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In this second volume of Untold: Northeastern Ontario’s Military Past, authors Dieter K. Buse and Graeme S. Mount detail the contributions and experiences of men and women from northeastern Ontario who participated in military conflicts. They present, among many topics, the Spanish Civil War, internment of enemy aliens, prisoner of war camps in northeastern Ontario, and participating in World War II. They show the participation, contributions and sacrifice of men and women in all the services (army, navy and airforce) as Northeasterners fought in all the major conflicts. The Cold War struggles, Korean and Afghanistan wars as well as peace-keeping helped shape Northeastern Ontario. Through archival research, military documents, newspapers, diaries and personal letters, the stories reveal the sacrifices and challenges, how military activities and service impacted families and communities in northeastern Ontario.
Mothers of the 1950s were wasp-waisted, dutiful, serene, and tied to the kitchen with apron strings. Or so we thought. This collection of searing and startling poetry and prose unties the stereotype and reveals women who were strong, wild, talented, wise, mad, creative, desperate, angry, courageous, bitter, tenacious, reckless and beautiful, sometimes all at once. The contributors include multi-award-winning poets, novelists, and essayists, as well as compelling new literary voices.
Author Statement:
Five years ago I began working on a collection of poems titled Unus Mundus, derived from Marie Louise Von Frantzs description of human union with the one cosmos. In her book, Creation Myths, she writes: This unus mundus is not the cosmos as it exists now, but an idea in Gods psyche. When I began this manuscript, I was interested in exploring how we as a species have moved beyond searching for a union with the cosmos in the spiritual senseand understanding ourplace within itto the desire to conquer its mysteries and exploit its resources.
As a science writer who has come to be known as an eco-poet, I am acutely aware of the danger, as Heidegger states, of becoming enframed by technologyor not only being reliant upon it, but subservient to it. Yet I am also captivated by how the language of science and technology has seeped into mainstream use, mutating and multiplying vocabulary. How the concepts and discoveries of science fuel our hopes and fears. And how poetry can explore, challenge and celebrate science.
As a writer who has returned to the prairies, I am also enthralled with the colours, scents, textures, light, space, and sky of this place. It is a landscape that has inspired my work creatively and thematically. Like artists and writers Marian Penner Bancroft, Sharon Butala and Simon Schama, I am interested in how landscape shapes our personal histories in memory and physical experience. And how this sense of place informs onesdaily life and creative work.
Frida wasn’t expecting to find much while digging through relics at her late grandmother’s house. But when she comes across a mysterious painting, family secrets, and a nosy auctioneer, she knows the real digging has just begun.
Frida and her brother, Zac, have lived in seven countries in ten years. In fact, they’ve been traveling for so long that Frida has never considered herself from anywhere — until they inherit their grandmother’s house in Victoria, British Columbia. Now they’re up to their ears in family heirlooms, paintings of dead relatives, vintage paper clips, and ceramic animals.
Then a nosy antique dealer takes an interest in her grandmother’s stuff. A big, sneaking-around-trying-to-break-in-to-the-house kind of interest. Is this strange neighbor looking for something specific? And will Frida and Hazeem figure it out before it’s too late?
Suspense and corruption light up the third Dr. Zol Szabo offering
Epidemic investigator Dr. Zol Szabo and his team are called to a panic-stricken high school in the heart of Ontario’s tobacco country, where teens are dying from liver failure. The team suspects a link with contaminated, cut-price cigarettes manufactured on nearby Grand Basin Indian Reserve. When Zol confronts The Badger, the multi-millionaire kingpin of the illicit Native tobacco trade, he is ordered to shut down his investigation when rebuffed by high-level government authorities. The Badger’s contaminated tobacco spreads across the country, and key witnesses and Zol’s family are put in the crosshairs of a ruthless criminal. Can Zol dig deep enough to find a creative solution before it’s too late?
Suspense and corruption light up the third Dr. Zol Szabo offering
Epidemic investigator Dr. Zol Szabo and his team are called to a panic’stricken high school in the heart of Ontario’s tobacco country, where teens are dying from liver failure. The team suspects a link with contaminated, cut-price cigarettes manufactured on nearby Grand Basin Indian Reserve. When Zol confronts The Badger, the multi-millionaire kingpin of the illicit Native tobacco trade, he is ordered to shut down his investigation when rebuffed by high-level government authorities. The Badger’s contaminated tobacco spreads across the country, and key witnesses and Zol’s family are put in the crosshairs of a ruthless criminal. Can Zol dig deep enough to find a creative solution before it’s too late?
Kathryn Willcock and her sisters grew up in logging camps on the coast of B.C. in the 1960s when children were set loose to play in the wilderness, women kept rifles next to the wood stove, and loggers risked their lives every single day. The author’s tales of grizzly bears, American tourists, and a couple of terrified gangsters, along with the wisdom of Indigenous elders, pour off the page like warm syrup on a stack of cookhouse hotcakes.
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Already well known to Montreal audiences as an accomplished actor, director and playwright, Harry Standjofski makes his print debut with Urban Myths: Anton & No Cycle.
“I should have punched her in the face.”
With these words, Hazel’s back. Having survived a stint as a werewolf’s accomplice on a mission of vengeance and redemption, Amiskwaciy’s notoriously unknown detective and self-professed asshole Hazel LeSage returns.
The aftermath of violence has left Hazel with questions, wounds and unexpected friends including Shanaya Bhattacharya, a most unusual lawyer whose thirst for wrongs to right leads her and Hazel into the claws of a conspiracy.
Hazel and Shanaya set out to find Hazel’s ex-husband and renegotiate the terms of their divorce, in which Hazel unjustly lost her land. They stumble into a deadly conspiracy entangling the rural lands surrounding their home city of Amiskwaciy. Taking it on will force Hazel to come to terms with her past; surviving will mean accepting some most unexpected allies.
Meanwhile in Amiskwaciy, Hazel’s nephew Devin, shaken to the core by the violent death of his childhood friend, has gone to ground in an unlikely lair. To emerge whole, he must get to grips with the primal wildness of his soul and begin to become a man of worth on his own terms.
Welcome back to Amiskwaciy, where the mythic has its feet up on your coffee table, and what you see might not be all you get.
Urbane is the sequel to Humane, Anna Marie Sewell’s best-selling 2020 first novel from Stonehouse Publishing.
People used to haggle in crowded outdoor bazaars. Now we buy collectibles on eBay. Tracing the evolution of shopping from marketplaces to malls, mail order to the Internet, The Urge to Splurge is a chatty, intriguing look at the history and the psychology of one of humankind’s oldest pursuits. With examples from literature and other sources, The Urge to Splurge explores the variety of reasons (and excuses) that have driven the impulse to buy throughout the ages. It uncovers how fashionistas have fought to obtain the most fashionable hemlines and trendiest hats for more than 2000 years, and discusses the age-old phenomenon of compulsive shoppers who shop beyond their means. The Urge to Splurge also looks at the long history of our conflicted attitudes about shopping. Shopping, it seems, has never mixed well with our higher ideals. It has mixed with just about everything else, though. For instance: tourism. These days, every museum has a gift store and every cruise ship offers shopping seminars. But people have been carting home souvenirs from foreign lands since long before Hannibal crossed the Alps. As one bumper sticker puts it: “Veni, vidi, VISA: I came, I saw, I shopped.” The drive to spend has been with us ever since we’ve lived in villages and minted coins. The goods may be different now, but has the urge to splurge changed?
From the big bang to the emergence of Homo sapiens to Kushim and the first recorded use of writing in 3200 BCE to the moon landing in 1969, Us From Nothing is a sprawling history of humanity. Striving to answer the big questions – Who are we? Where did we come from? How did we get here? – Geoff Bouvier has created a sweeping collection of poetry that gracefully captures the arc of our universe. Fifteen billion years ago, there was nothing, not even light. Now, we live in a universe that plays host to trillions of galaxies with uncountable stars, worlds and maybe even other life. Us From Nothing recounts this epic tale in richly imagined, yet crisp, prose poems that are carefully grounded in historical fact. The result is a remarkable poetic retelling of history that challenges us to think deeply not only about where we’ve come from, but also about where we’re going.
Us, Now roves from Indonesia to the Middle East, Taiwan, Mexico, China, Africa, Jamaica, Barbados, India, Pakistan, and points in between, converging in Newfoundland. These stories by racialized Newfoundlanders are by turns joyous, tender, hilarious, and heart-wrenching. They confront racism and celebrate the act of enduring. They are about settling and getting unsettled, about parents and their children, about language, about facing down the horrors of homophobia, about the joy of love, about lifelong relationships or the glee of a magnificent crush. Here social and domestic violence are countered with tenderness and the penetrating power of narrative. This is a book about distance and coming together, about what it means to be seen and understood, or—devastatingly—to be seen and judged, or to be invisible and misunderstood. What it means to belong. These are new writers and new visions of an in-the-present-moment Newfoundland, stories shaped by powerful voices, stories urgent, radical, and sparking with beauty.
The compelling memoir of former British Columbia cabinet minister Bob Williams weaves his political and economic insights with the story of his unconventional life.In Using Power Well, former provincial politician Bob Williams tells his atypical life story. Beginning with his childhood in the working-class east end of Vancouver, Williams goes on to describe his early years as a planner in Delta, BC, his political life on Vancouver City Council and in the BC Legislature—including a major impact on the first NDP government in the 1970s—and his more recent contributions in the world of business and co-operative economics. Williams’s legacy is dotted across the physical and political landscape of BC—from the Whistler Town Centre and Robson Square to the Agricultural Land Reserve, the Insurance Corporation of BC and many projects in between. A straight shooter who refuses to mince words, Williams advocates in this highly readable and colourful book for a bottom-up approach to politics and public policy, bypassing bureaucracy in order to use power well.