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May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
Growing up in a small, riverside town, Little Bright is thrusted into the political whirlwinds along with his family during China’s Cultural Revolution. When a reversal of the winds of reform blows through the land, however, he learns the once-forbidden tongue—English—which lends wings to his sense and sensibility. At college, he adopts a new English name, Victor. With the deepening of his knowledge of the English language, he begins to place himself under the tutelage of Pavlov, Sherlock Holmes, and Shakespeare.
When the story unravels, however, Victor’s un-Chinese passion and tension threaten to topple his moral world and mental universe. Now, he must wade into an uncharted journey to unlock the dilemma and to unearth his destiny.
Drawing on his own life experiences, George Lee has fashioned an unforgettable coming-of-age story about fate and faith, good and evil, power of imagination and storytelling, and, above all, wonder of English literature.
An elegant debut collection that illuminates the contours of un/belonging.
Dayo: a Tagalog word referring to someone who exists in a place not their own. A wanderer, migrant worker, exile or simply a stranger. At its core, the poems in Dayo interrogate whether belonging can exist in a society suffused with violence. Here, the poet, as a stranger, confronts the politics of recognition by offering his vision. Reflexive and lyrical, this collection embodies the true curiosity and tenacious spirit of a dayo seeking a place to replant, tend, and grow delicate roots.
“Great poetry re-creates the world, and Perez’s world is here, built from the fleeting moments you don’t always notice, built beautifully, built to last.”
– Wayde Compton, author of The Outer Harbour and The Blue Road: A Fable of Migration
“By the end of all the belovedness catalogued in this book, you too will be heavier with the weight of all that is most gorgeous about this world.”
– Ed Bok Lee, author of Mithocondrial Night and Whorled
“One of the things that most impresses me about this lush, lyrical and soulful collection is its ability to hold hope alongside melancholy and despair…With incredible empathy and insight, he writes for “the fragments of ourselves, pieced together by grief.”
– Jen Currin, author of Trinity Street
At once cinematic and elegiac, this book is an unforgettable contribution and a remarkable achievement.”
– Adrian De Leon, author of barangay: an offshore poem
Liz, born in China and raised in Montreal, is about to land in Germany for a summer physics internship at the end of her freshman year. Eager for a new beginning, she is hoping to break free of her unrealized childhood dream of becoming a pianist, a dead-end romantic relationship, and the tug of war between her Chinese and Canadian identities.
In Germany, she meets fellow intern Haider, an Indian Muslim from Toronto, and they fall in love against expectations. But summer doesn’t last forever. Once they return to Canada, culture clashes and family disapproval threaten to pull them apart. As her sense of self is pushed dangerously close to a tipping point, Liz must summon the courage to survive the chaos that her life has become.
Shortlisted for 2024 Canada ReadsFinalist for the 2024 Carnegie Medals for Excellence through the American Library AssociationA moving story told in visual art and fiction about gentrification, aging in place, grief, and vulnerable Chinese Canadian eldersBringing together ink artwork and fiction, Denison Avenue by Daniel Innes (illustrations) and Christina Wong (text) follows the elderly Wong Cho Sum, who, living in Toronto’s gentrifying Chinatown–Kensington Market, begins to collect bottles and cans after the sudden loss of her husband as a way to fill her days and keep grief and loneliness at bay. In her long walks around the city, Cho Sum meets new friends, confronts classism and racism, and learns how to build a life as a widow in a neighborhood that is being destroyed and rebuilt, leaving elders like her behind.A poignant meditation on loss, aging, gentrification, and the barriers that Chinese Canadian seniors experience in big cities, Denison Avenue beautifully combines visual art, fiction, and the endangered Toisan dialect to create a book that is truly unforgettable.
Disappearing Moon Cafe was a stunning debut novel that has become a Canadian literary classic. An unflinchingly honest portrait of a Chinese Canadian family that pulses with life and moral tensions, this family saga takes the reader from the wilderness in nineteenth-century British Columbia to late twentieth-century Hong Kong, to Vancouver’s Chinatown.
Intricate and lyrical, suspenseful and emotionally rich, it is a riveting story of four generations of women whose lives are haunted by the secrets and lies of their ancestors but also by the racial divides and discrimination that shaped the lives of the first generation of Chinese immigrants to Canada.
Each character, intimately drawn through Lee’s richness of imagery and language, must navigate a world that remains inexorably “double”: Chinese and Canadian. About buried bones and secrets, unrequited desires and misbegotten love, murder and scandal, failure and success, the plot reveals a compelling microcosm of the history of race and gender relations in this country.
In Divide and Rule, Walid Bitar delivers a sequence of dramatic monologues, variations on the theme of power, each in rhymed quatrains. Though the pieces grow out of Bitar’s personal experiences over the last decade, both in North America and the Middle East, he is not primarily a confessional writer. His work might be called cubist, the perspectives constantly shifting, point followed by counterpoint, subtle phrase by savage outburst. Bitar’s enigmatic speakers are partially rational creatures, have some need to explain, and may succeed in partially explaining, but, in the end, communication and subterfuge are inseparable – must, so to speak, co-exist.
Moving beyond the themes of race, identity, and personhood navigated in Mythical Man, David Ly?s second book of poetry, Dream of Me as Water, explores ways of being that are not beholden to the expectations of others. Using water as his central metaphor, Ly meditates on how identity is never a stagnant concept, but instead something that is intangible, fluid, and ever-evolving. Dream of Me as Water revels in the nuances of the self, flouting outside perceptions for deeper, more personal realities. .
Interviewed on CBC Books
CBC Best Poetry Book 2024
Relentlessly inventive poetry that proclaims a diasporic, queer, and disabled self-hood.
In Jane Shi’s echolalia echolalia, commitment and comedy work together to critique ongoing inequities, dehumanizing ideologies, and the body politic. Here are playful and transformative narratives of friendship and estrangement, survival and self-forgiveness. Writing against inherited violence and scarcity-producing colonial projects, Shi expresses a deep belief in one’s chosen family, love and justice.
“Shi extends her poetics in all directions with silky skill. Language flourishes in the realm of a poet like this.”
– T. Liem, author of Slows: Twice and Obits.
Award-winning author Darcy Tamayose returns with Ezra’s Ghosts, a collection of fantastical stories linked by a complex mingling of language and culture, as well as a deep understanding of grief and what it makes of us. Within these pages a scholar writes home from the Ryukyu islands, not knowing that his hometown will soon face a deadly calamity of its own. Another seeker of truth is trapped in Ezra after her violent death, and must watch how her family—and her killer—alter in her absence. The oldest man in town, an immigrant who came to Canada to escape imperial hardships, sprouts wings, and a wounded journalist bears witness to his transformation. Finally, past and present collide as a researcher reflects on the recent skinwars that have completely altered the world’s topography. Binding the stories together is an intersection of arrival and departure—in a quiet prairie town called Ezra.
Featured on CBC Books as an anticipated spring 2025 Canadian poetry collection
Poems that reckon with identity, race, and fractured relationships through the lens of food.
Bittersweet, numbingly spicy, herbal and milky, Familial Hungers is a lyric feast. Ginger scallion fish, Sichuan peppercorns, ginseng tea, Chinese school and white chefs – the reader’s appetite is satiated with these poems’ complex palate. There are the bubbling expectations for immigrant daughters, the chewy strands of colonial critique, and dissolving crystals of language loss. Wu relentlessly searches the grocery shelves for the hard-to-digest ingredients of identity and belonging, offering us her nourishing honesty and courage pulled from the marrow.
In this brilliant and provocative first collection, Yaya Yao confronts her inherited fragmented self and her hunger for a home, using scraps of personal and communal memory to bridge languages, worldviews, and physical distance from her ancestral homeland. Bits of Cantonese, Mandarin, Hokkien, and Shanghainese are translated and altered to explore the dynamics between language and identity. In this collection, Yaya Yao has created a unique and authentic voice.