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All Books in this Collection
Showing 897–912 of 9248 results
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Because The Sun
$21.95Camus’s Meursault and Thelma and Louise meet up under the blazing sun.
Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun.
“Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days
“This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine
“Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came
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Beckett Soundings
$15.95In this collection of poems, Inge Israel works through Samuel Beckett’s letters, his biographies and his actual plays and novels to probe the imagination that created his artistic works. Arguably the pre-eminent avant-garde and most influential writer of the 20th century and a legend in his own time, Beckett presents many glaring paradoxes.
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Beckoning War
$24.95Winner:
2016 Foreword Reviews INDIES, Silver, War & Military (Adult Fiction)
Captain Jim McFarlane, a Canadian infantry officer, is coming apart at the seams. It’s September 1944, in Italy, and the allied armies are closing in on the retreating Axis powers. Exhausted and lost, Jim tries to command his combat company under fire, while waiting desperately for letters from his wife Marianne. Joining the army not out of some admirable patriotic sentiments but rather because of his own failings and restlessness, he finds himself fighting in a war that is far from glorious. In this story of love and war, Murphy brilliantly captures our ambiguous relationship to war. -
Becoming Lin
$22.95It’s 1965. Twenty-two-year-old Linda Wise despairs of escaping her overprotective parents and her hometown, where far too many know she was sexually assaulted as a teenager. Deliverance arrives in the form of marriage to the charismatic, twenty-six-year-old Ronald Brunson, a newly ordained Methodist minister who ignites her passion for social justice. Ron tells her war and racial discrimination are symptoms of the “moral rot” destroying the country, conjuring up something dark and rancid in her mind, thrilling in its wickedness. He sweeps her away from Stony River, New Jersey, to serve with him at a church in a speck-on-the-map prairie town in Minnesota. What lies ahead for her over the next seven years is the subject of Tricia Dower’s penetrating study of a marriage and a woman’s evolving sense of self as she confronts the trauma that keeps her from her future, unfettered self. Becoming Lin evokes the turbulent era of Freedom Riders for civil rights, Vietnam war resistance, the US government’s war against the resisters, sisterhood and the push for equal rights for women, new-age metaphysics, motivational psychology and the unravelling of the traditional marriage contract – an era that resonates in today’s persistent racism and sexism, perpetual war and wide-reaching government surveillance.
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Becoming Our Future
$40.00Becoming Our Future: Global Indigenous Curatorial Practice explores how Indigenous visual art and culture operate within and from a structural framework that is unique within the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars brings together perspectives that define curatorial practices, and at the same time postulates Indigenous sovereignty and self-determination within the three countries. These compelling essays begin to unearth the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart.
With contributions from Nigel Borell, Freja Carmichael, Karl Chitham, Nici Cumpston, Léuli Eshr?ghi, Reuben Friend, Jarita Greyeyes, Ioana Gordon-Smith, Dr. Heather Igloliorte, Jaimie Isaac, Carly Lane, Cathy Mattes, Kimberley Moulton, Lisa Myers, Dr. Julie Nagam, Dr. Jolene Rickard, Megan Tamati-Quennell, Josh Tengan, and Daina Warren.
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Becoming the Harvest
$20.00Becoming the Harvest invites the reader to contemplate the fierce transformative initiations of aging and death. Le Bel takes readers through a poignant poetic journey inspired by her intimate experience with the deaths of her loved ones, as well as her acceptance, and often delight, in her own aging body.
Her end of life education began fifteen years ago when she cared for an older sister diagnosed with a terminal illness. It was a soulful time, an unexpected threshold into the beauty and sorrows of living and dying. She sweetened and sharpened her views on aging and death, finding hope and nuance amid the stark reality.
With an unflinching and at times playful eye, Le Bel challenges our cultural stories about the end of life, rejecting the merciless stereotype of the Grim Reaper, and poking gentle fun at our common euphemisms for the end. These are poems to welcome the end years, to claim them, touch them, lightly and deeply. To see aging and death not as the enemy but as a call to live life more fully, to love more thoughtfully.
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Becoming Wild
$24.95Nikki van Schyndel is not your typical grizzled survivalist. She is a contemporary, urban young woman who threw off modern comforts to spend nineteen months in a remote rainforest with her housecat and a virtual stranger. Set in the Broughton Archipelago, a maze of isolated islands near northern Vancouver Island, Becoming Wild is a story of survival in the pristine wilderness of BC. Sometimes predator and sometimes prey, twenty-nine-year-old Nikki and her companion Micah fend off the harsh weather, hungry wildlife, threat of starvation and the endless perils of this rugged Raincoast. To survive, Nikki must rely on her knowledge of BC’s coastal flora and fauna, and the ancient techniques of hunting and gathering. In this remote world she learns to skin bears, make clothes from cedar bark and take great joy in gobbling a fish tail whole. Told in a voice that is both familiar and vulnerable, Becoming Wild explores our innate longings to connect with nature and revert to a pure, Eden-like state.
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Bedlam Cowslip
$18.00Winner of the 2016 Saskatchewan Arts Board Poetry Award
In this collection Jeanette Lynes’ follows in the tradition of Michael Ondaatje’s The Collected Works of Billy the Kid. In Bedlam Cowslip, she turns her attention to the life and work of John Clare, the great Victorian poet of the countryside, one of England’s greatest working-class bards. In these poems, the Romantic world of Clare, strewn with wild flowers and dizzy with birdsong, is visited by a new, postmodern voice, and the conversation that ensues across a dozen decades is profound and dazzling.
Painstakingly researched and deftly crafted, the poems share Clare’s loves, ambitions, rages and failures. With lines that echo the sharpness of Dorothy Livesay and the richness of Roo Borson, Lynes writes of madness, scarce paper and of the intense attention Clare brought to his world. In this book Lynes has created an uplifting poetic biography on a bright poetic star that has been rising for over a century.
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been shed bore
$15.00Ottawa poet Pearl Pirie’s been shed bore, her first trade poetry collection, follows years of a small voice gaining in strength, and in volume, through so much subtle activity and quiet disconnect that by the time she was noticed, she was already everywhere, and already a confident voice. In a poetry built on the strength of play, Pirie’s writing moves at the speed of sound, slipping up against silence.
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Beer Drinkers and Hell Raisers
$22.95“Motörhead, remember me now, Motörhead, alright!”
Beer Drinkers and Hell Raisers is the first book to celebrate the classic-era Motörhead lineup of Lemmy Kilmister, “Fast” Eddie Clarke, and Phil “Philthy Animal” Taylor. Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends: Motörhead, Overkill, Bomber, Ace of Spades, No Sleep ’til Hammersmith, and Iron Fist. An in-depth coda brings the story up to date with the shocking recent deaths of Taylor and Kilmister.
Motörhead comes to life in this book as bad-luck bad boys — doused in drink and drugs, most notably speed — incapable of running their lives right, save for Fast Eddie, who is charged with holding things together. Popoff also examines the heady climate of music through the band’s rise to prominence during the New Wave of British Heavy Metal, with detailed reflection on Motörhead’s unique position in the scene as both originators and embattled survivors who carried on the renegade spirit of those times.
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Beer, Blood & Cornmeal
$19.95Incredibly Strange Wrestling was the bastard offspring of post-punk garage rock and masked Mexican lucha libre. Fielding a cast of crazed characters with names like El Homo Loco, Macho Sasquatcho and El Pollo Diablo, the show lived up to its name. Christians fought lions, Ku Klux Klowns squared off against Hasidic Jews and Bigfoots and bears mauled hapless hippies in some of the most surreal grappling bouts ever staged. And if that wasn’t enough, cult bands such as NOFX, The Dickies and The Donnas provided the raucous rock and roll in between the highflying mayhem.
ISW emerged from the back alleys and seedy clubs of San Francisco’s South of Market scene to headline the historic Fillmore and barnstorm North America on the Van’s Warped Tour. At the height of its popularity, Green Day’s Billy Joe Armstrong and Metallica’s James Hetfield could be seen tossing tortillas (which the promoters supplied) at ringside with the rest of the hell heads, boozehounds and tattooed party girls that made up ISW’s rabid following.
Bob Calhoun broke into ISW as an untrained grappler and rose through the ranks to become one of the creative forces behind the subversive carnival. In his new memoir, Beer, Blood and Cornmeal, Calhoun delves into the ISW’s organized insanity with all of the dark humor that it deserves. It’s a story of urban misfits risking their necks for local celebrity in one of America’s most famous cities all told against the backdrop of the dot com boom and bust and an increasingly corporate entertainment industry.
Beer, Blood and Cornmeal takes the highest tier of the music industry and sends it on a collision course with the lowest rung of the professional wrestling ladder. The threat of real violence is always lurking at the fringes of the fake fights as shows end in riots and wrestlers disturbingly become their squared circle alter egos.
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Before I Was a Critic I Was a Human Being
$20.00In that moment, I felt closer to whiteness than not. I was completely complicit and didn?t think twice about entering a space that could cover their walls with images of contemporary Indigenous perspectives, but exclude their physical bodies from entering and experiencing. In that moment, I felt like a real Canadian.
Before I Was a Critic I Was a Human Being is the debut collection of nonfiction essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic.
Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each essay roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region’s sense of place and identity
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Before the Usual Time
$20.00A collection of words and imagery from diverse voices grounded in the land that explore community in relation to time. Filmmaker/writer, Darlene Naponse, curates a gathering of expression about time that has passed, time that is now and time that comes.
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Before We Lost the Lake
$24.95For thousands of years, the broad expanse between Sumas and Vedder Mountains east of Vancouver lay under water, forming the bed of Sumas Lake. As recently as a century ago, the lake’s shores stood four miles across and six miles long. During yearly high water, the lake spilled onto the surrounding prairies; during high flood years, it reached from Chilliwack into Washington State. Then, through the 1920s, a network of dykes, canals, dams and pumphouses was erected and the lake drained–“reclaimed” in the words of projects supporters. A new landscape was created, a seemingly ‘natural’ prairie carved up into productive farmland.
Today, few people are aware that Sumas Lake ever existed. The only reminder is a plaque erected on the old lakeshore, at a rest-stop along the Trans-Canada Highway just east of Whatcom Road, on the historic trail blazed to BC’s gold fields. Yet for millenniums, Sumas Lake was a dynamic, integral part of the region’s natural and human landscape.
In his new book, Before We Lost the Lake, Chad Reimer sets out to truly reclaim Sumas Lake, to restore it to its proper place in the history of the Fraser Valley, BC and the Northwest Coast. Drawing on extensive primary material, Reimer reconstructs the life history of Sumas Lake from the glacial age through the lake’s demise and after. Before We Lost the Lake examines the lake’s natural history and ecology, its occupation and use by the Sema:th and other First Nations, its colonization by White immigrants, the environmental changes brought about by introduced plants and animals, and the campaign to drain it. Drainage proponents had their way and gradually the promised benefits were realized. But these benefits came at a heavy cost to the environment and for the Sema:th, whose traditional way of life was irretrievably lost.
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Beforelife
$19.95It’s okay if you don’t believe in the afterlife. The people who live there don’t believe in you, either.
What if you went to heaven and no one there believed in Earth? This is the question at the heart of Beforelife, a satirical novel that follows the post-mortem adventures of widower Ian Brown, a man who dies on the book’s first page and finds himself in an afterlife where no one else believes in “pre-incarnation.” The other residents of the afterlife have mysteriously forgotten their pre-mortem lives and think that anyone who remembers a mortal life is suffering from a mental disorder called the “Beforelife Delusion.”
None of that really matters to Ian. All he wants to do is reunite with Penelope, his wife. Scouring the afterlife for any sign of her, Ian accidentally winds up on a quest to prove that the beforelife is real. This puts him squarely into the crosshairs of some of history’s greatest heroes and villains, all of whom seem unhealthily obsessed with erasing Ian’s memories and preventing him from reminding anyone of their pre-mortem lives. Only by staying a step ahead of his enemies can Ian hope to keep his much-needed marbles, find Penelope, and restore the public’s memories of the beforelife.
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Begin by Telling
$20.00Never forget /
to connect the dots /
This book is an attempt to connect a couple.In Begin by Telling, experimental pop sensation Meg Remy (U.S. Girls) spins a web out from her body to myriad corners of American hyper-culture. Through illustrated lyric essays depicting visceral memories from early childhood to present day, Remy paints a stark portrait of a spectacle-driven country.
As though channel surfing, we catch glimpses of Desert Storm, the Oklahoma City Bombing, random street violence, the petrochemical industry, small town Deadheads, a toilet with uterus lining in it, the county STD clinic, and missionaries at the front door. Each is shared through language of the body; the sensation of experiencing many of the defining events and moments of a country.
Immersive and utterly compelling, the threads in Begin by Telling nimbly interweave with probing quotes and statistics, demonstrating the importance of personal storytelling, radical empathy, and the necessity of reflecting on society and one’s self within that construct.