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May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
Joan is on the brink. Cough drop addict, school bus driver, mixed race daughter of a Maoist English father and Chinese-Canadian mother, Joan struggles for meaning after a friend’s death reveals a secret life. Migration Songs is a lost letter from your past, an intimate experience full of humour and grace.
“A strong debut from a new hopeful voice.”—The Coast
“Quon writes with a great deal of humour, and she spins a good yarn.”—Quill & Quire
Over the years Anna Yin has had the honour to translate more than 50 poets’ works. With more and more people growing interested in translation and bilingual poetry, it is time to publish these translations in book form. I hope this serves as a good resource, and will further stimulate wider and stronger interest and conversation for cross-cultural exchange. As Maya Angelou said: “I long, as does every human being, to be at home wherever I find myself.” I hope this contribution will open more of these homes.
In this powerful debut novel set in the spring of 2000, Rahela Nayebzadah introduces three unforgettable characters: Beh, Shabnam and Alif. In a world swirling with secrets, racism and danger we watch through the eyes of these three children as Nayebzadah’s family of Afghan immigrants try to find their way in an often uncaring Canadian society. But as the sexual assault of thirteen-year-old Beh spirals into a series of terrible events that threaten to unleash the past and destroy the family, the reader is left wondering who is the monster child? Is it Beh, who says she is called a disease? Is it Shabnam, who cries tears of blood? Is it Alif, who in the end declares, “We are a family of monsters”? Or are the monsters all around us?
From the highways of Cairo to the outports of Newfoundland, the soul-crushing cubicles of city work and the deceptive perils of the Quebec countryside, these brilliant short stories lay bare the workings of power and the small acts of both courage and compromise by which those on the margins defy them.
Beautifully cohesive across the stunning depth and range of setting and subject, there is nothing predictable about My Thievery of the People.
The KANAVUCCHIRAI quintet develop the context of Sri Lanka’s tragic civil war. As the youth in the island village of Nainativu realize that their education and prospects are being curtailed by an increasingly Sinhala majoritarian nationalist government, they begin to rise up in opposition. Volumes 1 and 2, through its main characters, the young woman Rajalakshmi and her betrothed, Suthan, described the growth of the armed struggle from the 1980s onwards as the young people sail to Tamil Nadu in India to join the resistance.
Volumes 3 and 4 return to the micro-environment of Nainativu and the main island of Sri Lanka and the Tamil struggle as it takes shape there. Volume 5 returns to the surviving characters from the first two volumes, and serves more as an afterward that places their story in a global context, as international actors enter the scene. These novels also bring in other characters that speak to the different political and ideological movements at the time: both militant and pacifist, leftist and nationalist. Devakanthan shows how different political movements drew inspiration from each other, and how divisions appeared and grew within what was first seen as an unshakeable organization.
Devakanthan’s characters are richly detailed, both male and female protagonists endowed with internal lives. The quintet thoughtfully and sensitively narrates the story of simple men and women trapped within a national struggle. As a whole it describes how a movement united by lofty goals begins to fall apart, as disagreements appear and former allies go their separate ways.
The quintet won the Government of Tamil Nadu Novel of the Year Award (1998) for THIRUPPADAIYAATCHI (His Sacred Army), and the Tamil Literary Garden’s Best Novel Award (Canada, 2014).
In the spring of 1999, Mai Yoshimoto-Lanier falls into a coma after her husband loses control of the old Ford and drives over a bridge into the Belly River. Eddie dies. But Mai falls into the world of her great-grandmother on the island of Hamahiga somewhere between heaven and earth.
Odori is a novel that navigates through the glorious Ryukyuan Kingdom and the Golden Era of the Sho Dynasty, through bloody World War II Okinawa, and over parched prairies of Southern Alberta’s Rainmaker Hills — all the while exposing human sorrows, indignities, idiosyncrasies, failed faiths, splintered spirits, and an island culture so resilient, so embedded it becomes mythical. It tells of Mai’s journey into the world of an old kataribe storyteller, the ghost of her great-grandmother, where she hears of Tree Gods, Sky Gods and human lumps of clay – where her mother’s poignant war letters tell of sights and sounds that singe a child’s soul. In this dream world she has fallen into, Mai allows her basan’s tumble of words to fall gently on her ear as she creates painting after painting, sketch after sketch.
Glamour UK Best New Books of June 2023 Pick
Gold Book Award Winner – Nonfiction Authors Association Book Awards
Once Our Lives is the true story of four generations of Chinese women and how their lives were threatened by powerful and cruel ancient traditions, historic upheavals, and a man whose fate – cursed by an ancient superstition – dramatically altered their destinies. The book takes the reader on an exotic journey filled with luxurious banquets, lost jewels, babies sold in opium dens, kidnappings by pirates, and a desperate flight from death in the desert – seen through the eyes of a man for whom the truth would spell disaster and a lonely, beautiful girl with three identities.
From the talented multidisciplinary artist, musician, and writer Leanne Dunic comes the lyric memoir One and Half of You. In sinuous language, with candour, openness, and surprising humour, Dunic explores sibling and romantic love and the complexities of being a biracial person looking for completion in another. Including links to three songs written and performed for the book by tidepools.
Winner of the Robert Kroetsch City of Edmonton Book Prize!Shortlisted for the 2017 Alberta Readers’ Choice Award!Finalist for the Georges Bugnet Award for Fiction at the 2017 Alberta Literary Awards!Shortlisted for Trade Fiction Book of the Year at the 2017 Alberta Book Publishing Awards!Lauralyn Chow’s debut, Paper Teeth, follows the lives of the Lees, a Canadian-Chinese family and their friends who reside in Edmonton, Alberta. While playing with time and place, from Edmonton in the 1960s and 70s up to present-day Calgary, Lauralyn Chow creates a world of walking dolls, family car trips, fashion and frosty makeup, home renovations inspired by pop culture, and moving up to big, new houses. The interconnected stories found in Paper Teeth are fun, funny, and heart-warming journeys about the pursuit of identity and the crafting of home.With domestic tomfoolery and through deft observation and prismatic-voiced humour—including ironic asides—Lauralyn Chow reveals how family nourishes hope.
A much-anticipated debut collection from one of Canada’s most promising emerging poetsPebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures.The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, “Thirteen Ghazals and Anti-Ghazals after Phyllis Webb,” forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.
A poetic travelogue, Gillian Sze’s Peeling Rambutan meditates upon the rifts between immigrant parents and their Canadian-born children and the struggle of overlapping values which sometimes arises when we view the complexity of our heritage through the lens of the present. Rooted in Sze’s first experience of Asia, these poems mingle the familiar spaces of her childhood home in Winnipeg with impressions of the distant villages of her parents’ origins. The result is a complex exploration of the relationship between identity, place, and history. Landscape and language prove unstable, inhabited by ghosts and other echoes of passing time which leave indelible impressions on the poet: A market in Hong Kong seems reminiscent of Montreal; the spirit of her great-grandmother shows up on a commercial street in China, then in Queen Elizabeth Park in Vancouver. The mundanea bite of fruit, a boy selling raisins, the floured hands of a bakertakes on a contemplative cast. In such a world, a traveller is never wholly certain whether she is discovering an unexplored world or descending into memory, but Sze’s lyrically-driven poems navigate confidently, mapping new terrain while remaining sensitive to the claims of the past.
Shortlisted for the 2014 A.M. Klein Poetry Prize.