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For decades, the Holloways have operated a convenience store in the working-class neighborhood of Rabbittown in St. John’s, and every customer has a story. In a vibrant, contemporary family saga, filled with idiosyncratic characters, Trudy Morgan-Cole tells the tale of three generations of Holloway women—Ellen, Audrey, and Rachel—their loves and their livelihood in times of great change. Most Anything You Please captures the spirit of a community and the women who hold it together, revealing the bonds that break and the ties that bind.
How do we speak what feels unspeakable?
Exploring the landscape of grief in the wake of divorce, Most of All the Wanting is a treatise on intimacy in the face of change. Throughout, Amanda Merpaw’s poems attend to the fluidity of queer desire, documenting the complexities of intimacy, longing, and joy where “there’s burning beyond / the cusp of our cups.” Set in an environment of political and ecological upheaval, Most of All the Wanting asks what queerness makes possible within the self and the world. An essential debut.
From award-winning poet Catherine Owen, a collection of poems about one woman’s journey from BC to a new life in Alberta, where she buys an old house and creates a new meaning of home.
In search of stability and rootedness, in 2018 Catherine Owen moved from coastal Vancouver to prairie Edmonton. There, she purchased a house built more than one hundred years earlier: a home named Delilah.
Beginning from a space of grief that led to Owen’s relocation, the poems in this collection inhabit the home, its present and its past. These poems share the stories of decades of renovations, the full lives of Delilah’s previous inhabitants, and Owen’s triumphs and failures in the ever-evolving garden. The poems ultimately whirl out in the concentric distances of the local neighbourhood and beyond — though one house can make a home, home encompasses so much more than one house.
In this exceptional and lyrical collection, Catherine Owen interrogates her need for economic itinerancy, traces the passage of time and the later phases of grief, and deepens her understanding of rootedness, both in place and in poetic forms.
Drawing on her Ojibwa roots and storytelling, Barnes shares stories that take the heart on the path to the past, nostalgic though it may be, wherein lies discovery, memories, and rhythms that ease the soul. Touching, tender but never overwrought, Barnes’ poetry brings wonder to the spirit of nature and provides a sense of connection to the things most often overlooked.
An award-winning poet’s day-book of poems, where both bounty and loss are tenderly assigned value.
Marlene Cookshaw, in her first collection of poetry in more than a decade, invites her readers to partake in a long-anticipated harvest that comes in many forms. Whether she’s haying June-high grasses, relishing a neighbour’s gift of new potatoes with her husband, logging fragments of poetry she’s read in a notebook, or honouring the deaths of her parents, Cookshaw works an open field. Through this pastorale wander dogs, horses, chickens, and donkeys in counterpoint to farm labourers and long-time residents who share in her abiding connection to the land they mutually watch over and tend. The power grid may fail while every monthly expense is brought to account, but observation as careful and particular as Cookshaw’s more than weighs the seasons that it seeks to bring into balance.
Each day
I plan how the next will differ,
will more resemble what
I want a life to be.
“These poems can confront quotidian life in plainspoken language because, like an extraordinary pencil drawing, there is so much subtle cross-hatching and shading. Cookshaw observes her mother’s death, for example, both directly and aslant, half turning away, as if unsure which is the more truthful. Mowing requires that you sit and visit for a good long while.” –Ross Leckie
When he decides to visit his cousin Georgie, Mr. Beagle is not looking for a new mystery to solve?but he finds one nonetheless. Books have been going missing in the neighborhood, and not just any books?storybooks. Of course, Mr. Beagle?s keen nose and sharp eyes help him find the answer.
In this delightful picture book, Lori Doody has her quirky canine sleuth solve a new puzzle and celebrates the importance of stories in the lives of us all.
Someone is snatching snacks on Signal Hill! Can Mr. Beagle suss out who? While taking a hike up Signal Hill, Mr. Beagle soon realizes that people?s picnics are being plundered! Who could the culprit be? With his nose for clues and a handy pair of binoculars, he solves the puzzle, and finds a way to encourage community and collaboration. Lori Doody?s quirky canine detective is back with another fun and charming picture-book mystery?the third in her on-going Mr. Beagle series.
When Mr. Beagle moves to Rabbittown, his new neighbors aren?t sure what to make of him. Everyone else is a rabbit, after all. But then mittens start to go missing, and no one knows where they might be. Who better than Mr. Beagle to sniff out the culprit!
With quirky, charming illustrations and sweet, simple text, Mr. Beagle Goes to Rabbittown celebrates how one finds a space in a new place, and the warm embrace of community.
Muinji’j has been waiting all his life to make this trip with his grandfather-a trip to the city to sell rich otter, beaver and muskrat pelts and bring back supplies to the village. It’s a long expedition that tests Muinji’j’s reserves of strength, patience and maturity. Just as he thinks he and his niskamij have faced all of their challenges, the worst happens-his naskamij falls ill. Although Muinji’j gathers the medicine his grandfather asks for, it doesn’t help fast enough. Both of them realize that there is only one solution: Muinji’j must continue the jou ey alone. He must face the challenges and mysteries of a city he has never seen, and retu to help his grandfather as well as his village that relies on him. Saqamaw Mi’sel Joe is the chief of the Miawpukek Mi’kamawey Mawi’omi – Conne River Mi’kmaq Tribal Nation in Newfoundland. The Miawpukek Band Reserve, which is the only one recognized in Newfoundland, has an on reserve population of approximately 700 people. The reserve is located on the south east shore of Newfoundland. The reserve covers an area of some 14 square miles. It lies 560 km from the capital city of St. John’s and 180 km from the nearest services center, Grand Falls. Saqamaw Mi’sel Joe was bo in Miawpukek on June 4, 1947 into a strong Mi’kmaq family; both his grandfather and uncle have held the office of hereditary Saqamaw. He has been educated in all the Mi’kmaq ways and traditions. Currently, Mi’sel Joe is in his fourth consecutive two-year term as Administrative Chief. He is also the spiritual leader of his people. In this capacity he has gained recognition provincially, nationally and inte ationally, particularly in the area of spiritual healing. He lives together with his wife Colletta and granddaughter Ansalewit at Miawpukek First Nation in Newfoundland. Muinji’j Becomes a Man is his first book.
Winnipeg, 1935. 47 year old Detective Inspector Sidney Baxter is the finest Detective with the Winnipeg Police Force with a keen analytical mind. He’s also blind. When two grisly murders are discovered in different places, they appear to be unrelated. There is no evidence of theft as motive and no witnesses to either killing.
From racetracks to hospitals, from sumptuous theaters like the Capital, and the carpeted elegance of Eaton’s Grill room, to the ten stool counter at Winnipeg’s first Salisbury House the reader is drawn into a city, time, and place of a decadent past. From site to site Sidney Baxter and his ever faithful assistant Maxime Godbout must identify and apprehend the killer. Or killers.
The third book in Roy Innes’ mystery series sends RCMP Inspector Coswell and the newly promoted Sergeant Blakemore to the district of West Caribou in British Columbia, where the murder of a neophyte Mountie, the son of a local rancher, threatens to ignite racial conflicts that have been simmering in the region ever since 1885, when five First Nations men were hanged for treason.
The KANAVUCCHIRAI quintet develop the context of Sri Lanka’s tragic civil war. As the youth in the island village of Nainativu realize that their education and prospects are being curtailed by an increasingly Sinhala majoritarian nationalist government, they begin to rise up in opposition. Volumes 1 and 2, through its main characters, the young woman Rajalakshmi and her betrothed, Suthan, described the growth of the armed struggle from the 1980s onwards as the young people sail to Tamil Nadu in India to join the resistance.
Volumes 3 and 4 return to the micro-environment of Nainativu and the main island of Sri Lanka and the Tamil struggle as it takes shape there. Volume 5 returns to the surviving characters from the first two volumes, and serves more as an afterward that places their story in a global context, as international actors enter the scene. These novels also bring in other characters that speak to the different political and ideological movements at the time: both militant and pacifist, leftist and nationalist. Devakanthan shows how different political movements drew inspiration from each other, and how divisions appeared and grew within what was first seen as an unshakeable organization.
Devakanthan’s characters are richly detailed, both male and female protagonists endowed with internal lives. The quintet thoughtfully and sensitively narrates the story of simple men and women trapped within a national struggle. As a whole it describes how a movement united by lofty goals begins to fall apart, as disagreements appear and former allies go their separate ways.
The quintet won the Government of Tamil Nadu Novel of the Year Award (1998) for THIRUPPADAIYAATCHI (His Sacred Army), and the Tamil Literary Garden’s Best Novel Award (Canada, 2014).
A meditative and piercing collection that explores traumas both ordinary and out of the ordinary.
Museum of Kindness, Montreal poet Susan Elmslie’s searching second collection of poetry, is a book that bravely examines “genres” familiar and hard to fathom: the school shooting, PTSD, raising a child who has a disability. It is a collection about thresholds big and small. In poems grounded in the domestic and in workaday life, poems burnished by silence and the weight of the unspoken, poems by turns ironic and sincere, Elmslie asks “What, exactly, is / unthinkable?” Confronted by “the mismatch / between our need for meaning / and our inability to find it,” the poet reflects on the possibility of the miraculous in hard-won insights, in “a comparatively / uncomplicated joy.”
Of the “Museum of Kindness” evoked in the title poem, Elmslie writes, “There isn’t one.” This and many other poems in the collection confront that absence and emerge from the silence to consider the duality of loss, the gift of “ordinary comfort,” and the transformative possibilities of art. Candid, forthright, urgent, celebratory, and wise, this is a book for all of us; in it, we encounter a sober and unflinching gaze that meets us where we really live.
“… These poems are so acute, so clear-eyed in their brutal wisdom, that I had to put the book down to rest between poems, like a woman in labor, entirely wrung out. Museum of Kindness is a masterpiece of loss transformed by love into some of the most greathearted, lyrically daring poems I’ve ever had the pleasure of reading. Susan Elmslie has written a brilliant, unforgettable book.” –Rachel Rose, Vancouver’s Poet Laureate
***2022 ATLANTIC BOOK AWARDS: APMA BEST ATLANTIC-PUBLISHED BOOK AWARD – SHORTLIST***
***2022 BMO WINTERSET AWARD – LONGLIST***
***2022-2023 HACKMATACK AWARD: ENGLISH FICTION – SHORTLIST***
***2022 IPPY AWARDS: MULTICULTURAL FICTION: JUV/YA – SILVER***
In 1822, William Epps Cormack sought the expertise of a guide who could lead him across Newfoundland in search of the last remaining Beothuk camps on the island. In his journals, Cormack refers to his guide only as “My Indian.”
Now, almost two hundred years later, Mi’sel Joe and Sheila O’Neill reclaim the story of Sylvester Joe, the Mi’kmaw guide engaged by Cormack. In a remarkable feat of historical fiction, My Indian follows Sylvester Joe from his birth (in what is now known as Miawpukek First Nation) and early life in his community to his journey across the island with Cormack. But will Sylvester Joe lead Cormack to the Beothuk, or will he protect the Beothuk and lead his colonial explorer away?
In rewriting the narrative of Cormack’s journey from the perspective of his Mi’kmaw guide, My Indian reclaims Sylvester Joe’s identity.
Frankie is young monster who’s life often feels like it’s about to unravel– she can’t even count on getting through a softball game with all her limbs still attached! When she meets Momo, a girl who– despite being made of squishy, pink slime– is as sharp as she is cute, Frankie wants nothing more than to get closer to her. In order to do that however, Frankie now finds herself having to thread the needle around a new job, a scheming skeleton and the world’s hairiest ex-girlfriend drama. Join Frankie in a world full of monsters, magic and (hopefully!) love, as she tries her best to set the seams on an exciting new life!