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The Breakwater Book of Contemporary Newfoundland Plays: Volume 3 gathers an impressive range of work by some of the province’s most renowned authors. The third and final volume in the series includes plays by Robert Chafe, Aiden Flynn, Andy Jones, Lisa Moore, Berni Stapleton, and Ed Riche. Edited and introduced by Denyse Lynde, this anthology celebrates the island’s rich dramatic tradition and finally makes groundbreaking work by Newfoundland playwrights available to audiences everywhere.
Gathering the strongest poetry published by Newfoundlanders since the death of E.J. Pratt in 1964, The Breakwater Book of Contemporary Newfoundland Poetry features selections from twelve of the province’s most impressive poets, including Al Pittman, Tom Dawe, Mary Dalton, John Steffler, Patrick Warner, and Ken Babstock. This groundbreaking anthology, with over forty years of poetry on display, celebrates the rousing and the rebirth of contemporary Newfoundland verse.
Following an unprecedented explosion of literary talent in Newfoundland over the past twenty years, The Breakwater Book of Contemporary Newfoundland Short Fiction assembles the very best work by the island’s most accomplished fiction writers. Featuring selections by Michael Crummey, Jessica Grant, Lisa Moore, and Michael Winter, among others, this stellar anthology, expertly edited by Larry Mathews, stands as the quintessential introduction to Newfoundland fiction. These are the best stories written by our most talented writers during the most exciting time in the island’s literary history.
The complete Brennen Siding Trilogy is now available in a single volume. Brennen Siding, a hamlet on a small tributary of the famous Miramichi River, is home to an unforgettable crew — Dryfly and Palidin Ramsey and Dry’s friend Shadrack Nash; Shirley Ramsey, Dry and Pal’s homely, destitute mother, and Nutbeam, the floppy-eared hermit she marries; the American sports who come to the Cabbage Island Salmon Club to fish; and the “lads” who guide them.
Dry, Shad and Pal, young teenagers in The Americans Are Coming, make some headway into maturity in The Last Tasmanian. By the end of The Lone Angler, when Palidin realizes what will happen to his beloved Atlantic salmon if he sells his secret of catching a fish on every cast, all three have launched themselves into adulthood. The boys’ adventures gently lead the reader to reflect on the nature of humans and the place of humans in nature. Running through it all is the magical, mysterious river and the legendary Atlantic salmon.
The Last Tasmanian won the 1992 Thomas Raddall Award and was a finalist for a Commonwealth Book Prize. The Americans Are Coming is a successful stage play.
When the Tay Bridge collapsed in 1879 it killed everyone on the train that was crossing, leaving the son of the driver, young Brodie Smith, traumatized and reduced to poverty as a result of his father’s death. Leaving home determined to make his way in the world, Brodie finds safe haven with his kindly uncle in Edinburgh and studies engineering, intent on demonstrating that the bridge disaster was not his father’s fault. In search of adventure and further opportunities, Brodie then travels to Buffalo where he befriends Alistair, another young Scot filled with dreams and ambitions. Together the men bring industrialization to a small rural community where they establish a brickworks, changing the lives of all those they encounter with a sense of possibility and the reality of attendant loss. Told in beautifully crafted prose, it is Black’s incomparable voice-her uncanny humour and an astonishing ear for dialogue-that renders The Brickworks both remarkable and unforgettable.
In her first full-length collection, award-winning poet Ruth Daniell offers work that is both earnest and hopeful, even in the face of trauma. In formally exquisite and lyrical poems, The Brightest Thing tells the story of a young woman who is raped by her first boyfriend and her struggle afterwards to navigate her fairy-tale expectations of romantic love. This contemporary story of hurt and healing is paired with poems that give voice to silenced princesses from fairy tales–including Rapunzel, Donkeyskin, The Little Mermaid’s sister and the princess who feels the pea beneath two hundred mattresses. At turns heartbreaking and joyful, with an unabashed eye for beauty and an unapologetic hope for love, Daniell questions the pursuit of “happily ever after,” and probes deep into darkness while looking for the light.
“A storyline with twists aplenty.” — Kirkus ReviewsThe highly anticipated final installment in the intricately plotted, action-packed, animal-based fantasy series that New York Times #1 bestselling author Kelly Armstrong calls “A thrilling tale.”It’s been seven years since the Denizens, people with elemental powers, were unmasked, and seven years since Roan Harken and Eli Rathgar disappeared into the Brilliant Dark.Marked by Darklings and Death alike, Saskia is a mechanically minded Mundane, raised by Barton and Phae on daring stories about Roan Harken. But the world Roan left behind is in turmoil. The Darklings now hang in the sky as a threatening black moon, and with the order-maintaining Elemental Task Guard looking to get rid of all Denizens before they rebel, Saskia’s only option is to go into the Brilliant Dark and bring Roan and Eli back.But nothing is ever that simple.The Brilliant Dark is the final, thrilling chapter in this series about gods, monsters, and the people who must decide if they’re willing to pay the ultimate price to protect the family they found . . . in a world that may not be worthy of saving.
“A storyline with twists aplenty.” — Kirkus Reviews
The highly anticipated final installment in the action-packed fantasy series that New York Times #1 bestselling author Kelley Armstrong calls “a thrilling tale”
Now in paperback!
It’s been seven years since the Denizens, people with elemental powers, were unmasked, and seven years since Roan Harken and Eli Rathgar disappeared into the Brilliant Dark.
Marked by Darklings and Death alike, Saskia is a mechanically minded Mundane, raised by Barton and Phae on daring stories about Roan Harken. But the world Roan left behind is in turmoil. The Darklings now hang in the sky as a threatening black moon, and with the order-maintaining Elemental Task Guard looking to get rid of all Denizens before they rebel, Saskia’s only option is to go into the Brilliant Dark and bring Roan and Eli back.
But nothing is ever that simple.
The Brilliant Dark is the final, thrilling chapter in this series about gods, monsters, and the people who must decide if they’re willing to pay the ultimate price to protect the family they found . . . in a world that may not be worthy of saving.
Lise, Appoline and Anne are related, though they live on opposite coasts at different moments of time, with the vast geography of Canada and decades of change in between. The three women are linked by generations of hardship, displacement, and an eighteenth-century French musket that has been passed down through the LeBlanc family since the time of the Acadian expulsion. In contemporary Victoria, BC, Lise’s estranged son, Daniel, reappears in Nova Scotia just when she’s making significant changes in her life, including a nasty divorce from Daniel’s father. Upon learning that her son is living with a distant relative Lise barely knows and causing enough trouble to draw the attention of the authorities, Lise goes to him and begins to unravel a family history that brings about unintended consequences. In 1832, on Isle Madame, Nova Scotia, eighteen-year-old Appoline is left by her older brother to overwinter in an isolated cove, where she’s in charge of five members of her family ranging in age from ten to ninety-nine. Grand-mère, the family matriarch, refuses to leave despite the wishes of her family. Tension grows between Appoline and her younger sister, coming to a head when the sister brings home a young ‘Jersey man.’ Finally, Grand-mère tells her own story of the Acadian expulsion of 1755. Her memories follow a group of Acadian fugitives on their flight into what is now northern New Brunswick, seeking refuge at the infamous Camp D’Espérance. In each successive generation, the imprint of the expulsion perpetuates further suffering, severs a connection to the past and contributes to the gradual erosion of cultural identity. Nevertheless, these three women are resilient in the face of great obstacles. The Broken Heart of Winter speaks to the capacity of the human spirit to love, to adapt, and to carry on.
Konosuke Masuda bridges past and present as he recounts his desperate journey, brought to life in translation by his granddaughter, Keiko Honda.
In Masuda’s harrowing WWII memoir, he recalls Korea under 35 years of Japanese colonial rule. In the summer of 1945, Japan surrendered to the Allies, leaving approximately 850,000 Japanese civilians in Korea facing an uncertain future. Drafted by the Japanese Army just three months before the end of the war, Masuda joined fellow Japanese citizens on their perilous flight from North Korea toward repatriation in Japan. Their story unfolded against a land violently divided on the 38th parallel by the Soviet Union and the United States, and further ravaged by hunger and epidemic.
The Broken Map Home is a powerful account of suffering and resilience that transcends boundaries and borders, offering a humanizing counter-narrative to global conflict and fostering compassionate understanding in a fractured world.
In her debut poetry collection, Shannon McConnell explores the fraught history of New Westminster’s Woodlands School, a former “lunatic asylum” opened in 1878 which later became a custodial training school for children with disabilities before its closure in 1996. Partially set in the 1960s and 70s, The Burden of Gravity uses personas to imagine residents’ lives, giving voice to those who were unable to speak for themselves, to shift focus from the institutional authority to the experience of residents. As poetry of witness, the collection uses a grounding tone to excavate the individual experiences through traditional narrative, ekphrastic and experimental erasure forms that elicit an array of emotions, from heartbreak to anger. Drawn from archival research, The Burden of Gravity, challenges readers to consider how we, in the aftermath of deinstitutionalization, choose to remember institutions like Woodlands School.
A powerful family drama about fractured lives, secrets, addiction and ultimate reinvention.
In 1995, sisters Adrienne and Cass unravel the mystery behind their father, Dr. Alexander Muir, a doctor during World War 11’s Italian Campaign and later a psychiatrist. As children they barely recall the sudden death of their father, but, through a series of family letters, they learn, despite their mother’s best efforts, that their father suffered from PTSD due to war time experiences and died by his own hand. While their mother is ashamed of her late husband’s downfall, the sisters find learning about their father cathartic, inspiring them to move forward with their lives.
Joseph Tussman’s The Burden of Office is a book about the nature of political authority. Consider the symptoms of our present dilemma: leadership reduced to media “sound bites,” legitimate public power sold off to the marketplace in the name of “privatization,” citizens transformed into dubiously literate consumers in a Global Village. Can we make sense of any of this?
To do so, Tussman turns to some of the oldest and greatest stories in our tradition. He re-reads and re-tells the tales of Moses, Oedipus, Orestes, Antigone and King Lear. The re-tellings, as it quickly becomes apparent, are really new tellings that explore the deepest meanings of our social institutions. Tussman traces the tension between passion and puritanism in an effort to make sense of public office and public authority in a way that leads to neither blind obedience nor fashionable cynicism.
Lucid, original and ultimately wise, The Burden of Office is as much a work of literature as it is of philosophy.
Deep in rural Suffolk, England, during the reign of Queen Elizabeth I, terror strikes at the hearts of pious Christians on a hot August night, when they are attacked by a beast known only as Black Shuck. In this reimagining of one of England’s most famous folkloric tales, readers will be taken through the terrifying and mysterious story of Black Shuck, a mythic beast that would act as inspiration for Arthur Conan Doyle’s classic story, The Hound of the Baskervilles.
Kessaris manages to convey a sense of shared history through the prose itself, bringing the Montreal immigrant experience to life with wry humour and painstaking attention to detail. —Montreal Review of Books
The Butcher of Park Ex is a humorous collection of personal stories inspired by the author’s life growing up in Montreal’s Park Extension neighbourhood, with Greek immigrant parents who never quite adapted to life in their new country. Never really fitting in with his ethnic community, and never feeling like part of mainstream Quebec or Canadian society, he sets out on an over forty-year search for answers, encountering amazingly interesting people and unique misadventures while trying to navigate a world where he is constantly the odd man out.