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Making advanced stats simple, practical, and fun for hockey fansAdvanced stats give hockey’s powerbrokers an edge, and now fans can get in on the action. Stat Shot is a fun and informative guide hockey fans can use to understand and enjoy what analytics says about team building, a player’s junior numbers, measuring faceoff success, recording save percentage, the most one-sided trades in history, and everything you ever wanted to know about shot-based metrics. Acting as an invaluable supplement to traditional analysis, Stat Shot can be used to test the validity of conventional wisdom, and to gain insight into what teams are doing behind the scenes — or maybe what they should be doing.Whether looking for a reference for leading-edge research and hard-to-find statistical data, or for passionate and engaging storytelling, Stat Shot belongs on every serious hockey fan’s bookshelf.
One Friday, Vancouver lawyer Paul Brenner has dinner with his son, Daniel. They talk about work, health, money, and music, and part ways. The following evening, Paul receives the phone call that is every parent’s worst nightmare: Daniel has been killed in Stanley Park.
Hold Me Now is an unflinching portrayal of a father’s grief, as Paul learns how very different the new world–a world without his son–will be for him. The investigation of Daniel’s murder, the trial, and the sentencing of the killer test Paul’s faith in the legal system. As both the media and public protest the overt role homophobia played in Daniel’s death, Paul struggles to cope, and begins to form reckless and dangerous habits. But with the love of two people in his life who sustain him–his mother, Jean, and his daughter, Elizabeth–he begins to comprehend an incomprehensible tragedy, and forgive an unforgiveable crime.
A collection of three plays exploring the intersections of mental health, community, addiction, and masculinity, blended with absurd humour and raw, heartfelt storytelling.
Home in Three Plays is a trinity of tragicomedies about the underclass in St. John’s. Each story is a brash, bawdy, and bittersweet journey through city streets, as unlikely heroes hunt for a place to call home. As they prowl the margins of society, they shine with humanity, even in their darkest, most unforgiving moments.
Driven mad by drugs, swans, and pesto pasta, the characters in these stories are sporting their best balaclavas and begging for a last chance—and buddy, are they ever hard up for a smoke. Will these streels be consumed by revenge? Or will they find the home that we’re all desperately searching for?
From the acclaimed author of Visible Light comes a collection of seven outstanding stories, each set against the rural landscape of Vancouver Island and the cities of the Pacific Northwest. In these stories the memories and dreams of characters are examined, revealing them to be both cages and keys to the cages.
The life lessons learned by the characters are often as complicated and painful as they are illuminating. In the title story, two sisters fall in love with their math tutor on one of the Gulf Islands, inhabited equally by the ghosts of the misfits and Hollywood stars who came to live there, and the children of an alternative school, run by the girls’ criminally optimistic father. In “Sand and Frost,” a young girl drops out of UBC, returns home, and discovers that her domineering grandmother is the sole survivor of a shocking act of family violence. In “What Saffi Knows,” a child, unable to explain to her self-involved parents, struggles with the knowledge of the whereabouts of another missing child. In these remarkable seven stories, Carol Windley creates a sense of place and of people that breathe the cool wet air of a spring morning on Gabriola Island.
In 1973, fifteen-year old Qʷóqʷésk?i?, or “Squito” Bob, is a mixed-blood N?e?kepmx boy trying to find his place in a small, mostly Native town. His closest friends are three n?e?kepmx boys and a white kid, an obnoxious runt who thinks himself superior to his friends. Accepted as neither Native nor white, Squito often feels like the stray dog of the group and envisions a short, disastrous life for himself. Home Waltz follows the boys over thirty-six hours on what should be one of the best weekends of their lives. With a senior girls volleyball tournament in town, Squito’s favourite band performing, and enough alcohol for ten people, the boys dream of girls, dancing and possibly romance. A story of love, heartbreak and tragedy, Home Waltz delves into suicide, alcohol abuse, body image insecurities, and systemic racism. A coming of age story like no other, Home Waltz speaks to the indigenous experience of growing up in a world that doesn’t want or trust you.
A citizen’s guide to making the big city a place where we can afford to live.
Housing is increasingly unattainable in successful global cities, and Toronto is no exception – in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
Award-winning author David Homel mixes memoir and fiction, truth and make-believe in these mediations on his youth in Chicago, his education, and the influences that led to his career as a writer.
A breathtaking duet of spare, poetic novellas documenting the double-edged sword of self-acceptance.
Heather Nolan returns with How to Be Alone, a pair of novellas that depict the euphoric highs of a Queer awakening and the crushing lows of feeling Othered in a world that isn’t built for you. In this short but weighty book, Nolan explores themes such as isolation, trauma, and loss against the vibrant streets of Montreal. Here, in a city famous for bringing people together, the streets serve as a palette with a different purpose: a foil for those struggling to connect with the world around them.
How to Be Alone on Boulevard Saint-Laurent follows a fragmented trail left by Kaitlin, a narrator who finds moments of astonishing absurdity and beauty in the mundane as she wanders along Boulevard Saint-Laurent. In How to Be Alone on Rue Sainte Catherine, Lev moves to the Gay Village in Montreal to escape his mother, but what he finds is not what he expected.
A writer of uncommon talent, Nolan creates characters that reveal themselves through an understated confessional — the empty spaces holding meaning as much as the worded ones.
In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull destructive pranks. Preyed upon by Trickster and his own fragile psyche, Wind looks for a way out, one that might lead him into his mother’s shadow.
In Stitch, Kylie Grandview is a single mom struggling to make a living as a porn star while dreaming of being on the big screen. She’s painfully aware that she is among the many nameless faces on the Internet, the ones that blip across cyberspace, as her yeast infection, Itchia, reminds her at every turn. But when Kylie is offered the chance at a big break, a series of twisted events lead her down a destructive path, revealing a face no one will forget.
Whether investigating a gruesome triple-murder, a fairy tale marriage gone horribly wrong, or a brilliant con artist, Michael Lista has proven himself one of the most gifted storytellers of his generation. In his belief that crime reporting thrives the closer it moves to “the human scale”—where every uncovered secret reveals the truth of our obligations to each other—Lista builds his compulsively readable narratives from details (fake flowers, a little girl’s necklace) others might pass over, details that provide a doorway into the extreme situations he is drawn to. The Human Scale not only includes Lista’s most celebrated magazine stories to date, but comes with postscripts that describe his process in writing each piece, and the fallout from publication. Here is long-form journalism in its most hallowed form: brilliant and bingeable.
A compelling, haunting novel about a man experiencing gaps in time, and the pain of living inside an anxious mind.
Felix wakes up one day to find he has a girlfriend he doesn’t recognize. He finds a novel, with his name on the cover, that he doesn’t remember writing. He’s been losing time since university. Sometimes these gaps are minutes, sometimes months. But now he begins experiencing flashbacks and moments where he gets a glimpse of an unsettling future. He will do anything necessary to keep the people he loves safe . . .
Hummingbird is a haunting, powerful novel, told in unadorned language that expresses with clarity the pain of living inside a disturbed mind. Like Anakana Schofield’s ground-breaking Martin John, Hummingbird is at times uncomfortable, but written with deep compassion and a sense of urgency.
A fast-paced thriller set in the vast and rugged Yukon wilderness, The Hunt follows an unlikely duo on an exhilarating journey as they battle the terrain and race against the clock to solve a murder—before they become victims themselves.
Ben Matthews is less than thrilled when he is posted to Canada from Washington, but he doesn’t have time to sit in his disappointment. His diplomatic credentials are still fresh when he is drawn into an urgent assignment: locating an American VIP who vanished on a Yukon hunting trip. Seeking help from the local Mounties, he finds himself paired with Lee Sawchuk; an RCMP sergeant, she is at ease in the challenging terrain of the Yukon environment. Battling nature and their considerable differences, the impromptu team’s search takes them to Kluane National Park and beyond—but the missing person is no ordinary VIP, and this is no ordinary search. Faced with a cryptic warning found in the remote Yukon mountains, all Matthews and Sawchuk know for sure is that the clock is ticking—and they only have four days left.
A journey in search of love through the contemporary homoerotic male body.
Improvising on a variety of poetic forms and traversing disparate landscapes — from Belfast to the clear-cuts of Vancouver Island, from the subterranean heat of Jules Verne’s Iceland to the ventriloquism of the Alberta Rockies’ echoing eastern slopes — John Barton documents the path of the male body in the search for love in an increasingly unstable, supposedly tolerant contemporary world. Hymn, stokes the fires of homoerotic romantic love with its polar extremes of intimacy and solitude.
… though he files all forethought of the unknown life now going
on without him, a life he confuses with his own, his life promiscuous
however rearranged his surfaces or clean his drawers, the unclarifying
distractions of the body portentous in his downfall, the downfall
of his own body a matter of time, but thinking of the man who left
the accidental man come between them, the man he may yet become
it is impossible for him not to sing them unwashed hymns of praise.
— from “Hymn”
Dan Yashinsky’s son Jacob died tragically in a car accident at the age of 26. Dan, Jacob and Jacob’s best friend Effie were driving back to Toronto after a magical trip to Montreal when Dan fell asleep at the wheel and crashed. Dan and Effie survived, but Jacob did not. When the unimaginable happens–a parent is still somehow here but their child is gone–all that’s left are stories. In the process of grieving his son, Dan realized that he was now Jacob’s storykeeper, and I Am Full is Jacob’s story.
Jacob’s death is the least interesting thing about him. How he lived, the kind of man he became, is what matters most. All his life, Jacob had struggled with Prader-Willi Syndrome, but rather than let it defeat him, he became an advocate for people suffering from PWS as well as people coping with various other disabilities. He was a jewelry-maker, a photographer, a songwriter, a TPS crossing guard, and an avid fisherman. Six months after Jacob’s death, Dan began to gather and create the texts that make up this chronicle, all the while guided by Jacob’s imagined voice. The events in I Am Full are drawn from many periods of Jacob’s life. Much of it–poems, sayings, speeches, letters, notes–are in Jacob’s own words and the rest is told in his imagined voice narrating things that Dan saw him do or hear him talk about. Jacob’s voice has been captured and carried in this unique book, which goes beyond the terrible grief of losing a child to preserving and sharing his story.