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This volume represents the most definitive and comprehensive selection of bissett’s writing from the 1960s and 1970s, in voices “erotik, politikul, humorous, lyrikul, sound-vizual, narrative, meditative, konkreet, collage, nd song-chants.”
The art world of mid-16th century Italy comes to life through the eyes of a piebald slave stolen from her home and family in Africa.
Chiara, as she is eventually named, is sold to Paolo Pallavicino, an artist in service of Giuliano de Medici. When several unfortunate incidents occur, the artist’s wife believes her to be a curse and demands that she be sent away. From this starting point, Chiara works her way from painter to painter, observing the games the artists play on each other and the rivalries that fuel their artistic creations.
An exquisite painter, intellectual, social activist and articulate lesbian feminist, Mary Meigs did not begin her writing career until age sixty. While her books are grounded in the particulars of her personal relationships, they are difficult to categorize. So luminous are they with her painter’s recognition of the dance of shades and hues of context, so unsparingly lucid is her intellect of analytical and mindful thought, so unsentimental and profoundly self-aware is her heart, that her books read like the most exquisitely crafted fiction a life embraced to the fullest, and with eyes wide open, can become in its written record.
Mary Meigs suffered a stroke in 1999. Undaunted and irrepressible, Meigs embraced her fate with both a penetrating curiosity and an utterly undiminished will to create. New, discrete forms of writing emerged: an incisively contemplative journal; a beautifully witty, illustrated fax correspondence between her cat Mike and Marie-Claire Blais’s cat Mouser; and a fascinating series of collaborative “free writing” sketches, beginning with a line or phrase, usually from a poem, on which the writer elaborated without moving pen from paper.
Lise Weil has constructed a celebratory gathering of these magical pieces in Beyond Recall, Meigs’s paean to the indomitable human spirit and its triumph over the infirmities and obstacles old age imposes on the human condition.
Caribbean literature has always been exciting and diverse, including over the past decades some of the world’s most highly regarded writers. This new anthology, Beyond Sangre Grande, brings together a contemporary selection in English from some of the key writers now living in Canada, the US, and the UK, as well as various countries of the Caribbean. Reflecting a changing world, and admitting diverse cultural influences and generational differences, these writers maintain a distinct Caribbean-ness in their acute historical awareness and in the cadences and rhythms of their language. This collection represents a range of voices, from the established and celebrated–Derek Walcott, Sam Selvon, Austin Clarke, Olive Senior–to the newer and no less exciting–Ramabai Espinet, Nalo Hopkinson, Anson Gonzalez–that demonstrates the richness of Caribbean literature in new and exciting ways.
On a sunny Sunday afternoon in June 2013, performer and singer Pat Henman, was driving home on the highway with her 19-year-old daughter, Maia, when they were struck head-on by a drunk driver. Pat and Maia’s injuries were too complicated and life-threatening for the small hospital in Cranbrook, and they were flown to Calgary. Pat was revived four times, and her family was told to prepare for the worst. Maia had multiple breaks of all four limbs and the doctors had to induce her into a coma for more than a week. Both women spent months in the hospital recovering and undergoing major surgery. Pat had nineteen surgeries in the first week alone and Maia, a first-year university student, was left permanently disabled. This was the beginning of a long and painful struggle for their entire family.
But as Pat and Maia were rehabilitating and trying to adapt to new routines, the family’s life became engulfed in the confusing world of insurance settlements, a criminal trial against the impaired driver, and a broken legal system. Pat writes candidly about the accident and their family’s ongoing struggle in a powerful memoir demanding justice not just for her family, but for all victims.
Among the grief and anguish is a story of resilience, and recovery. Pat, with damaged vocal chords from the breathing tubes and a permanent broken shoulder with limited range, was told she was unlikely to perform again. But with determination and retraining in her late fifties, she has slowly returned to her passion–the stage. This is a story that reveals how love, community support and the compassion of many, including strangers, can be the path to survival.
Bhopal, 1984. With the presence of the Carbide International pesticide factory, the city begins to claw its way out of endemic poverty. But what is to be made of the deformed babies born to women living near the factory? And the poison gas explosion that will leave three thousand people dead in just a few minutes—and will kill tens of thousands more in the years to come. How could have this happened?
In this Ojibwa translation of “Rising with a Distant Dawn” by David Groulx, the author and the translator present a powerful and moving poetry collection which stretches across the boundaries of skin colour, language, and religion to give voice to the lives and experiences of ordinary Aboriginal Canadians. The poems embrace anguish, pride, and hope. They come from the woodlands and the plains, they speak of love, of war, and of the known and the mysterious, they strike with wisdom, joy, and sadness, bringing us closer than ever before to the heart of urban Aboriginal life.
HONOURABLE MENTION: The Alcuin Citation for Excellence in Book Design
The chronological arrangement of approximately 865 titles and editions in this comprehensive bibliography of printed works published in Great Britain to 1763 (the Treaty of Paris) includes books, pamphlets, maps, broadsides, and broadsheets which concern in some way any part of the present area of Canada. Each entry includes a bibliographic description, a statement of format, pertinent references to other catalogues or bibliographies, notes about the work, and locations of known copies in Canadian libraries.
A Bibliography of McClelland and Stewart Ltd. Imprints, 1909–1985 contains bibliographic records of all books and other materials published by McClelland and Stewart publishing company from 1909, when the first books were published, to 1985, when Jack McClelland ceased to be associated with the company. Carl Spadoni and Judith Donnelly have included all manner of books in this compilation: fiction, poetry, drama, biography, history, and other non-fiction, as well as textbooks at all levels. A good portion of the company’s books in the pre-World War II period were imported from the United States and England; the compilers have therefore listed not only Canadian books, but also works by non-Canadian writers in Canadian issues.
A masterwork from one of Canada’s most important poets
Referencing the post-war neorealist film by Vittorio De Sica, Mary di Michele’s Bicycle Thieves commemorates her Italian past and her life in Canada through elegy and acts of translation of text and of self.
The collection opens with a kind of hymn to life on the planet, sung from the peak of that urban island, Montreal — an attempt to see beyond death. The book moves into a sequence of poems described by Sharon Thesen as the poet “envisioning the passage of time under the ‘full and waning’ moon of Mount Royal’s beacon cross, recalling her Italian immigrant parents in Toronto and her current life in Montreal [. . .] a sort of Decameron.”
Thesen’s description is apt for the collection as a whole, which moves into the poet’s autobiography — in search of catharsis through literature — and pays tributes to poets who have been part of the literary landscape di Michele now inhabits. Bicycle Thieves is poetry as time machine, transcending the borders between life and death, language and culture.
In 1972 a young girl is abducted and murdered. Montreal news reporter Ty Davis is drawn into a bizarre sequence of events when the body of the ten-year-old girl and the bodies of her kidnappers are found in a 19th century farmhouse in the Laurentian community of Saint Sauveur. Strange symbols on the floor, ancient words in a journal, and additional discoveries hint of something more than a child abduction gone wrong. Davis and his colleagues find themselves embroiled in a complex web of international conspiracy as their careers and lives are put in jeopardy.
Nominated for the 2023 Heritage Toronto Book Award • Finalist for the 2023 Ottawa Book Award in English Nonfiction • Longlisted for the 2023 National Business Book Award
The remarkable true story of the rise and fall of one of North America’s most influential media moguls.
When George McCullagh bought The Globe and The Mail and Empire and merged them into the Globe and Mail, the charismatic 31-year-old high school dropout had already made millions on the stock market. It was just the beginning of the meteoric rise of a man widely expected to one day be prime minister of Canada. But the charismatic McCullagh had a dark side. Dogged by the bipolar disorder that destroyed his political ambitions and eventually killed him, he was all but written out of history. It was a loss so significant that journalist Robert Fulford has called McCullagh’s biography “one of the great unwritten books in Canadian history”—until now.
In Big Men Fear Me, award-winning historian Mark Bourrie tells the remarkable story of McCullagh’s inspirational rise and devastating fall, and with it sheds new light on the resurgence of populist politics, challenges to collective action, and attacks on the free press that characterize our own tumultuous era.
In these nine stories, Elise Levine illuminates the aspirations of women and men (and one sassy millennia-old being) as they sift through the midden of their regrets, friendships, and marriages, and seek fresher ways of inhabiting older selves.
Two young women hitchhike around Europe, a lurid secret between them. A team in space is left reeling after a colleague’s unexpected death. Ambitious brothers take to the skies in an aerostat in 19th-century Paris. Big of You contains stories of real and fantastical life, each with its own distinctive voice and wild vocabulary.
At turns playful, blistering, unabashed, these stories examine the nuanced, kaleidoscopic dimensions of character, of people driven by ambition yet contending with the hauntings of the past. Spanning various settings and time periods, Big of You captures the everyday and the extraordinary in collisions soaring and earthy, exuberant and visceral.