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With her remarkable debut collection, Yukon poet Clea Roberts proffers a perceptive & ecological reading of the Canadian North’s past & present.
Roberts deftly draws out the moments that comprise a cycle of seasons, paying as much attention to the natural—the winter moon’s second-hand light that pools in the tracks of tree squirrels & loose threads of migrating birds—as she does to the manufactured—the peripheral percussion of J-brakes & half-melted ice lanterns. She also casts her gaze back to the Klondike Gold Rush of 1897-1898, raising the voices of those marked by a frenetic race for fortune: a seductive, edgy wolf, a disillusioned photographer, and a pragmatic prostitute, among others.
Here Is Where We Disembark is a beautifully crafted book that ignites the senses, and its presence lingers, like woodsmoke, long after the final page has been turned.
Enter Citiesville, the golden metropolis (no, not that one) guarded by Hero-Man! When Hero-Man uncovers a plot by the Mayor to take advantage of Hero-Man?s protection, his whole world is changed. He?ll need the help of Kid-Lad, Hero-Lass, and all the citizens of Citiesville to help him overcome his greatest challenge: himself.
Join Hero-Man on his first adventure as he makes you reconsider everything you?ve ever thought about comic books and the world around you.
In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent seventies of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.
Hides is a novel of family and politics that distinguishes itself through its careful intermingling of seriousness and comedy, and its surreal but eerily plausible setting.
As wildfires rage across the country and another federal election looms, four friends convene for a wilderness hunting trip in northwestern Newfoundland to commemorate the death of one of their sons, killed in a mass shooting in Calgary the year before. Hides traces the emotional ruptures following this violent, untimely death, along with the tensions of old friendships and father-son relationships marred by loss, betrayal, and a pervasive political and environmental disenchantment.
Finalist for the 2019 Rasmussen, Rasmussen and Charowsky Indigenous Peoples’ Writing Award
Hiraeth is about women supporting and lending strength and clarity to other women so they know that moving forward is always possible– and always necessary. It documents a journey of struggle that pertains to a dark point in Canadian history that few talk about and of which even fewer seem aware. Poems speak to the 1960’s “scoop up” of children and how this affected the lives of (one or thousands) of First Nations and Métis girls– girls who later grew to be women with questions, women with wounds, women who felt like they had no place to call home. That is, until they allowed themselves to be open to the courage others have lived and shared. “Hiraeth” is a word that is Celtic in origin and it means looking for a place to belong that never existed. But this place does exist — in the heart.
Making advanced stats simple, practical, and fun for hockey fansAdvanced stats give hockey’s powerbrokers an edge, and now fans can get in on the action. Stat Shot is a fun and informative guide hockey fans can use to understand and enjoy what analytics says about team building, a player’s junior numbers, measuring faceoff success, recording save percentage, the most one-sided trades in history, and everything you ever wanted to know about shot-based metrics. Acting as an invaluable supplement to traditional analysis, Stat Shot can be used to test the validity of conventional wisdom, and to gain insight into what teams are doing behind the scenes — or maybe what they should be doing.Whether looking for a reference for leading-edge research and hard-to-find statistical data, or for passionate and engaging storytelling, Stat Shot belongs on every serious hockey fan’s bookshelf.
One Friday, Vancouver lawyer Paul Brenner has dinner with his son, Daniel. They talk about work, health, money, and music, and part ways. The following evening, Paul receives the phone call that is every parent’s worst nightmare: Daniel has been killed in Stanley Park.
Hold Me Now is an unflinching portrayal of a father’s grief, as Paul learns how very different the new world–a world without his son–will be for him. The investigation of Daniel’s murder, the trial, and the sentencing of the killer test Paul’s faith in the legal system. As both the media and public protest the overt role homophobia played in Daniel’s death, Paul struggles to cope, and begins to form reckless and dangerous habits. But with the love of two people in his life who sustain him–his mother, Jean, and his daughter, Elizabeth–he begins to comprehend an incomprehensible tragedy, and forgive an unforgiveable crime.
A collection of three plays exploring the intersections of mental health, community, addiction, and masculinity, blended with absurd humour and raw, heartfelt storytelling.
Home in Three Plays is a trinity of tragicomedies about the underclass in St. John’s. Each story is a brash, bawdy, and bittersweet journey through city streets, as unlikely heroes hunt for a place to call home. As they prowl the margins of society, they shine with humanity, even in their darkest, most unforgiving moments.
Driven mad by drugs, swans, and pesto pasta, the characters in these stories are sporting their best balaclavas and begging for a last chance—and buddy, are they ever hard up for a smoke. Will these streels be consumed by revenge? Or will they find the home that we’re all desperately searching for?
From the acclaimed author of Visible Light comes a collection of seven outstanding stories, each set against the rural landscape of Vancouver Island and the cities of the Pacific Northwest. In these stories the memories and dreams of characters are examined, revealing them to be both cages and keys to the cages.
The life lessons learned by the characters are often as complicated and painful as they are illuminating. In the title story, two sisters fall in love with their math tutor on one of the Gulf Islands, inhabited equally by the ghosts of the misfits and Hollywood stars who came to live there, and the children of an alternative school, run by the girls’ criminally optimistic father. In “Sand and Frost,” a young girl drops out of UBC, returns home, and discovers that her domineering grandmother is the sole survivor of a shocking act of family violence. In “What Saffi Knows,” a child, unable to explain to her self-involved parents, struggles with the knowledge of the whereabouts of another missing child. In these remarkable seven stories, Carol Windley creates a sense of place and of people that breathe the cool wet air of a spring morning on Gabriola Island.
In 1973, fifteen-year old Qʷóqʷésk?i?, or “Squito” Bob, is a mixed-blood N?e?kepmx boy trying to find his place in a small, mostly Native town. His closest friends are three n?e?kepmx boys and a white kid, an obnoxious runt who thinks himself superior to his friends. Accepted as neither Native nor white, Squito often feels like the stray dog of the group and envisions a short, disastrous life for himself. Home Waltz follows the boys over thirty-six hours on what should be one of the best weekends of their lives. With a senior girls volleyball tournament in town, Squito’s favourite band performing, and enough alcohol for ten people, the boys dream of girls, dancing and possibly romance. A story of love, heartbreak and tragedy, Home Waltz delves into suicide, alcohol abuse, body image insecurities, and systemic racism. A coming of age story like no other, Home Waltz speaks to the indigenous experience of growing up in a world that doesn’t want or trust you.
A citizen’s guide to making the big city a place where we can afford to live.
Housing is increasingly unattainable in successful global cities, and Toronto is no exception – in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
Award-winning author David Homel mixes memoir and fiction, truth and make-believe in these mediations on his youth in Chicago, his education, and the influences that led to his career as a writer.