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Christmas, 1864, in the last years of the civil war, a twenty-year-old Irish Canadian, Eoin O’Donoghue, is newly hired as the personal secretary to the prospective head of the embryonic Irish Republican Army in New York, William R. Roberts. Appalled that the mayhem he sees around him is also being planned for his own country, Eoin offers his services to Gilbert McMicken, head of Canada’s secret police. So begins the trajectory of what Eoin himself calls, self-disparagingly, his ‘Judas informantcy.’… Against a backdrop of fusion and collapse, 600,000 Americans dead, one nation, Canada, about to be created, another to its south in disarray, Irish militants plan northward raids to win a ‘New Ireland’ on the continent (its capital, Sherbrooke, QC), to split Ireland itself off from Great Britain, and to avenge reverse, cross-border Southern terror hatched in Montreal and approved by Jefferson Davis – murder and bank robberies in St. Albans, Vermont, a form of germ warfare (yellow fever spread by trunks of black vomit encrusted clothing), Confederate Robert Kennedy’s almost successful plan to fire-bomb New York City, and the shooting of Abraham Lincoln. Under assumed names, safely housed in the Moffat Mansion on Union Square (with a sunburst flag on the roof, lavishly furnished in mahogany and green, center of the Irish Republic in exile), live the secret, illegitimate twin daughters of James Stephens, Fenian leader in Europe. Who will capture Eoin O’Donoghue’s allegiance – his employer, radical New York businessman and Fenian William R. Roberts (later US ambassador to Chile), Deirdre Hopper (Stephens), accomplished painter and musician and daughter of the leader in Dublin, or Canadian spy-master Gilbert McMicken, who regularly insists his protege provide ‘less poetry and more police work.’ …Two spirits also stalk the book, one Edmund Spencer, author of the Faerie Queene and the Sheriff of Cork, who celebrated the flowers of Ireland and contemplated mass starvation of the Irish as an instrument of Elizabethan power. The other is Thomas D’Arcy McGee, Irish revolutionary, poet, journalist, Father of Confederation, the only federal politician in Canada ever to have been assassinated (by Fenian separatists in 1868), almost three years to the day after Lincoln’s death at the hands of John Wilkes Booth. Art or authority, union or secession, integrity or ‘informantcy’, rapine and war or love and the peaceable kingdom – Eoin O’Donoghue, reluctant patriot and spy, is torn by these choices.
Christmas, 1864, in the last years of the civil war, a twenty-year-old Irish Canadian, Eoin O’Donoghue, is newly hired as the personal secretary to the prospective head of the embryonic Irish Republican Army in New York, William R. Roberts. Appalled that the mayhem he sees around him is also being planned for his own country, Eoin offers his services to Gilbert McMicken, head of Canada’s secret police. So begins the trajectory of what Eoin himself calls, self-disparagingly, his ‘Judas informantcy.’
Against a backdrop of fusion and collapse, 600,000 Americans dead, one nation, Canada, about to be created, another to its south in disarray, Irish militants plan northward raids to win a ‘New Ireland’ on the continent (its capital, Sherbrooke, QC), to split Ireland itself off from Great Britain, and to avenge reverse, cross-border Southern terror hatched in Montreal and approved by Jefferson Davis – murder and bank robberies in St. Albans, Vermont, a form of germ warfare (yellow fever spread by trunks of black vomit encrusted clothing), Confederate Robert Kennedy’s almost successful plan to fire-bomb New York City, and the shooting of Abraham Lincoln.
Under assumed names, safely housed in the Moffat Mansion on Union Square (with a sunburst flag on the roof, lavishly furnished in mahogany and green, center of the Irish Republic in exile), live the secret, illegitimate twin daughters of James Stephens, Fenian leader in Europe. Who will capture Eoin O’Donoghue’s allegiance – his employer, radical New York businessman and Fenian William R. Roberts (later US ambassador to Chile), Deirdre Hopper (Stephens), accomplished painter and musician and daughter of the leader in Dublin, or Canadian spy-master Gilbert McMicken, who regularly insists his protégé provide ‘less poetry and more police work.’
Two spirits also stalk the book, one Edmund Spencer, author of the Faerie Queene and the Sheriff of Cork, who celebrated the flowers of Ireland and contemplated mass starvation of the Irish as an instrument of Elizabethan power. The other is Thomas D’Arcy McGee, Irish revolutionary, poet, journalist, Father of Confederation, the only federal politician in Canada ever to have been assassinated (by Fenian separatists in 1868), almost three years to the day after Lincoln’s death at the hands of John Wilkes Booth.
Art or authority, union or secession, integrity or ‘informantcy’, rapine and war or love and the peaceable kingdom – Eoin O’Donoghue, reluctant patriot and spy, is torn by these choices.
The Rooftop Garden is a novel about Nabila, a researcher who studies seaweed in warming oceans, and her childhood friend Matthew. Now both in their twenties, Matthew has disappeared from his Toronto home, and Nabila travels to Berlin to find him and try to bring him back.The story is interspersed with scenes from their childhood, when Nabila, obsessed with how the climate crisis will cause oceans to rise, created an elaborate imaginary world where much of the land has flooded. She and Matthew would play their game on her rooftop garden, the only oasis in an abandoned city being claimed by water.Their childhood experiences reveal how their lives are on different trajectories, even at an early stage: Nabila comes from an educated, middle-class family, while Matthew had been abandoned by his father and was often left to deal with things on his own.As an adult, Matthew’s dissatisfaction with life leads him to join a group of young men who are angry at society. He eventually finds himself on a violent suicide mission, but Nabila isn’t aware of the extent of his radicalization until they finally meet on a street in Berlin.
In The Rose Concordance, Angela Carr sets up the rules for a game and then breaks them. The poems trace a constellation of fountains, whose waters lap from an erotic medieval poem. Luxury rushes headlong into Felony, Love hears Irony in Ecstasy. Like fountains, these poems resist any one enduring shape or reading. For in Carr’s voice, water is dappled, and wind catches the fountain and moves it sideways at night when no one is looking. In the mist of words, complicity is vilified and the precious is tenderly chided. The Rose Concordance is a fountain garden that invites the reader to tarry, and drink.
With the cost of buying a home or renting an apartment soaring to previously unseen heights, how canGen Y even begin to think about saving for retirement? Are your knees knocking? Are you nervously biting your nails? Maybe you don’t need to be.
In The Rule of 30, personal finance expert Frederick Vettese provides a surprising — and hopeful — answer to balancing the costs of living with the costs of saving for retirement. Through conversations between a young couple and their neighbour, a retired actuary, the couple and the reader discover:
The Rule of 30 changes the mindset from saving the same flat percentage of pay to saving when it is most convenient to your situation. In most cases, it means less saving early on while mortgage payments are high and children are costly, and more saving later when our earnings are at their highest and expenses at their lowest.
Saving for retirement is a high priority, but it is not the only priority in life. It is time to dispense with old and often unrealistic myths like “just save 10% of your take-home pay.” The truth is we should save differently throughout our pre-retirement years — and The Rule of 30 is a road map for doing so.
The Rumour is a collection of poetry that exposes many important issues of Indigenous discrimination, poverty, drug abuse, brutal violence, love, family, and complex human relationships. As a skilled painter, Joseph A. Dandurand portrays the essence of strong connections with rich Indigenous history, culture, traditions, and family values with broad but precise strokes. The poems come from author’s lifetime experience living on the Kwantlen First Nation reserve and give a true picture of the resilience and the struggles Indigenous people experience in everyday life.
Finalist, New Brunswick Book Award (Fiction) and Alistair MacLeod Prize for Short Fiction
A striking original, deftly humorous collection of stories that considers the quest for truth: how we come to it or alternatively avoid it.
A fervently comic debut, The Running Trees leads readers into a series of conversations — through phonelines, acts in a play, and a rewound recording of a police interrogation — to reveal characters in fumbling bouts of brutality, reflection, isolation, and love.
The relationship between two siblings disintegrates after one asks the other for the pen; a professor and his former student get drinks years after a “romantic” encounter; a book club meets only to find that they have wildly different opinions about a new memoir about their town; and a long-haired feline contemplates existence and consciousness while his cohabitant licks his own butthole.
Whimsical, unconventional, humorous, and always pitch-perfect, The Running Trees explores how we desperately try to communicate with each other amid the gaps in meaning we create.
Shortlisted for the Writers’ Federation of Nova Scotia Atlantic Poetry PrizeGeorge Murray proves once again he is one of his generation’s most accomplished poets with The Rush to Here. Diverging from the excess and declamation of his highly praised previous collection, The Hunter, Murray breaks new poetic ground in poems that are dangerous, sharp and glistening in both language and style.Combining what the poet calls “thought-rhyme” with the structured sonnet form, Murray’s philosophical curiosity and hardnosed intelligence emerge to create an off-kilter eye that somehow manages to be dead on target. As though looking out a window by which the entire world is passing, The Rush to Here darts through the absurdity of daily life to organize the mess and contradictions of modern society.Relentlessly honest, elegant in form and language, The Rush to Here is an intimidating, eerie, but ultimately hopeful collection that sets George Murray apart as a voice for our time.
With the Czarist empire in turmoil, a young Mennonite couple in what is now Ukraine adopt a Russian baby. This historical novel explores themes of belonging, responsibility, and the places we call home.
This book is for anyone who wishes to explore a spiritual grounding for simple living, and for anyone who wants to tread more lightly on the earth.
‘Mockler’s skill with language and narrative beat lends itself well to these unapologetic poems. At times I found myself groaning out loud, or shaking my head to get a grip on what I had just read. There is heart and terrific depth in this work.’ — Canadian Poetries
Jack’s days are numbered. Surrounded by criminals, assassins, knaves and usurpers, and that’s just the members of his own court, everyone is out to get him. For centuries, the Four Kingdoms, the Hearts, Clubs, Diamonds, and Spades, waged war upon each other. To stem the bloodshed, the Four of a Kind, an order of holy wise men, were entrusted to keep the peace at any cost. But the wheels of war are turning once more. Bands of criminals amass in the forests of Spade territory, fleets of sea-mad pirates pillage the Heart coasts, and the Four of a Kind, corrupted by their ill-gotten power, play at war. With the Spade King in poor health, Jack, the young Prince of Spades, is next in line to inherit the throne. All eyes are on Jack, and he is eager to prove to the royal court, and himself. that he is worthy of the crown. As a test of his worth, the King, under the direction of his conniving advisor, the Ace of Spades, grants Jack the role of Minister of Executions, a death sentence to those that bear the title. It is up to jack to round up the enemies of the Spade Crown and deliver the King’s justice. As the King’s enemies grow more desperate, their murderous aim turns to Prince Jack.