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Showing 8817–8832 of 9311 results
There are always invisible connections between people in a smaller community. There are always loyalties and betrayals. In Walking Through Shadows a clutch of these citizens are singled out for attention. What we discover is both disturbing and yet morbidly fascinating. We meet the apparently mute Butterfly Girl who can only find her voice and beauty in the bed of the town’s seedy old drunk. We meet posers like The White Prince, the town’s revered administrator whose dark sexual fantasies leave him vulnerable to a beautiful young man who loathes him. We meet Spider Girl whose lonely teen life leads her to the dangers of internet chat rooms where Don Wand, the reticent high school teacher, stalks her between his trips to the garbage dump where he collects animal teeth as treasures.
Throughout the town the sway of the the Everlasting Church of the Evangelical holds the town’s morality in check while its members slink off into their own little corners of deviance. No one is really safe from the prying eyes, no one will escape scrutiny. Not the incredibly fit Walking Woman who allows her fear to overwhelm her fitness, or the lawyer who must post his nude shadow-dancing routines on YouTube. And not the Invisible Woman, who longs for any contact in her bottomed-out family life, but can only find a connection to herself through watching internet porn.
Di Brandt forges new paths with her multi-faceted poetry, experimenting with traditional poetic forms in this new collection. Throughout, Brandt captures the human heart in love, in crisis, or in awe of the world. Science and poetry fuse with sly wit and sleight of word in Welding and other joining procedures, the first of the collection’s three sections. Human love becomes nuclear fusion and other scientific meldings with delightful tongue-in-cheek language.Hymns for Detroit employs the traditional German hymn to fuse the sense of place of an economically crushed city with current political and ecological climate: “Big trucks drive by/ on big noisy wheels./ Jesus saves./ Mummy said don’t eat/ the fish,/ watch them on TV.”The last section, Walking to Mojácar, transports readers to exotic eastern Spain bringing the Canadian experience with it. The Calgary Stampede meets the “sunblasted desert valleys” of southern Spain in “Rodeo.” Vivid images of Spain juxtaposed with Brandt’s prairie roots transport the reader to a world of olive groves, mesetas, flowers and bright colours.
This bestselling, innovative picture book introduces readers to the concept of Etuaptmumk—or Two-Eyed Seeing, the gift of multiple perspectives in the Mi’kmaw language—as we follow a group of young children connecting to nature as their teacher.
A poetic, joyful celebration of the Lands and Waters as spring unfolds: we watch for Robin’s return, listen for Frog’s croaking, and wonder at maple tree’s gift of sap. Grounded in Etuaptmumk, also known as Two-Eyed Seeing—which braids together the strengths of Indigenous and non-Indigenous ways of knowing—and the Mi’kmaq concept of Netukulimk—meaning to protect Mother Earth for the ancestors, present, and future generations—Walking Together nurtures respectful, reciprocal, responsible relationships with the Land and Water, plant-life, animals and other-than-human beings for the benefit of all.
A debut poetry collection, both lyrical and surprisingly playful, about overcoming a harsh evangelical upbringing and seeking consolation from the beauty of the natural world.
This collection by the author of three books of nonfiction takes readers into one man’s struggle to escape the corrosive effects of a punishing religion. We meet the small, frightened boy afraid of hell-fire and eternal guilt, and decades later, the man kicking free of the habit of self-excoriation.
There is humour in the observation of the antics of birds, especially magpies and other corvids, and profound humility in the struggle to resist a confining culture.
Magpie, I love you more
for your flight and strut
than for your
squawk,
but can’t vilify a creature
ten times tougher than I am
and a hell of a lot more handsome.
We walk with the poet-as-flaneur through neighbourhoods and along the river in a small prairie city, observing the incongruities, absurdities, and startling images and sounds of city life. And as the mystic who believes in something far beyond himself, so the beetle he sees on a path is “a little Buddha,” and the wind and the flowing river are “irresistible forces,” while a pine teaches him “how you move / without going / anywhere.”
Walking with Oma seamlessly intertwines a picturesque journey through the serene Elbe River Valley of Germany with a profound exploration of identity and the reconciliation of intergenerational trauma. Following in the footsteps of her Jewish grandmother, affectionately referred to as “Oma”, the author embarks on a 600-kilometer trek, engaging in poignant conversations with survivors of World War II, individuals who may have crossed paths with Oma during her arduous journey from Theresienstadt Concentration Camp in the Czech Republic to Hamburg, Germany in 1945. Amidst the tranquil landscapes and delightful encounters with locals, livestock and nature’s creatures, the narrative delicately balances the weight of history with moments of levity, warmth and humanity. Offering a poignant tale of reconciliation with the past against a backdrop of forgiveness and acceptance, Walking with Oma will resonate profoundly with those grappling with displacement and identity. For enthusiasts of both introspective narratives and captivating travelogues, Walking with Oma offers an experience both enriching and enlightening.
Concetta Principe’s deeply intimate Walking explores religious difference and secular politics, God and promises through the meditative lens of prose poetry. Walking occurs in the mind through dreams, in memory and as a relentless process of bearing witness to the earthly, quotidian activities that challenge super-natural abstractions. As the unconverted pilgrim of the book eats nothing, she is led through these poems into encounters with God, birds, stones, and other humans who inhabit the stairways and closed doors of Jerusalem. Together, this collection of prose poems functions as a revelatory maze of mystery and discovery.
Winner, Shaughnessy Cohen Prize for Political Writing, Wilfrid Eggleston Award for Nonfiction, and City of Calgary W.O. Mitchell Book Prize
Shortlisted, Dolman Travel Book Award
Longlisted, Alberta Readers’ Choice Award, BC National Award for Canadian Non-Fiction, and Charles Taylor Prize for Literary Non-Fiction
In this ambitious blend of travel and reportage, Marcello Di Cintio travels to the world’s most disputed edges to meet the people who live alongside the razor wire and answer the question: What does it mean to live against the walls? Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier.
From Native American reservations on the US-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they surround. Some walls define “us” from “them” with medieval clarity. Some walls encourage fear or feed hate. Others kill. And every wall inspires its own subversion, whether by the infiltrators who dare to go over, under or around them, or by the artists who transform them.
Winner, Shaughnessy Cohen Prize for Political Writing, Wilfrid Eggleston Award for Nonfiction, and City of Calgary W.O. Mitchell Book Prize
Shortlisted, Dolman Travel Book Award
Longlisted, Alberta Readers’ Choice Award, BC National Award for Canadian Non-Fiction, and Charles Taylor Prize for Literary Non-Fiction
In this ambitious blend of travel and reportage, Marcello Di Cintio travels to the world’s most disputed edges to meet the people who live alongside the razor wire and answer the question: What does it mean to live against the walls? Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier.
From Native American reservations on the US-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they surround. Some walls define “us” from “them” with medieval clarity. Some walls encourage fear or feed hate. Others kill. And every wall inspires its own subversion, whether by the infiltrators who dare to go over, under or around them, or by the artists who transform them.
With fourteen towns and forty villages in her purview, Chief Inspector Aliette Nouvelle had been busy enough since taking over in February, fulfilling her new role quietly and efficiently, learning the lay of the land. The romance of wine country did not mean people were less nasty, brutal or just plain stupid than their fellow humans anywhere else. Yes, the beat was different: apart from gypsy house-breaking rings, there were no gangs. Gangs were in the city and stayed there. So no extorting and breaking knees. No people-smuggling; illegals came in through the ports and her patch stopped well short of the sea. No white collars siphoning, laundering or otherwise defrauding. Not yet. Make no mistake: wives were bashed, children were abused and abducted, houses were robbed and vandalized, garages torched. Drugs were being dealt. There had been two rapes. A Belgian wintering in his summer retreat had been seriously beaten by a neighbour when he complained a little too loudly about the man’s yapping dogs. An armed robbery in Causses had turned into a tense stand-off and negotiation at a cabin in the woods before two sad men surrendered. And these were all serious crimes requiring her expertise. But in almost half a year on the job, not one person had been murdered. Now someone had, and high-profile, to boot.
One does not wish for murders, but it is natural for a cop to yearn for a challenge befitting her skills. And of course, this was coupled with a need to prove herself to her new peers. Aliette was eager. And puzzled: The victim was a Joël Guatto, thirty-three, from a prominent wine-producing family. The media were playing up the political angle. The politics of wine. Six weeks before, Guatto had run in the regional elections representing CPNT (Chasse, Pêche, Nature, Tradition), also known as the Hunting & Fishing party. He hadn’t made it past the first round, garnering less than one percent of the vote. Yesterday he had been shot dead: one well-placed bullet through the head, according to the morning reports. Joël Guatto lived on the family domaine twenty minutes from Saint-Brin, well within Aliette Nouvelle’s allotted territory. But he was gunned down on the same stretch of beach where she herself had been enjoying some sunny oblivion a few hours earlier. The beach, twenty minutes from downtown, was city jurisdiction. And scene of the crime was the bottom-line criterion where it came to the choice of lead investigator. So why had they called her?
A fascinating look at the largely unrecognized work of David Garrick, whose intense and unflagging dedication to protecting the earth and its creatures is an inspiration for those who wish to make today’s world a better place.
David Garrick, aka Walrus Oakenbough, possessed a rare fearlessness in the face of danger in his work as an eco-warrior, journalist and mystic. Garrick participated in high profile activist campaigns beginning in the early 1970s in the counter-culture of Vancouver. He met Paul Watson, known as the founder of Sea Shepherd Conservation Society, and the brothers-in-arms shared in life altering adventures including Greenpeace’s inaugural whale and Harp seal campaigns and a protest against the BC government’s wolf cull.
Garrick was a visionary who understood the need to bring disparate groups of ecologically and environmentally concerned people together to create a powerful voice. His experiences at Wounded Knee in 1973 strengthened his resolve to coordinate Aboriginal concerns within the context of larger environmental issues and he spent the rest of his working years engaging with First Nations in British Columbia and across Canada and into the US.
Deftly woven into this biography are highlights of Garrick’s rich mystical life, which began in childhood with visions of unearthly beings and permeated all of his activities. He felt a particular empathy for earth’s creatures, which intensified during the 25 years he spent living off the grid on remote Hanson Island. Here his life’s work culminated in documenting thousands of culturally modified trees (CMTs), in coordination with local First Nations, and resulted in a ground-breaking report produced by the Western Wilderness Committee. His findings provided support for the Namgis Nation’s territorial claims of Hanson Island and played a critical role in halting logging on the island.
Garrick comes alive from Gilbert’s use of his deeply insightful and humorous writing, unpublished letters, 150 journals and her extensive interviews with him. The book is illustrated with archival images and Garrick’s own drawings.
Walrus lived an ethical and principled life that offers hope and inspiration in troubled times.
A historical documentary of Sitting Bull’s exile in Canada after the Montana massacre at Little Big Horn. The play examines Sitting Bull’s relationship with superintendent Walsh of the North West Mounted Police and is the study of the disillusionment of a man who believes in his government’s integrity but who is betrayed by that government.“This is the law,” Walsh declares, “but where is the justice?” Premiered at Theatre Calgary. Subsequently performed at Stratford’s Third Stage.
Shortlisted, Rakuten Kobo Emerging Writer Prize (Non-Fiction)
What does it mean to be exiled? For the landmarks of your past to disappear?
In 1943, Wanda Gizmunt was ripped from her family home in Poland and deported to a forced labour camp in Nazi Germany. At the end of the war, she became one of millions of displaced Europeans awaiting resettlement.
Unwilling to return to then-Soviet-occupied Poland, Wanda became one of 100 young Polish women brought to Canada in 1947 to address a labour shortage at a Quebec textile mill. But rather than arriving to long-awaited freedom, the women found themselves captives to their Canadian employer. Their treatment eventually became a national controversy, prompting scrutiny of Canada’s utilitarian immigration policy.
Wanda seized the opportunity to leave the mill in the midst of a strike in 1948. She never looked back, but she remained silent about her wartime experience. Only after her death did her daughter-in-law assemble the pieces of Wanda’s life in Poland, Nazi Germany, and finally, Canada. In this masterful account of a hidden episode of history, Faubert chronicles the tragedy of exile and the meaning of silence for those whose traumas were never fully recognized.
In a world torn by divine betrayal, two lost souls must face a god’s wrath—or lose their love to an eternal rift.
Keely Thompkins, a seamstress bound by fear of the unknown, finds refuge in the quiet of her attic. Briggs Ray, a woodsman scarred by a solitary past, survives on wit and defiance in a village that overlooks him. During a vibrant festival, a shimmering portal steals them from their home, leaving their town vanished and their bodies marked by the enigmatic gods, Ahisa and Menor. Stranded in a realm warped by the Great Rift—a celestial schism spawning deadly frosts and monstrous skitters—they forge a fragile bond to survive.
As they navigate a land of quaking earth and predatory shadows, guided by strangers who revere their marks as divine, Keely and Briggs uncover a perilous truth: they are chosen to mend the rift between the gods, a task that has claimed countless lives. Their love, tested by Teulin—a merciless entity born of the gods’ discord—grows amidst trials of drowning rivers, scorching suns, and haunting memories. With time running out, they must confront Ahisa’s guarded heart and Menor’s remorse, risking not just their lives but the very love that anchors them.
Will their faith in each other prove stronger than a god’s vengeance, or will they become another sacrifice to a fractured eternity?
A mesmerizing tale of love, sacrifice, and defiance, Wandering Bark charts a perilous journey where the heart’s courage is the only star to guide a lost soul home.
Wanderings: An Anthology of Anglophone Nepali Diaspora Poetry is a groundbreaking collection that brings together the distinct voices of poets who trace their roots to Nepal yet live, write, and dream in the diaspora. The anthology brings together a montage of cultural memory, displacement, and reimagined belonging, and paints a vivid portrait of the in-betweenness of diasporic lives. Melding global literary currents with Nepali cultural threads, the poems explore themes of home, nostalgia, exile, and identity, while experimenting with a range of forms–from free verse and sonnets to ghazals, lyrical meditations, and ekphrasis. Through personal yet universal reflections, poets in Wanderings bridge the gap between local Nepali heritage and world literature, offering a clear entry point for those who wish to understand, teach, or experience the unfolding story of Nepali writing in English. This collection serves as both an intimate lens into Nepali culture and a testament to the power of poetry to transcend borders. The anthology, including a detailed introduction about Nepali diasporic writing, stands as an essential addition to the global poetry scene, ensuring that the Anglophone Nepali diasporic voices resonate in contemporary literary conversations everywhere.
The poets featured in this collection, listed alphabetically, include Pushparaj Acharya, Rohan Chhetri, Mukul Dahal, Tsering Wangmo Dhompa, Anuja Ghimire, Saraswoti Lamichhane, Mukahang Limbu, Nabin K Chhetri, Samyak Shertok, and Y B Shakya.
Where did passports come from? Why did 1930s stewardesses carry wrenches? And how did teetotalers shape the modern vacation? Wanderlust answers these questions and more, as author Laura Byrne Paquet delves into the social history of travel. Now a multi-billion dollar industry, travel is also one of the world’s oldest.
Paquet follows hypochondriac Greeks to the Oracle of Delphi, checks out the bedbugs in medieval coaching inns, enjoys a Finnish sauna with a group of well-bred Victorian ladies, and relaxes on a transatlantic liner with some of England’s Bright Young Things from the 1920s. In breezy style, she explains the difference between a traveller and a tourist and explores the future of travel, from grand plans for commercial space travel to underwater hotels. As the book reveals, we’ve always loved to travel — the only thing that keeps changing is how we get from here to there.
Readers of Wanderlust, an anthology of travel stories, will at once feel that need to roam, the longing for surprise, the thrill of just recognizing the threat of danger, and the nomadic impulse simply to move oneself for the sake of moving, that restless and endless quest for a new beginning — even if it means the end of one life and the start of a new one.
In every story a character embarks on a journey of discovery. They travel through the Nordic Viking age, experience family life in Italy, interpret the Lascaux Caves in France, climb Nicaragua’s volcanoes, undertake a road trip through the villages of Mexico, and finally are brought back to the Canadian prairies. Editor and contributor Byrna Barclay draws inspiration from the philosophers who expounded on the theory that, rather than change, a person simply becomes more of what he or she already was at birth.
Anthology Contributors:
Byrna Barclay
Brenda Niskala
Linda Biasotto
James Trettwer
Shelley Banks
Kelley-Anne Riess
Annette Bower