhood memories, family, spirituality, and dreams. Throughout this collection, he approaches life in fragments — snuggling into his nan’s sealskin snowsuit, learning Mi’kmaq from an app, or the myriad of complex emotions that come with receiving a status card — and watches them transform into pieces of an everlasting puzzle. Island reckons with an often-ignored, yet persistent, effect of colonialism — fractured identities.
IsThisAnOlogy? is a journey of discovery! Andie interviews different “ologists” and learns all about different types of science.
IsThisAnOlogy? explores big jobs, big science, and the biggest questions. Learn about fossils, bird migration, beekeeping, the science behind making food delicious, and the chemistry involved in cheese making. IsThisAnOlogy? features illustrations, interviews, comics, photographs, charts, recipes, and experiments you can try at home. Science can be a fun hands-on activity!
When Margaret learns of the death of her former husband, she recalls their earliest days together as Ph.D. candidates, beginning a journey through her past. Told through the sensations of Wallace Stevens’s poem “Thirteen Ways of Looking at a Blackbird,” the subject of her uncompleted thesis, Margaret evokes beautiful, ordinary and painful sexual memories from before, after and during their marriage. Stevens, a guiding voice in her head for twenty-five years, cajoles Margaret into unearthing the reasons she never became the poet, scholar, wife or mother she thought she would be. Bold and poetic, It is Solved by Walking is an intimate portrait of a writer making her way back to poetry one step at a time.