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An early collection from a widely published poet featuring sometimes ironic poems on subjects ranging from haunted houses to lycanthropy to a tongue-in-cheek poem about editors.
We are all entitled to our own hyperbole,
especially you.
Montreal has made a fool of me
for the second last time.
I’m not suggesting we’re all losers
I’m insisting upon it.
In the early nineties, Beck sang ‘I’m a loser, baby, so why don’t you kill me?’ and changed everything. Suddenly, it wasn’t so bad to be a nerd or an oddball; loser chic had begun.
Ten years later, after all the computer nerds have had the last laugh, Jon Paul Fiorentino turns to Thorstein Veblen’s seminal social science text from 1899, The Theory of the Leisure Class. Veblen’s book introduced to our culture the terms ‘conspicuous consumption’ and ‘nouveau riche’; it identified a new demographic, the leisure class, and demarcated its position in culture. The Theory of the Loser Class, then, is an art manifesto for the aesthetics and ethics of loser culture.
If the Anthony Michael Hall character in The Breakfast Club wrote poems (and, deep down, you know that he did), they’d probably read a lot like The Theory of the Loser Class. Drawing on texts ranging from Thorstein Veblen’s groundbreaking The Theory of the Leisure Class to Star Wars (the nerd Bible) for inspiration, this carefully crafted suite of poems documents the tribulations and insecurities of everyone’s inner geek. Fiorentino maps the psychic territory of abjection across the shopworn spaces of suburban Winnipeg, where a landscape of aging strip malls, burned-out houses and living rooms littered with video-game consoles serves as a mirror to the inner states of urban ennui among the socially inept and the culturally vexed.
By turns compassionate, funny and filled with selfloathing, The Theory of the Loser Class is never without the possibility of redemption; ‘And if a loser falls,’ says the narrator of ‘Right in the Spine,’ ‘I feel it.’ The Theory of the Loser Class is the perfect soundtrack for the alienated and the hopeless.
‘[Fiorentino’s The Theory of the Loser Class is] a glamously designed, serious, wrenching tour de force of intellectual stamina and his signature brand of lyrical self-torture.’
– Hour
‘Fiorentino is smart and deft.’
– Globe and Mail
The Thickness of Ice is a tender and tragic tale set in the remote sub-arctic tundra, in the small town of Churchill with a transient population on Hudson Bay. The barren icy landscape pervades the characters’ lives and relationships. As the novel opens Wade confesses that he was responsible for the death of his best friend Jack, out on the tundra, three years after meeting him. They had been arguing about a Dene woman, Tess, they were both in love with. Jack’s body was never found, and Wade never admitted to the act. It was assumed that Jack had left abruptly. However, many years later, Wade meets Esther who moves to Churchill to live with him. She hears the story of Jack’s disappearance. For Wade’s sake, she determines to resolve what happened to Jack and bring some closure. For Wade, everything is now threatened.
“Does it hurt?” When you’re a tattoo artist, that’s the most universal question. For Chris MacDonald, the answer is simple: hurts less than a broken heart. Those words are painted above the entrance to his shop, Under My Thumb Tattoos, as a reminder.Chris and his brothers were as wild as the wind, in their house among the fields of Alliston, Ontario, when their parents divorced. Shell-shocked, they were uprooted and brought to Toronto by their dad. Their mother’s mental illness worsened in the aftermath, and she disappeared. As a teenager, Chris left home and found himself immersed in the city’s underbelly, a world where drugs, skateboarding, and punk rock reigned. Between the youth shelters, suicidal thoughts, and haunted apartments, a light shined: and it was art.He eventually found himself following the path of his brother, Rob, and pursuing life as a tattooist. Then, at the height of a destructive summer, everything changed: he met Megan, the girl who would become his rock of ages.This remarkable memoir examines what tattooing means to MacDonald and traces the connection his artistic motives have to both his family and childhood. The Things I Came Here With is about how crucial our past is to understanding our future, but it’s also a love letter to his daughter about the importance of expression, life’s uncertainty, and beauty.
A much-loved memoir now back in print
Hockey legend Gordie Howe once said there were two superstars in the Hull family: Bobby, the Golden Jet and one of the greatest players ever to tie up a pair of skates, and his brother Dennis, who had a solid career with the Chicago Blackhawks, and is now one of the most sought-after public speakers in North America.
In The Third Best Hull, Dennis Hull outlines his life in hockey with humorous anecdotes, insights, and stories. Not just another sports autobiography, this book provides insight into the life of a hockey star without taking itself too seriously. You’ll find out about the time Hull taught Guy Lafleur to speak English; how he once won a coin toss worth $250,000; and about his ongoing rivalry with Henri Richard, the younger brother of the legendary Canadiens great Maurice Richard. Along the way, Dennis gives the reader an account of the famed 1972 Russia–Canada series and speaks with stunning candour about his brother, Bobby, his nephew and St. Louis Blues’ star Brett Hull, and hockey legends like Howe, Ken Dryden, and Bobby Orr.
The Third Best Hull was originally released in 1998. This edition includes new photos and brings the Hull family story up to date.
The Third Colour features two ancient spirits who have been reborn repeatedly. With each rebirth, the two must relearn everything, from their own names to basic vocabulary. They must also relearn, and relate to each other through allegorical tales, the history of the land where they find themselves. And this time, the spirits are reborn as two Indigenous women, Agatu and Head Full of Lice, who are forced to revisit the history of Indigenous-settler relations in Canada. Ian Ross employs humour, anger, and a finely-honed sense of the absurd to tackle the colonialism, trauma, and the disconnect between settlers and Indigenous peoples. How do we bridge the two worlds? Or should we? Is it better, Head Full of Lice asks, to burn it all down and start fresh? Or can we, as Agatu hopes, reconcile?
The Thought from Outside explores the work of Montreal avant-garde artist John Heward. James D. Campbell investigates his abstract practice of the last several decades and argues that he is one of the few artists of his generation to broach significant issues of being and knowing in the framework of a gestural abstraction. The text discusses both the artist’s painting and sculpture and shows that this artist has habitually eschewed traditional ways of making and thinking about art. Campbell shows that, in Heward’s suggestive paintings of the glance, the sheer presence of the mark heralds a return to what is perhaps the most basic source of all painting: the primordial need to express what is in mind to say through the medium of the hand.
Suzanne Leblanc’s The Thought House of Philippa transposes a theory of individuality into a stunningly reflective, sensuous and frank philosophical novel. Setting the chapters in the various rooms of the house Ludwig Wittgenstein designed for his sister in Vienna, Leblanc’s novel lays out P.’s intensely emotional and intellectually acute way of seeing the world and her place in it. Prompted by early isolation, P. moves towards the Great World of others and Nature, alienated from the everyday, yet devoted to a deeper connection, in an exploration that is profound and moving. Ideas crucial to Wittgenstein’s work—limit, freedom, interior and exterior, self and world—echo and shift in Leblanc’s precise, incantatory prose, propelled through the architecture. The distinct voices of the novel’s four sections act as musical movements, constructed from repetition, variation and development of language, in alternating keys of austerity and splendour. The effect—a pure expression of the passion of clear thought, the adventure of solitude, and the beauty of uncompromising encounter—is utterly riveting. A sui generis experimental novel not to be missed.
The Three Count highlights the triumphs and tragedies Jimmy Korderas experienced over his storied career as a WWE ref, from humble beginnings with Jack Tunney in Toronto to being a part of the main event at WrestleMania. For the first time, Korderas talks about the harrowing experience of being in the ring during Owen Hart’s accident and about the horrific effects of the Chris Benoit tragedy — the most difficult moments of his life in wrestling.
The book also includes untold stories from inside and outside the ring, highlighting the bonds Korderas formed with WWE superstars like Eddie Guerrero, Edge, John Cena, Stone Cold Steve Austin, Christian, and Chris Jericho.
A fun read from a man who doesn’t have an axe to grind, but who wants to inspire wrestling fans and prove that dreams do come true, The Three Count shows that there’s much more to the entertainment industry than scandals and dirty laundry.
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Henrik Nordmark is a bald, middle-aged security guard with few friends and no romantic possibilities. Tired of being the weed sprouting out of the wallflower, generic in his generality, Henrik has an epiphany. He will have one moment of inimitable distinction, even if it kills him.
Henrik first sets out to experience the throes of addiction, then to become virtuous, and barring this to be known as a public menace. Inevitably he resolves to find true love and fails miserably. Along his journey, Henrik inadvertently becomes the target of a team of elderly assassins — one blind, one deaf, and the other mute.
Henrik’s counterpart is Roland, a young office worker who, thinking he’s won the lottery, dumps his girlfriend and casts aside his friends. He addresses an email to the company where he works: “Dear Heartless Bastards …” Soon Roland’s entire world — the fictional one he’d built up in his mind — comes crashing down to painful reality.
Henrik’s and Roland’s lives intertwine with that of a young couple, the aptly named Bonnie and Clyde, two formerly star-crossed lovers who have grown to loathe each other. Bonnie and Clyde now have homicidal intent in their hearts, but do they have the cleverness or proficiency to pull off their respective crimes?
The characters’ lives all come together in a crescendo in which Henrik realizes his true purpose on earth.
Giller Prize-winner Lynn Coady’s unforgettable Christmas story “The Three Marys,” is adapted from her award-winning debut novel, Strange Heaven, published in 1993. Published on the occasion of Goose Lane Editions’s 60th anniversary, it is also a part of the six@sixty collection.
2017 Foreword INDIES Finalist (Historical, Adult Fiction).
1940s Vancouver. The Japanese have just bombed Pearl Harbour and racial tension is building in Vancouver. The RCMP are rounding up “suspicious” young men, and fishing boats and property are soon seized from Steveston fishers; internment camps in BC’s interior are only months away.
Daniel Sugiura, a young reporter for the New Canadian, the only Japanese-Canadian newspaper allowed to keep publishing during the war, narrates The Three Pleasures. The story is told through three main characters in the Japanese community: Watanabe Etsuo, Morii Etsuji and Etsu Kaga, the Three Pleasures. Etsu in Japanese means “pleasure”; the term is well-suited to these three. Morii Etsuji, the Black Dragon boss, controls the kind of pleasure men pay for: gambling, drink and prostitution the pleasures of the flesh.
Watanabe Etsuo, Secretary of the Steveston Fishermen’s Association, makes a deal with the devil to save his loved ones. In the end, he suffers for it and never regains the pleasures of family. And there is Etsu Kaga, a Ganbariya of the Yamato Damashii Group, a real Emperor worshipper. His obsession becomes destructive to himself and all involved with him. He enjoys the pleasure of patriotism until that patriotism becomes a curse.
The Three Pleasures is an intimate and passionate novel concerning an unsightly and painful period in Canada’s history.
“Terry Watada’s literary tour de force, The Three Pleasures, lifts the Japanese Canadian internment experience beyond passive victimization by giving life to a host of historical figures heroes, villians and tragic characters in a fascinating yet little-known resistance movement within the camps. An absolute page-turner and worthy read.” (jim wong-chu)
Middle-aged Jane Barken discovers a lump in her left breast, the second in five years. She is depressed, her marriage is falling apart, and her singing career is faltering. Recuperating at her Willow Island cottage after a lumpectomy, she decides to embark on a canoe trip around the island. She discovers a section of the island no one has ever seen, and what she finds there is horrifying.
Elora Dixon is a vibrant, middle-aged lawyer and disability-rights activist who has never walked a step in her life. A neuromuscular disease left her with a curved spine and a reliance on around-the-clock care. Nonetheless, she is an inexorable force when chance pits her against the notorious Julian Summer, who is in town promoting his internationally bestselling book. Julian is a fervent supporter of euthanasia, and Elora is the counter-argument—a living rebuke to parents who want the option of euthanizing a disabled newborn. So it comes as a shock, especially to Elora, when the two find themselves acutely attracted to one another. Will she learn to negotiate her feelings and her convictions, or will Julian’s beliefs begin to colour her own?