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Earl Qume’s poisoned mind has altered his reality and transformed his surroundings into omnipresent threats. After his wife kicks him out and he finds himself on the run from the law, he escapes the concrete confines of Toronto to find refuge in the foothills of the Rocky Mountains. There he joins a group of travelers, led by a peculiar wilderness guide named Wolfgang Yellowbird, who takes them on a journey deep into the winter-scape of a massive and glorious wilderness. As Earl’s mind calms and his body begins to heal, astronomical forces pulverize the outside world. And with humanity being wiped out by the billions, Earl finds friendship, love and salvation. Sometimes it takes something drastic to reset the course.
In this lively autobiography, popular historian Paul O’Neill looks back on his salad days in the 1940s and early 50s. O’Neill’s childhood in the small outport of Bay de Verde was filled with ‘outharbour delights’ while his star-struck teen years were spent in wartime St. John’s, a city he grew to love like no other. At nineteen O’Neill left Newfoundland to train as an actor in New York, after which he toured all over America as part of a professional troupe. From there, he went to England, scrambling to make a living on stage and screen and having the time of his life. At twenty-three, he returned to Canada’s newest province for a visit, but instead landed what turned out to be a lifelong job writing and producing television programs for CBC. This charming and enthusiastic memoir brings back the music, the movies and the mores of that era.
In Something to Hang On To awardwinning author Beverley Brenna constructs a diverse cast of quirky and honest young teens in tough times. In varied settings characters battle through adversity: a fear of heights, family violence, the physical cage of Down syndrome, ossifying muscular dystrophy, the artistic world of autism, and even a toe caught in the vacuum.
In these positive fictions, teens find ways to overcome their obstacles by capturing lasting resolutions from within. In Foil Butterflies a creative boy with a rare form of autism escapes to his tree house to write poetry and personify gum wrappers. Set in precolonial Canada, Gift of the Old Wives is a story about a young Cree girl with a unique gift, which allows her to predict an impending Blackfoot attack on her tribe. In Finding Your Voice an exceptional and unconditional friendship is made between an insular foster child and a girl immobilized by muscular dystrophy. In One of the Guys Brenna employs rare writing mechanics in a first person narration of a boogey boarding teen boy who finds solace in ocean waves.
By using effective problem solving to overcome the seemingly impossible, these characters become encouraging examples for all teens to look within for resolve and to reach out to others in need. The twelve stories that comprise Something to Hang On To vary in time, place, and voice offering pathos as well as zany humour, creating maximum appeal for their reading audience.
In Something to Madden the Moon, a child’s world surfaces in images drenched with the water of new life.
Finalist, Will Eisner Award; Judy Grahn Award for Lesbian Nonfiction; Jim Deva Prize for Writing that Provokes
A poignant and beautifully illustrated graphic memoir about love and loss and navigating a new life
In April 2020, cartoonist Sarah Leavitt’s partner of twenty-two years, Donimo, died with medical assistance after years of severe chronic pain and a rapid decline at the end of her life. About a month after Donimo’s death, Sarah began making comics again as a way to deal with her profound sense of grief and loss. The comics started as small sketches but quickly transformed into something totally unfamiliar to her. Abstract images, textures, poetic text, layers of watercolour, ink, and coloured pencil – for Sarah, the journey through grief was impossible to convey without bold formal experimentation. She spent two years creating these comics.
The result is Something, Not Nothing, an extraordinary book that delicately articulates the vagaries of grief and the sweet remembrances of enduring love. Moving and impressionistic, Something, Not Nothing shows that alongside grief, there is room for peace, joy, and new beginnings.
Through these far-reaching and searching poems, J. J. Steinfeld’s work continues to not only orbit a multitude of realities and multifaceted worlds, but to interrogate various aspects of being, whether they appear as the worldly or the otherworldly, the ordinary or the extraordinary, the physical or the spiritual. As Steinfeld concludes in his poem “The End of the World,” somewhat confronting the absurd and somehow embracing the existential: “I want a poem with a good ending / all the thoughts and uncertainties / and missed opportunities / tied together with metaphoric hope / even if that poem is about the end of the world / preposterous and ludicrous / as it might be.”
Somewhere Else contains George F. Walker’s own selection of his early plays which matter; which for him have stood the test of time; which represent, as he once said, his “classical veneer.” In them he honed his considerable and unique dramatic talent along “that fine line between the serious and the comic,” in settings outside the North American locales of his work since the 1980s.
Walker’s earliest plays, absurdist dramas reminiscent of Ionesco and Beckett, climaxed with Beyond Mozambique (1974), featuring a B-movie jungle locale populated by a drug-addicted, pederastic priest, a disgraced Mountie, a porn-film starlet and a demonic ex-Nazi doctor whose wife thinks she is Olga in Chekhov’s Three Sisters. Zastrozzi (1977), utilizing all the baroque conventions of Jacobean tragedy, pits its protagonist, a self-styled, Machiavellian “Master of Discipline” against the chaos of the universe in a flurry of dramatic excesses that tend toward elegant self-parody. The Chalmers Award-winning Theatre of the Film Noir (1981), a murder mystery set in wartime Paris, is the culmination of his work in the Humphrey Bogart / Raymond Chandler style, so evident in his trilogy featuring the cynical investigative reporter / private-eye, Tyrone Power. The Governor General’s and Chalmers Award-winning Nothing Sacred (1988), an adaptation of Turgenev’s novel, Fathers and Sons, consolidated his popular reputation outside of Canada to such a degree that the Los Angeles Times declared it “the play of the year.”
Following tragic events from which Julie O’Dale believes she will never recover, she buys into her husband Ian’s dream to give up their comfortable city lives and retreat to the isolated Chilcotin area of British Columbia. Only after purchasing the remote six hundred acre cattle ranch do they realize that, along with the and, they have inherited the reclusive tenant who occupies and old trapper’s cabin on the property. As both Julie and Ian wrestle with their individual guilt over their deteriorating marriage and their sorrow, they also have to contend with the wilderness at their doorstep and the mysterious tenant, Virgil Blue. Another riveting novel from the author of The Promise of Rain, a Globe and Mail Top 100 title in 2009.
In this stark and unsparing coming-of-age story, the shy and intelligent Joel watches helplessly as his alcoholic and abusive paramedic father spirals ever downward and out of control. Joel’s life crumbles further when his older brother, disturbed by the drunken violence inflicted on their mother, flees their home seemingly for good. Convinced he must track down his brother and bring him back home if he is to survive in this lonely and frightening new reality, Joel’s awareness of his father’s workplace experiences gradually begins to expand as he starts to appreciate the many issues faced by first responders, even as he begins to doubt that he himself will escape the chaos of his recently shattered world. In Somewhere There’s Music, the reader is immersed in a young man’s struggle and desperate search to find what’s left of his family.
Fans of offbeat cinema, discriminating renters and collectors, and movie buffs will drool over this checklist of the best overlooked and underappreciated films of the last 100 years. In Son of the 100 Best Movies You’ve Never Seen, Richard Crouse, Canada AM film critic and host of television’s award-winning Reel to Real, presents a follow-up to his 2003 book with another 100 of his favorite films.
Titles range from the obscure, like 1912’s The Cameraman’s Revenge, to El Topo’s unusual existential remake of the classic western, and little-seen classics like The Killing. Each essay features a detailed description of plot, notable trivia tidbits, critical reviews, and interviews with actors and filmmakers. Featured interviews include Billy Bob Thornton on an inspirational movie about a man with his head in the clouds, Francis Ford Coppola on One from the Heart, and Mario Van Peebles on playing his own father in Badasssss!
Sidebars feature quirky details, including legal disclaimers and memorable quotes, along with movie picks from A-list actors and directors.
Ginsberg saw the best minds of his generation destroyed by madness — but what is madness? In a world that has traded Hansel and Gretel’s breadcrumbs for Prozac and where zombies masquerade as the living, who is really mad? Through the eyes of an artist boxed in by tradtition, Kristian Enright’s debut poetry collection Sonar wrestles with language, mental health and identity. With the echoed voices of the beat generation, postmodernism and prairie poetics at his side, the narrator, Colin Verbanofsky, confronts a world steeped in melancholy. Between his dreams and the reflected impressions of medical staff and fellow patients, Colin struggles to find a place for himself in the brilliance and sadness he sees around him. Like his poetic forebears, Enright deftly uses poetry to express his own profound and epic Howl.
Some days, it doesn’t pay to be a lapsed pretend Buddhist… particularly when you’re charged with a lengthy list of war crimes. Vida Zanković has done many things to stay alive. A wily young man caught in the insanity of the Balkan wars, Vida has dealt drugs, been forced to join the army, and then deserted when he tried to save a young boy trapped beneath a mountain of corpses. Being accused of genocide, however, forces Vida into a whole new level of surrealism.
In Song of Kosovo, Chris Gudgeon exposes the universal human experience like never before, fashioning a satirical world where one earns a following as a levitating holy man while the US Air Force drops “bombs” of condoms, candy, and Ikea pillows to subvert the populace.
Weaving strands of Balkan mythology and history, threading them through the life of a man who only wnats to live out his days with the woman he loves, Gudgeon crafts a tanscendent tale at once grotesque and absurd, satiric and tragic, touching and real. As much Catch-22 as De Niro’s Game, Song of Kosovo is a unique examination of how ideas may rise above reality to drive world events and how a nation caught in the grip of conflict may ultimately earn a sense of itself.
During a thunderstorm, lightning strikes the home of the Lastings, killing the parents and forever bonding the children, even though Rock, William, Fred-James and Naomi are not blood-related. Years later, still haunted by their terrible childhood memory, the three older brothers await the return of their beloved sister who has been singing in faraway places. But the redhead who returns is horribly sick. Now the Lasting clan must join forces again, because the ‘municipals’ are threatening to turn away their sister.