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Finalist for the 2024 Quebec Writers Federation Fiction Award
Finalist for the 2024 Big Other Book Award for Fiction
Finalist for the 2024 Paragraphe Hugh MacLennan Prize for Fiction
What are the best ways to support political struggles that aren’t your own? What are the fundamental principles of a utopia during war? Can we transcend the societal values we inherit? Dry Your Tears to Perfect Your Aim is a remarkably original, literary page-turner that explores such pressing questions of our time.
A depressed writer visits a war zone. He knows it’s a bad idea, but his curiosity and obsession that his tax dollars help to pay for foreign wars draw him there. Amid the fighting, he stumbles into a small strip of land that’s being reimagined as a grassroots, feminist, egalitarian utopia. As he learns about the principles of the collective, he moves between a fragile sense of self and the ethical considerations of writing about what he experiences but cannot truly fathom. Meanwhile, women in his life—from this reimagined society and elsewhere—underscore truths hidden in plain sight.
In these pages, real-world politics mingle with profoundly inventive fabulations. This is an anti-war novel unlike any other, an intricate study of our complicity in violent global systems and a celebration of the hope that underpins the resistance against them.
Nora flees her small town after the sudden death of her lawyer husband. In Toronto, an ad lures her to rent a cheap apartment, where the landlord Henry lives in the next unit. Initially helpful to Nora, his charm hides a desire to manipulate women, leaving Nora vulnerable to his predations. The propulsive plot reveals that Nora hides secrets of her own – secrets that may save or undo her. This terrifying and essential debut novel brings forth a confident new literary voice to the trade.
Dying to be Thin is a witty and inspirational look behind locked doors into the secret life of a young teenager battling with the eating disorder bulimia. Written from the authors own personal experience, the play unfolds to tell the poignant story of Amanda, as she sets out to have her “Last Ever in Her Whole Life Binge.”
When Erika Drake, of the Westmount Drakes, met and fell in love with Marc Reiser, a Jew from northern Ontario, their respective worlds were turned upside down. Set against the backdrop of the first three years of the Second World War, Earth and High Heaven captured the hearts and minds of its generation and helped to shape the more diverse and inclusive culture we have today.
Published in 1944, this classic novel was very timely; it spoke of the prejudices of its time, when Gentiles and Jews did not mix in society. Earth and High Heaven was the most successful novel of its time, winning many awards and prizes, including the Anisfield-Wolf Book Award in 1945 (an award founded to reward books that exposed racism or explored the richness of human diversity). It was translated into eighteen languages and the film rights were purchased by Samuel Goldwyn for a remarkable $100,000. Earth and High Heaven was the first Canadian novel to top the New York Times bestseller list for the better part of a year.
When Erika Drake, of the Westmount Drakes, met and fell in love with Marc Reiser, a Jew from northern Ontario, their respective worlds were turned upside down. Set against the backdrop of the first three years of the Second World War, Earth and High Heaven captured the hearts and minds of its generation and helped to shape the more diverse and inclusive culture we have today.Shortlisted Raymond Souster Award
Interviewed on CBC Books
CBC Best Poetry Book 2024
Relentlessly inventive poetry that proclaims a diasporic, queer, and disabled self-hood.
In Jane Shi’s echolalia echolalia, commitment and comedy work together to critique ongoing inequities, dehumanizing ideologies, and the body politic. Here are playful and transformative narratives of friendship and estrangement, survival and self-forgiveness. Writing against inherited violence and scarcity-producing colonial projects, Shi expresses a deep belief in one’s chosen family, love and justice.
“Shi extends her poetics in all directions with silky skill. Language flourishes in the realm of a poet like this.”
– T. Liem, author of Slows: Twice and Obits.
A revolutionary chemist, Dr. Fritz Haber discovered too late that when his knowledge was put in the hands of the wrong people, millions would die; his efforts to serve humanity futile against political will, nationalism, and war. This updated edition of Vern Thiessen’s Governor General’s Literary Award–winning play about the collision of power and pride still resonates with verve and vigour.
It’s a busy summer for Truly. Though her mother is less of a mother than she ought to be, and spends her time drinking and smoking and working her way through new boyfriends, Truly is determined to raise as much money for herself as she can through her lemonade stand … and to prove that her cool new neighbour is the one and only King of Rock ‘n’ Roll. And when she can’t find motherly support in her own home, she finds sanctuary with Andy El, the Salish woman who runs the trailer park.
An abandoned town named for the classical lesbian leads to questions about history and settlement.
Driving along the Pacific Coast Highway, you come to a road sign: Entering Sappho. Nothing remains of the town, just trash at the side of the highway and thick, wet bush. Can Sappho’s breathless eroticism tell us anything about settlement—about why we’re here in front of this sign? Mixing historical documents, oral histories, and experimental translations of the original lesbian poet’s works, this book combines documentary and speculation, surveying a century in reverse. This town is one of many with a classical name. Take it as a symbol: perhaps in a place that no longer exists, another kind of future might be possible.
This is the story of Barry and Lupus. Barry, an exhausted newspaper owner physically and economically on the ropes, meets Lupus, a wolf-German Shepherd cross, at an animal shelter. Despite a nagging belief that he cannot take responsibility for anything or anyone else, Barry rescues Lupus and takes him home.
Every Wolf’s Howl recounts their incredible three-year journey together, back and forth across the country, enduring poverty, heartache, and illness. Beginning at the tail end of Barry and Lupus’s story and looping back in time, this memoir presents a moving portrait of economic struggle and an intimate glimpse into an extraordinary friendship. Lupus’s inner wolf never completely submits to domestication: he heels only when he chooses to. Barry witnesses something determinedly natural, untamed, and fierce within Lupus. Something admirable. Something he can learn from.
Do you believe in angels? When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene?s mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film. And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way. Everything Affects Everyone,/em> is a novel about listening, about how women speak to one another, and about the power of the question.
Revived from a coma after a traumatic event, Megan’s injuries leave her capable of great violence, forcing her desperate physician Cassandra to recruit Alison, an Indigenous clinician, as her consultant. Alison uses an innovative form of technologically enhanced expressive arts therapy to augment the rehabilitative effects of speaking Lenape, their shared (and almost extinct) language. However, this reminder of cultural expression and identity triggers Megan, putting herself into a life-threatening situation. With Megan’s safety in jeopardy, Alison must internalize a life-changing lesson to save her: pain is often unjust, but it also reminds us that we’re alive.
Everything I Couldn’t Tell You is a potent reminder of the healing and rehabilitative power within Indigenous languages.
Award-winning writer Joelle Barron looks back at history through queer eyes in their second poetry collection.
Excerpts from a Burned Letter places the experiences of historical figures and fictional characters in modern contexts—and makes their queerness explicit. This collection highlights the circular nature of time, demonstrating how even in a post-marriage-equality world, queer experiences and queer histories still face erasure.
From the perspective of a single, modern speaker, each poem is haunted by a fictional or historical queer couple, connecting ancestors to their descendants and underlining the ancientness of being queer. The book also explores themes of religion, disability, motherhood, birth, and the experience of being a queer child. The poems zoom in and out; gross, visceral depictions of bodies and their functions stand beside poems that call out the hypocrisies of religion in both its extreme and subtle forms. These poems describe the experience of being a queer person in the present day—writing the queer history of the future.
When searching for stories of themselves in history books, queer people are often met with
denial and resistance. Excerpts from a Burned Letter provides explicit acknowledgement where
it didn’t exist before: You were here. You live on.
When the poet Eleanor Brandon dies, an apparent suicide, Peter Forrest, her former student, sometime lover and now a married professor, is asked to be her literary executor. He agrees, although he makes it clear that he is only interested in bringing her poetry to publication, not in dealing with the legacy of her social activism on behalf of Chinese dissidents. But after a trip to China, where he and his wife are adopting a third Chinese orphan, Peter finds himself drawn into not only the politics so dear to Eleanor, but a life-threatening plot.
The first collection celebrating the work of celebrated experimental filmmaker Rhayne Vermette, Exovede in the Darkroom is a series of responses, critical and poetic, to Vermette?s visually explosive, materially distinct, and conceptually singular practice. Exploring Vermette?s shorts that engage a number of 16mm collage practices, as well as her feature film Ste. Anne, a film that mesmerized festival circuit critics and audiences alike with a metered and visually resplendent story of a return to a Métis community, in which sequences of images dominate the narrative. Contributors include Jennifer Smith, Gwynne Fulton, Lawrene Bird, Mónica Savirón, Joshua Minsoo Kim, Sky Hopinka, Stephen Broomer, Claudia Sicondolfo, Inney Prakash, José Sarmiento Hinojosa, Irene Bindi, and Janet Blatter.
Rhayne Vermette was born in Notre Dame de Lourdes, Manitoba. It was while studying architecture at the University of Manitoba, that she fell into the practices of image making and storytelling. Primarily self taught, Rhayne?s films are opulent collages of fiction, animation, documentary, reenactments and divine interruption. Her work has screened internationally and highlights screenings at the Berlinale, Toronto International Film Festival, New York Film Festival, Mar Del Plata IFF, Viennale, Jeonju IFF, Valdivia International FIlm Festival and DocumentaMadrid. Her first feature narrative, Ste. Anne, exploded into the world and was awarded TIFF?s Amplify Voices Award for Best Canadian Feature Film in 2021.
When she makes the chance discovery of a framed sepia photograph of her grandmother and her twin sister, RCMP Constable Arabella Dryvynsydes decides to investigate how a picture taken in 1914 in the mining town of Extension, B.C. wound up at a garage sale in small-town Saskatchewan almost one hundred years later. As Arabella sifts through caches of long-forgotten letters and unearths long-buried memories, she pieces together the heartbreaking truth of her family history and resolves a nearly century-old murder. In her debut novel, Myrna Dey skillfully moves back and forth between two time periods and two memorably resourceful heroines.