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32 Degrees is an anthology of prose, poetry, and drama edited by Raymond Beauchemin, ìdistinguishedî (in the words of Elizabeth Spenser) ìby talents which have been nurtured into significant growth, and [featuring] … a variety of styles, each of which rings clear and true.î For Clark Blaise, both the new and established writers in this collection are ìon the road, turning heads, leaving foreign models in the dust.î
The author list of 32 Degrees (simultaneously post graduates of Montrealís Concordia University writing program) includes nationally recognised writers such as Nino Ricci, allowing the reader a glimpse into the early world of his extraordinary novel, Lives of the Saints, as well as less familiar, but no less talented writers like Nova Scotian David McGimpsey meditating on the legendary and dismal death of country music great, Hank Williams.
Also present? Torontoís April Bulmer, who writes a taut lyric, subtle with the details of her Ontario milieu. Fellow Ontarian Richard Harrison examines the new evolving attitudes of his generation of men and women. Out of the Mennonite community of Southern Manitoba, Grant Loewen invents the character ëBrickí, whom Robert Kroetsch has identified as a ìnew championî in a novel which is ìa computer game for the end of the millenium.î Clowns and real magicians inhabit the rodeo, stetson, and sawdust world of Saskatchewan in the magic-realist realm of Dan McBain. Other pieces in the anthology are by Pacific Coast resident Mark Cochrane, the accomplished Elizabeth Harvor, Ray Smith, Robert Majzels, Sharon Sparling, and Stephen Henighan.
Toronto poet Andy Weaver’s third poetry collection is interested in how language can and cannot grapple with the problem of how we experience and relate to the present moment, and how language both explains the problem but also provides a false sense of comprehension. Through experimental poetry, challenging texts, and philosophical matters, this is interested in the politics of aesthetics and in aesthetics as politics, and attempts to tackle the problems and ethics of putting extra-linguistic elements into language. As Weaver writes: “Language is, at its heart, this-ness, something too immediate to ever be understandable.
Follow Mike (from Halifax) and girlfriend Jodi (a Texan) through the United States on a tour fuelled by deep-fried pickles and pocket-sized fruit pies. This American Drive is the story of the foods they ate, things they saw, places they visited, laws they bent, customs they mocked… and foods they ate.
“This Could Be Anywhere” describes experiences of places, landscapes, and encounters that do not seem to respond to our natural and spontaneous interest in them. The poetry collection visits various places – Natashquan, Vietnam, Montreal – and seeks to bring out their common nature. We read the poems with the impression that this could be anywhere. Author Maude Smith Gagnon displays a lovely grasp of language through well-crafted narrative touches. In a spare, minimalist form she pays homage to the intensity of being. Bit by bit her words infuse memory and absence, welcoming the most seemingly insignificant events in the world as the beginning of great things.
The City of Vancouver has been through a lot in its first 125 years. Its a city that has played host to the likes of Mark Twain, Alice Cooper, Elvis Presley, Winston Churchill, The Beatles, Louis Armstrong, Howard Hughes, Expo 86, and the 2010 Olympic Winter Games. Its the birthplace of Canadas first female MLA, the countrys first (and largest) clothing-optional beach, and the reason for the first nationwide prohibition legislation. It was the final resting place of Errol Flynn, and the city where two of his genital warts were briefly (and posthumously) kidnapped. It has been a hotbed of political activism, technological innovation, and bitter racial tension. It is the site of the West Coasts first electric light, and the nations first female police officers, as well as home to world-renowned actors, deadly snipers, twisted serial killers, UFOs, the founders of Greenpeace, an official Town Fool, and even the headquarters for the Canadian Ku Klux Klan. Its a city on a journey; a journey that has taken it from being an unrefined, out-of-the-way, frontier logging village, to its current position as one of the most livable cities in the world.
This Day in Vancouver will be the story of that 125-year journey, one day at a time. Adapted from The Dependent magazines highly successful online column of the same name, and drawn from more than 13 months of research, each of the books pages will be dedicated to a day of the calendar year, featuring a noteworthy event,historical curiosity, or ridiculous headline from Vancouvers past. Seeking to capitalize on renewed interest in the citys historyan interest fostered by recent 125th anniversary celebrationseach entry will seek to relate the days events to the history and development of the city as a whole, thus providing not only a historical snapshot, but a broader understanding of many of the individuals and locations that have contributed to the creation of Vancouvers unique cultural identity. In addition, many of the entries will be accompanied by a relevant full-sized historical photograph on the facing page, selected from the thousands of images available in the city archives.
This Drawn & Quartered Moon takes pre-millenial San Francisco as its epicenter, and from there ranges out in time and space. Characters abound. The reader will meet a plagiarist, a Vietnam vet named Othello, a Mafia don, a drug mule en route to jail, Elvis Presley (the poets father was his doctor), a Sculptor of the Lower Fillmore Head Shot, a dying Arab king and Courtney Love.
Autodidact and gregarious loner klipschutz alternates personal with public poems, satires with romance, dramatic monologues with prose poems, street swagger with delicate songs that carry their own music. Over ten years in the making, this collection evokes the restless spirits of predecessors such as Nicanor Parra, Gregory Corso and Kenneth Patchen.
The year is 1885 and Abigail Peacock is resisting what seems to be an inevitable future—a sensible career as a teacher and marriage to the earnestly attentive local storeowner.
But then she buys a rifle, and everything changes.
This Godforsaken Place is the absorbing tale of one tenacious woman’s journey set against dramatic myths of the Canadian wilderness and the American Wild West. Abigail’s adventure introduces her to some of the most infamous characters of her time—including Annie Oakley and Gabriel Dumont—and brings the high stakes of the New World into startling focus.
This Great Escape
When Melony Barnett’s mother commits a violent murder, Mel is left struggling with the loss of her parents and her future. For more than two years, she drifts around the continent, trying to carve out a life that has nothing to do with her past, before returning to her Northern Ontario home and adopting a rescue dog—a mastiff with a tragic history. As she struggles to help the dog heal and repair her relationship with her brother, Matt, she begins to uncover layers of secrets about her family —secrets that were the fuel for her mother’s actions.
This Has Nothing to Do With You is a compulsively readable novel that follows a dynamic cast of characters, revealing the complexity of the bonds that are formed through trauma and grief—with siblings, lovers, friends, and dogs.
After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.
An intergenerational coming-of-age novel, This House Is Not a Home follows Kǫ̀, a Dene man who grew up entirely on the land before being taken to residential school. When he finally returns home, he struggles to connect with his family: his younger brother whom he has never met, his mother because he has lost his language, and an absent father whose disappearance he is too afraid to question.
The third book from acclaimed Dene, Cree and Metis writer Katłįà, This House Is Not a Home is a fictional story based on true events. Visceral and embodied, heartbreaking and spirited, this book presents a clear trajectory of how settlers dispossessed Indigenous Peoples of their land — and how Indigenous communities, with dignity and resilience, continue to live and honour their culture, values, inherent knowledge systems, and Indigenous rights towards re-establishing sovereignty. Fierce and unflinching, this story is a call for land back.
The first book to explore their history, legacy, and influence
This is a book about the Kids in the Hall — the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall — told by the people who were there, namely the Kids themselves. John Semley’s thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the Kids’ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a critic’s eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly.
The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, they’re always better when they’re together. This is a book about friendship, collaboration, and comedy — and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.
In this rapid moment of expansion in queer theatre, when everything is exposed, interrogated, and investigated, This is Beyond is a time capsule of where we are now and a map for where we might go next. Co-editors Evan Tsitsias and Bilal Baig strike out to capture the magnitude of this seismic shift, asking: How far have we come? What’s changed? What’s stayed the same? What do we need to do to continue to change things? An anthology that moves like a satellite in the sky, This is Beyond confronts and expands our current perceptions so that we may continue to explore the new and unknown.
Monologues, essays, and opinion pieces speak to the transformation of queer theatre through a myriad of diverse experiences, using stories, myths, and magic to unveil the intersections of queerness and cultures. Each piece gives voice to what it means to be a member of the queer community in an ever-evolving society, offering actors of every culture and generation empowered queer stories to play with, ponder over, learn from, and embody within our current cultural moment.
***THE MIRAMICHI READER‘S VERY BEST BOOK AWARDS, POETRY: LONGLIST***
Illuminating, poised, and wholly original, the poems of Sharon King-Campbell’s This Is How It Is range across the planet from New Zealand to Thailand to Newfoundland, gathering along the way voices both historical and mythological in a compelling display of dramatic empathy and poetic imagination. Subverting history and fable while always returning to vividly depicted images of our landscapes within the specter of environmental crisis, King-Campbell spans the far corners of the earth and the previously silent voices of our collective pasts to arrive here at our contemporary moment with poems of formal dexterity as prescient as they are captivating.