A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
All Books
All Books in this Collection
Showing 8017–8032 of 9492 results
-
the real made up
$16.95From the moment we learn to speak we are always using other people’s words. the real made up improvises on this simple idea of imitation; mimicry becomes a kind of cadence for an interweaving of transcribed speech, ironic song, jarring randomization, post-colonial irony, and blatant theft. An incessant imitative dialogue shapes our neural and cultural networks; imitation is a source of power for any subculture, and the primary means of a colonizing process that should be seen as violent. But imitation is not a simple act of copying; at its best, imitation is accompanied by play, performance, and re-enactment. Imitation is a crucial human faculty — a talent at the heart of social being. The primal emotions of love, hate, desire, and anger find their expression in speech and action that are by nature imitative. the real made up is itself made up of real and imaginary interviews with people off the street, of poems by others and poems from others (including much imitated members of the Can Lit canon like Al Purdy, Irving Layton and Erin Mouré). Every poem in the real made up is an attempt to revel in or escape from — an impossible task — the imitative traces of everyone else.
-
The Real World?
$16.95A play within a play. A young playwright draws on his family as the raw material for his first work. Cast of four women and three men.
-
The Reckoning of Boston Jim
$24.95Longlisted for the 2007 Scotiabank Giller Prize
Finalist for the Ethel Wilson Fiction Prize at the 2008 BC Book PrizesThe colony of British Columbia, 1863. Boston Jim Milroy, a lone trapper and trader with an eidetic memory and a tragic unreckoned past, has become obsessed with reciprocating a seemingly minor kindness from the loquacious Dora Hume, a settler in the Cowichan Valley of Vancouver Island. Dora’s kindness and her life story both haunt Boston Jim, and his precise recollections inspire his attempts to buy something suitable for her in return. In The Reckoning of Boston Jim, his search eventually leads him to the gold rush town of Barkerville on the trail of Dora’s capricious husband Eugene—the one thing, after all, that she really wants.
-
The Recovery of the Public World
$39.95The Recovery of the Public World is a collection of texts and talks which address the work of poet Robin Blaser and the field inhabited by his work. It is a field in which the private and the public are grounded in a poetic thinking that operates within the problematics of companionship and community. The companions are “you, dear reader,” the ghosts of Pindar, Duncan, Dante, Sappho, Spicer, Nerval, Mallarmé … and the inquiring voices, echoing throughout this book, of Arendt, Merleau-Ponty, Foucault, Lacan, Deleuze, Agamben, Serres, De Certeau, Nancy, Ronell.… The community is an “image-nation,” a community in which, in Robin Blaser’s words, “the struggle in philosophy and poetry [is] central to our private and public lives.” Speaking, writing, working out a poetics like Blaser’s, which is both furious and intelligent, compassionate and amiable, as well as active in its imagination, offers to many of us a means of resistance to that “conditionless condition” which characterizes the common predicament of the mass societies in which we live.
The Recovery of the Public World provides an introduction to that work which, until very recently, was the least well-known major body of work of all the poets who were included in Donald Allen’s ground-breaking anthology, The New American Poets. That Robin Blaser is one of the great North American poets is a fact which many of his peers have known for some time; the availability of The Holy Forest in print and the publication of the essays from three generations of poets from Canada, the U.S.A., the U.K. and New Zealand in The Recovery of the Public World now ensure that a wider reading public will know it as well.
-
The Red Album
$24.00In the tradition of Borges, Nabakov, and Bolaño, The Red Album is a work of fiction that questions historical authenticity and authority. Divided into two parts, the book begins with an edited and footnoted narrative of dubious origins. In the second part, a section of “documents” (including essays, memoirs, a short play and a filmography) shed light on the first narrative. Familiar characters are revealed to be writers, and the writer and editors of the initial narrative are revealed to be characters. As the ghosts of social revolutions of the past are lifted from the soil in Catalonia, and a new revolution unfolds in South America, the number of mysteriously missing author/characters grows almost as fast as new author/ characters emerge and complicate and scatter the threads of the story.
-
The Red Files
$18.95This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations.Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government’s complex organizational structure of residential schools archives, which are divided into “black files” and “red files.” In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father’s surname, treaty card, Cree accent echo, metal bits, grit– / and I will still have room to cock a fist.”The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.
-
The Red Hairband
$20.00Evie knows she must put the good of the community before all else—that is the only way to fix the problems that led to the Great Flood. But when she is sent as a spy to a society less restrictive than her own, she must choose between loyalty to all she knows, and freedom in the world outside. Many years later, Evie’s name has become a symbol of revolution. But Bertram uncovers a secret that changes everything he thought he knew. He must decide whether to reveal the truth, or protect the fragile peace of his society. In his journey, he encounters time-travelling historians intent on preventing apocalypse by communicating with Laura, a woman from before the Great Flood. Laura is convinced her newborn baby speaks to her, and must decide whether to trust herself, or the doctors telling her she is crazy. Through these three intertwined stories, The Red Hairband explores the inhumanity that is brought about when we are too certain of our beliefs.
-
The Red Indians
$20.00The Red Indians is a theoretically nuanced, frank, and accessible book about Aboriginal resistance in Canada, historical and contemporary. In the manner of Eduardo Galeano’s famous trilogy Memories of Fire, the book uncovers a critical, living history of conflict. The Red Indians, with its polyvalent title that points to the many issues covered in the text, introduces readers to the history of colonial oppression in Canada, and looks at contemporary examples of resistance. Kulchyski clarifies the unique and specific politics of Aboriginal resistance in Canada.
-
The Red Kelly Story
$29.95The life and times of the eight-time Stanley Cup winner
When Boston coach Lynn Patrick was asked who he’d pick between Rocket Richard or Gordie Howe he answered, “Neither! I’ll take Red Kelly!” The only player to have won eight Stanley Cups without playing for Montreal, Red began his life in hockey on the cedar swamps near Port Dover, Ontario, and went on to win accolades and championships as a Detroit Red Wing and Toronto Maple Leaf.
Go back in time with Red as he reminisces about his childhood: the time he nearly drowned; when he brought St. Michael’s College to three provincial championships; and his jump into a career with the NHL where sportsmanlike conduct won him multiple Lady Byng trophies. While playing with the Leafs, he served as member of parliament in Lester Pearson’s government. After retiring in 1967 as a player, Red coached for a decade in the NHL with Los Angeles, Pittsburgh, and Toronto. This is a fascinating biography of a life well lived — on and off the ice.
-
The Red Notebook
$24.95From the theatre of Euripides to the theatre of Montreal’s Main, Michel Tremblay casts some of his most famous and exotic personae, The Duchess, Fine Dumas, Jean-le-Décollé and Babalu, in a whole new light in his new Notebooks. Unlike his Plateau Mount Royal novels, wherein these flamboyant transvestites and their community of social misfits are seen from the perspective of a child destined to discover the defining characteristic of his own otherness as gay, the Notebooks are narrated in the voice of a young woman, and one whose difference is not primarily determined by her sexuality, but by her highly visible physical deformity—Céline Poulin is a midget.
The year is 1967—Expo—and everyone in Montreal is waiting for the great day when they can visit its exotic foreign pavilions. For the characters of The Red Notebook, the second in this trilogy, life in Montreal has shaken off its conservative glumness as a new age arrives. Change is everywhere in the air: politically the Quebec independence movement has been given a major boost by Charles de Gaulle’s famous “Vive le Québec libre!” declaration; and things will never be the same. Céline Poulin, former waitress at the bohemian hangout “Le Sélect,” is now about to start a new job: that of hostess in a bordello just opened by Montreal’s famous Madame, Fine Dumas. Its specialty? All the “girls” in “Le Boudoir” are transvestites. Some are old pals of Céline’s who’ll also be her room-mates after she finally escapes the stifling unhappiness of her family home and moves into their communal boarding house.
Having always maintained that he does not write politics, but fables, Tremblay celebrates how it is possible for Céline to embrace her difference and to flourish in solidarity with a community of others with transcendent eloquence and compassion.
-
The Red One
$22.95Nisha, “Azar’s beautiful wife,” lives a life surrounded by all the modern luxuries of a wealthy suburban home in Toronto. Her father is a taxi driver, her mother a conservative religious housewife jealously craving a better material life. Tormented by her childhood memories of serial sexual abuse by a family friend, contemptuous of the lies lived by her circle of fake friends, Nisha is unwilling to have a child by her dominant, patronizing husband. She finds escape in mindless shopping sprees and secretly spirals into an addiction to a drug called the “red powder.” In this state one day she meets the mysterious Red One, an archetypal strong man to whom she’s instantly and dangerously attracted, who promises her release from her pain. But is he real or a figment of her fervid imagination? In a thrilling denouement to the novel she finds the answer.
-
The Red Word
$19.95Winner of the 2018 Governor General’s Literary Award for Fiction
The battle of the sexes goes to college in this nervy debut adult novel by a powerful new voice
A smart, dark, and take-no-prisoners look at rape culture and the extremes to which ideology can go The Red Word is a campus novel like no other. As her sophomore year begins, Karen enters into the back-to-school revelry — particularly at Gamma Beta Chi. When she wakes up one morning on the lawn of Raghurst, a house of radical feminists, she gets a crash course in the state of feminist activism on campus. The frat known as GBC is notorious, she learns, nicknamed “Gang Bang Central” and a prominent contributor to a list of rapists compiled by female students. Despite continuing to party there and dating one of the brothers, Karen is equally seduced by the intellectual stimulation and indomitable spirit of the Raghurst women, who surprise her by wanting her as a housemate and recruiting her into the upper-level class of a charismatic feminist mythology scholar they all adore. As Karen finds herself caught between two increasingly polarized camps, ringleader housemate Dyann believes she has hit on the perfect way to expose and bring down the fraternity as a symbol of rape culture — but the war between the houses will exact a terrible price.
The Red Word captures beautifully the feverish binarism of campus politics and the headlong rush of youth toward new friends, lovers, and life-altering ideas. With strains of Jeffrey Eugenides’ The Marriage Plot, Alison Lurie’s Truth and Consequences, and Tom Wolfe’s I Am Charlotte Simmons, Sarah Henstra’s debut adult novel arrives on the wings of furies.
-
The Reddening Path
$18.95Paméla returns to Guatemala to search for her birth mother. Her journey reveals more than she could have imagined; a bloody history of conquest and cultural genocide; a shocking love story; and, woven through it all, the invisible mystery of her own surprising seduction.
The Reddening Path is the story of Paméla who, adopted as an infant by Hannah & Fern, a Toronto lesbian couple, travels to Guatamala to search for her birth mother. Her quest uncovers a tangle of political and romantic intrigue as Paméla discovers her Mayan heritage and learns about the complexities of life in Guatemala. Resonating throughout is an account of Malintzín, the Mayan slave who became Cortes’ mistress. These details of the Spanish conquest weave throughout the narrative, colouring the lives of everyone she encounters in her birthland. Paméla’s journey casts light on the struggle between conqueror and conquered within the Guatemalan people and the spiritual and emotional complexities facing those of mixed blood, a reality which challenges her expectations for an easy resolution to her question of identity.
-
The Redemption of Galen Pike
$23.95From remote Australian settlements to the snows of Siberia, from Colorado to Cumbria, restless teenagers, middle-aged civil servants, and Quaker spinsters traverse expanses of solitude to reveal the secrets of the human heart.
Encountering domestic abuse, marital strife, murder, and a myriad of other challenges, Carys Davies’ characters are set on journeys that surprise at every turn. Written with raw and rigorous prose, charged throughout by a prickly wit, the stories in The Redemption of Galen Pike remind us how little we know of the lives of others.
-
The Refrigerator Memory
$15.95The Refrigerator Memory is an exuberant, strangely funny celebration of sadness.
With fable-like miniature stories and short lyric poems, Shannon Bramer creates a world littered with stolen pears and prosthetic arms and inhabited by Kindness scientists and hot-air-balloon operators. The poems invoke a world of childhood delights and demons in the context of grown-up fears and appetites: heartbreak, loss, jealousy and old-fashioned sibling rivalry. You’ll find the hopelessly misunderstood Love the Clown (never goes out without his red wig) and Noni, a forlorn young man who can’t stop crying.
But while sadness plays a starring role, the true hero of the collection is the imagination; its transformative powers warm widows and drunken gods and designated mourners.
You won’t forget The Refrigerator Memory: the icebox cometh to warm your heart.
‘Bramer’s “Our Prosthesis�* … [is] wonderfully succinct, while still managing to convey entire lives floating beneath its surface.’ – Lee Gowan
‘[Bramer writes] poems with resonant grief, fragile glass and desperate love, carved carefully and spare out of cold, dark objects, achieving small, remarkable poems.’ – rob mclennan
-
The Refugee Hotel
$17.95Two events gave birth to this play: the 1998 arrest of Augusto Pinochet by the spanish courts and the 1995 death of Aguirre’s uncle, who drank himself to death on Vancouver’s skid row, never living to make a victorious return to his country. It has taken decades of silence for Aguirre to understand and come to terms with her family’s experience as refugees and exiles: “The few times we spoke about it to other people, we were accused of being pathological liars and being crazy,” she says of those years. “We learned never to talk about what was happening in Chile. From the moment when I told some classmates very matter-of-factly in grade two that my stepfather and some of my family members had just come out of a concentration camp that was the national soccer stadium, I was Crazy Carmen.”
Laid bare in the ?ctionalized autobiographical details of The Refugee Hotel are the universal truths the victims and survivors of political oppression continue to experience everywhere: the terror of persecution, arrest and torture; the exhausted elation of escape; the trauma of learning to live again with the losses, betrayals and agonies of the past; the irrational guilt of the survivor—even the tragedy of surviving the nightmares of the past only to have them return to challenge any hope of a future.
Set in a run-down hotel in 1974, only months after the start of the infamous Pinochet regime, eight Chilean refugees struggle, at times haplessly, at times profoundly, to decide if ?eeing their homeland means they have abandoned their friends and responsibilities or not.
More than a dark comedy about a group of Chilean refugees who arrive in Vancouver after Pinochet’s coup, this play is Carmen Aguirre’s attempt to give voice to refugee communities from all corners of the globe.