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A curated selection of books by diverse authors that showcases bold storytelling and a wide range of voices and experiences.
Showing 33–44 of 44 results
Shortlisted for the 2025 RSL Christopher Bland Prize • Shortlisted for the 2025 OCM Bocas Prize in Fiction • A Globe 100 Best Book of 2024 • A Guardian Best Fiction Book of 2024 • A CBC Best Fiction Book of the Year
On a Caribbean island in the mid-1960s, a young girl copes with the heavy cost of migration.
When her mother emigrates to England to find work, Wheeler and her older sisters are left to live with their aunts and cousins. She spends most days with her cousin Donelle, knocking about their island community. They know they must address their elders properly and change their shoes after church. And during the long, quiet weeks of Lent, when the absent sound of the radio seems to follow them down the road, they look forward to kite season. But Donelle is just a child, too, and though her sisters look after her with varying levels of patience, Wheeler couldn’t feel more alone. Everyone tells her that soon her mother will send for her, but how much longer will it be? And as she does her best to navigate the tensions between her aunts, why does it feel like there’s no one looking out for her at all?
A story of sisterhood, secrets, and the sacrifices of love, The Pages of the Sea is a tenderly lyrical portrait of innocence and an intensely moving evocation of what it’s like to be a child left behind.
Longlisted for the 2025 Republic of Consciousness Prize
Longlisted for the 2025 Royal Society of Literature Ondaatje Prize
With echoes of Zora Neale Hurston and Clarice Lispector, Sulaiman Addonia turns from the broader immigration narrative of land and nations to look closely at the erotic and intimate lives of asylum seekers.
Set around a foster home in Kilburn and in the squares of Bloomsbury where its protagonist Hannah sleeps, The Seers chronicles the first weeks of a young Eritrean refugee in London. As Hannah grapples with her own agency in a strange country, her sexual encounters become an unapologetic expression of self—a defiant cry against the endless bureaucracy of immigration.
In a single, gripping, continuous paragraph, The Seers moves between past and present to paint a surreal and sensual portrait of a life being burned up in search of refuge. For Hannah, caught between worlds in the UK asylum system, the West is both saviour and abuser, seeking always to shape her, but never succeeding in suppressing her voice.
“A provocative, multi-faceted gem. Full of fierce anti-colonial rage and
subtle artistry, addressing what it means to be a migrant in today’s
fractured Britain.”—2025 Republic of Consciousness Prize Judges’ Citation
Moving on is hard. Even harder when it’s from a make-believe friend—someone, or in this instance, some thing—who’s been your strongest source of support. On what should be one of the happiest days ever, the day her granddaughter is born, Minoo is faced with a terrible choice: make a clean break from her constant companion, a sock puppet named Ecology Paul, or lose her daughter and granddaughter, and maybe all of the people she loves. On an emotional drive home from the hospital, Ecology Paul shares the story of how Minoo got to this point, recalling Minoo’s early teenage pregnancy in Iran, her exile to Canada, her questions about her sexuality, and how a ragtag sock puppet came to her when she desperately needed to be seen. Full of imagination, whimsy and heart, The Unravelling of Ou follows Minoo’s struggles to justify the puppet’s existence and eventually, untangle herself from her dependence on it and reconnect with the people she loves.
The latest poetry collection by the award-winning author of Tonguebreaker, Care Work, and The Future Is Disabled
Lambda Award-winning poet, memoirist, and disability justice movement worker Leah Lakshmi Piepzna-Samarasinha returns with their long-awaited fifth collection of poems, written over five years of pandemic lockdown, during which time they lost a cherished friend and comrade and met their estranged parents’ end of life.
The Way Disabled People Love Each Other is a fierce crip reckoning with all the ways disabled people love each other, in all our complexity. A book that will speak to any kind of griever, but particularly disabled BIPOC queer trans ones sitting with the endless mass grief and possibility of this time, and those with violent family from whom we still yearn to claw out beauty from the trauma rubble. It’s a road map for survivors looking for something that’s neither a happy Hollywood ending nor a transformative justice fairy tale – not the healing we wished for, but the healing we find anyway.
This collection is a rigorous, rueful documentation of a specific time of pandemic fascist grief and possibility. Brimming with odes, elegies, and mourning songs, these poems sparkle like switchblades and offer new possibilities for love, grief, and memory.
Felicity Alexander should be charming audiences at New York’s Metropolitan Opera, not under house arrest in Grenada in October 1983, as rumours swirl that United States troops are preparing to invade.
Born and raised in Winnipeg, the daughter of a Grenadian woman and an absent white father, Felicity is blessed with enviable beauty and an extraordinary singing voice. Arriving in London to study opera in 1965, she finds early success and joy on stage, as well as a sense of belonging in the arms of the charming Claude Buckingham. Members of the West Indian Students Association, Claude and his friends are law students and activists. They plan to return to Grenada to overthrow the corrupt dictator, “Uncle” Percy Tibbs.
Felicity and Claude’s intense affair cannot survive their diverging destinies. Claude brings revolution to Grenada and becomes a minister in the new Black Pearls of Freedom government; Felicity devotes herself to music, conquering the racism and sexism of the opera world to rise to international stardom. The brighter she shines, the more she struggles to find her place and purpose in life.
Her career in ascendance, Felicity accepts an invitation to perform in Grenada. The red sky of revolution calls to her almost as much as the hope of Claude’s embrace. But their reunion is interrupted by a coup. Surrounded by soldiers and guns, Felicity’s voice is born anew.
Weird Babies is a short story collection about weird babies: a miraculous set of reincarnated quadruplets, babies born from the bellies of trout, babies who are destined to molt like tarantulas, babies who hatch from piles of warm clothes. It’s also about the weird baby living in each of us?the tenderest part of ourselves that longs, at whatever the cost, to be loved.
Stories from Weird Babies have appeared in The Ex-Puritan, The Temz Review, Minola Review, and CRAFT Literary. They were also nominated for the Best Of The Net Award (2025), Best American Science Fiction And Fantasy (2024), and Best American Short Stories (2024); were finalists for the Room Magazine Fiction Contest (2024), the CRAFT Short Fiction Prize (2023), and the 2024 CRAFT Novelette Print Prize; and were winners of the Short Works Prize (2019), and the RBC/PEN Canada New Voices Award (2018).
Shortlisted for the OCM Bocas Prize, Poetry, 2025
Longlisted for the Hamilton Literary Awards, Poetry, 2025
West of West Indian constructs the Queer Caribbean experience as simultaneously individual and collective, embracing the language that continues to unsettle queer life. The collection is, at once, a summons and a love letter to familiar figures like the Bullerman, the Chichiman, the Funny man, and the Anty man. It collects a distinctly queer Vincentian Canadian account of love and autonomy, and while it represents a written journey into queer pain, it is also an exhibition of pleasure flowing through the bodies and minds of its many subjects.
This international anthology marks a world-historical moment: the first ever feminist revolution. The slogan chanted by the demonstrators in Iran is Woman, Life, Freedom, and it encompasses hopes and ideals for all people everywhere. This anthology echoes that cry. The poems here might be reflections on the present moment, denunciations of injustice, examinations of the poet’s own conscience, laments for the fallen, bitter curses, prayers, celebrations of life, and visions of a better future. Bänoo and Cy aim to raise awareness of the women’s revolution in Iran and show the world that this cause is alive and will not be put down.
Tamara Jong’s powerful memoir documents the slow unravelling of her connection to her faith and the tragic history of her fractured family, shining a light into the dark corners of memory that have haunted her well into adulthood.
With clear-eyed honesty and written in sparse yet searing prose, Jong collects the fragments of her unconventional childhood, with her busy schedule of Jehovah’s Witness meetings, Bible study, and door-to-door ministering. She also details her emotionally distant father and alcoholic mother’s tumultuous marriage, her deep yearnings to become a mother after the loss of her own, and her struggles with mental health.
After corporate and spiritual burnout, and a suicide attempt at the age of thirty-two, Jong comes to understand that the strict religion she had long believed would protect her prevented her from pursuing her true sense of self. In a story that traverses a wide range of potent themes—including addiction, estrangement, grief, infertility, and forgiveness—the ultimate message of Worldly Girls is one of hope as Jong finds her own path to healing and belonging.