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Steve Marsh is a mystery writer, the protagonist of David French’s gripping thriller, Silver Dagger. Soon after his third novel is published, Marsh’s wife receives a series of phone calls and letters that threaten to destroy their marriage. Adultery, blackmail, murder, a figure lurking in the rain. All these classic elements of Marsh’s fiction soon become part of his life.
Thaddeus Holownia travelled to the many salmon rivers of eastern Canada, in all seasons, to capture their essential qualities. Harry Thurston’s accompanying essay explores the elemental nature of these rivers that both nurture Atlantic salmon and inspire the salmon fisher. This 1,000-copy edition includes 50 full-size stochastic duotone reproductions of Holownia’s 17 × 7-inch contact prints, casebound in quarter cloth with a printed card slipcase.
Told in the classic three-act structure of a Hollywood movie, Silver Lake is the third installment in a series of novels about the character Aubrey McKee.
Alex Pugsley’s latest is set in Toronto and Silver Lake, a trendy neighborhood in east central Los Angeles. It details Aubrey’s journey from unemployed broken-hearted schlub to B-movie production assistant, to comedy writer and science-fiction screenwriter, and all the way up to feature film director. Along the way, he encounters long-ago Halifax friends, manic movie producers, NHL players turned talk show hosts, wilding Victoria’s Secret models, impulsive movie stars . . . and his own rising destiny.
A narrative-driven book, full of larger-than-life (but fully real) characters, told in vivid scenes, Silver Lake shimmers in and out of themes of comedy, romance, identity, and aspiration.
Shade is a young Silverwing bat, the runt of his colony, determined to prove himself on the long and dangerous winter migration to Hibernaculum, millions of wingbeats to the south. During a storm, Shade is swept out over the ocean—away from his family, his friends, and the only life he has ever known. Alone and frightened as winter fast approaches and temperatures plunge, Shade sets out on a remarkable journey to rejoin his colony. After meeting a banded bat, Marina, the two must survive a world torn apart by war, and solve the mystery behind the banded bats. Like all great quest stories, Silverwing raises potent questions for its young hero, while challenging him to find his place in the world.
It was not whimsy that had brought him together with this red horse to run this race. It was the justice of time.
Raised without hope or pride in his heritage to what promises to be a short life of crime, alcohol, and drugs, Nez Perce teenager Al George gets an unexpected second chance. A heist gone wrong ends up with him working on probation at the very Idaho ranch he and his “friends” tried to rob, owned by Celia Bolt, who left her own rich-but-dysfunctional family to move West many years ago, and the taciturn Morgan Kyles, who has his own checkered past.
Over the course of the summer of 1986, Celia and Morgan work out the thorny details of their relationship, while Al regains his pride and his sense of self as he works with the ranch’s signature Appaloosas, finds love-and finally, through a deep bond with one very special horse, reconnects with his Nez Perce heritage and discovers the truth of his strange, recurring dreams of an Indian brave on a very special horse, striving to protect his people from the soldiers pursuing them.
For everyone involved, one summer changes everything.
Commonwealth Prize winner Shauna Singh Baldwin’s glittering story “Simran” is from her 1996 debut collection, English Lessons and Other Stories. Published on the occasion of Goose Lane Editions’s 60th anniversary, it is also part of the six@sixty collection.
Sin Eater reassembles the seven deadly sins to reflect a modern context and culture. For her third collection, Angela Hibbs explores and dissects the everyday and the extraordinary: literary figures, office workers, “Everybody’s Baby,” the deconstruction of a Crazy Train, cosmetic procedures, and understudy deities. Morality, etiquette and judgment are under a microscope–removed from the theological, anchored in the here and now.
With nimble language and an uncommon wit, Hibbs reveals the fluidity of transgression when traditional definitions no longer apply. Sin Eater is a bold new collection from one of Canada’s brightest poetic voices.
An R-rated comic treatment of film’s famous directors
A loving but wickedly humorous tribute to cinema in graphic non-fiction, Sinemania! casts its spotlight on film directors whose lives behind the camera are every bit as compelling, strange, and eccentric as the most headline-making film actors.
Twenty-three North American and European directors — including Quentin Tarantino, Woody Allen, Alfred Hitchcock, Orson Welles, and Roman Polanski — are given a parodic biography that highlights these men’s twisted genius, rampant egos, and weird behaviour. Sinemania! is unsparing in portraying them, mercilessly and affectionately, in Cossette’s striking illustrations.
It’s a hot dry summer and a pall of smoke from the forest fires drifts over the lakeshore. Still, tourists and cottagers flock to Cullen Village, including the Borthwicks, who own Hazeldean, a treasured 100-year-old heritage cottage. Family matriarch Lois Borthwick, in a nearby care home, no longer recognizes any of her four children, each of whom has a decidedly different plan for the old place. The eldest, Donna, a successful local realtor married to a well-known MP, wants to tear it down and build anew. When Donna’s lifeless body is found hanged from a pier, the death is ruled a suicide. Case closed. Or is it?
After a life-threatening incident with the Major Crimes Unit, Sergeant Roxanne Calloway has decided to put family before ambition and seek a quieter, safer life with her young son. She now runs the local RCMP detachment in the heart of cottage country, and protocol dictates that she has no reason to participate in the Borthwick investigation, which is being led by her former protegee, Izzy McBain. As more of the unlucky Borthwick clan succumb to foul play, however, Roxanne cannot help but be drawn in.
Now in paperback: the sixth novel in the acclaimed Arthur Beauchamp series
Everything is going well for Arthur Beauchamp in his early middle age. Life is so good for the top-notch defence lawyer that, in a moment of career restlessness, he decides to switch sides, just the once, and prosecute a young man charged with murdering a clown. Beauchamp is confident he can prove Randolph Skyler is guilty. Confident, but still worried and surprisingly blind to how precarious the evidence is — and, worse, to the fissures opening in his personal life.
It’s a case Beauchamp will never forget, not even years later, when he’s happily remarried and retired to a bucolic life on Garibaldi Island in the glorious Salish Sea. As Beauchamp is about to learn, the older you get, the greater the chance that the past will come back to bite you. In Deverell’s latest marvel in his Beauchamp series, Arthur has causes aplenty to sing a worried song.
The sixth novel in the acclaimed Arthur Beauchamp series
Everything is going well for Arthur Beauchamp in his early middle age. Life is so good for the top-notch defence lawyer that, in a moment of career restlessness, he decides to switch sides, just the once, and prosecute a young man charged with murdering a clown. Beauchamp is confident he can prove Randolph Skyler is guilty. Confident, but still worried and surprisingly blind to how precarious the evidence is — and, worse, to the fissures opening in his personal life.
It’s a case Beauchamp will never forget, not even years later, when he’s happily remarried and retired to a bucolic life on Garibaldi Island in the glorious Salish Sea. As Beauchamp is about to learn, the older you get, the greater the chance is that the past will come back to bite you. In Deverell’s latest marvel in his Beauchamp series, Arthur has causes aplenty to sing a worried song.
CBC BOOKS – CANADIAN FICTION TO READ IN THE FIRST HALF OF 2023
Peter Greenaway meets Angela Carter: a Gothic tale of secrets and revenge
When the curtain rises on Malmaison, it reveals a once-enchanting estate, quietly falling into darkness and ruin, and at the heart of it, a father, one of a long line of fathers who have flourished at the expense of those around them. The silence seems peaceful, but lurking under it is a deep malevolence, scores of ugly and violent secrets kept by cast-off mistresses and abandoned daughters.
Ever-greedy, the father brings in Aliénor, a woman who promises to make the lands give even more of themselves; the plants will flourish, the animals will multiply, each feast will be more sumptuous than the last. The father thinks the stage is set to satisfy his every desire, but Aliénor will bring a new script, one in which the hunters are hunted and a new reign will begin.
Working for decades in English and French in poetry, novels, and translations that investigate the relationship between language and female subjectivity, Lola Lemire Tostevin has hewn her own unique and intensely aesthetic path across the national literary landscape, earning her the reputation as one of Canada’s leading feminist writers.
Tostevin’s latest offering of poetry emerges from her deep-seated interest in the creativity of women who face advanced age and its ailments. Through study of exhibitions in galleries and museums, films and dance performances, and voluminous “bodies” of text, it became clear to Tostevin that aging not only serves women’s creativity but also reinforces it, revealing many forms of strength in vulnerability.
Singed Wings invites the reader to peer into the interior world of Camille Claudel, whose intimate understanding of her subjects, from young girl to old woman, captured quite a different power than that of her lover, sculptor Auguste Rodin. Although Claudel was not able to fully realize her creative process into old age, many others did, including Louise Bourgeois, Frida Kahlo, Betty Goodwin, Pina Bausch, and Agnès Varda, and it is in direct response to the vital creativity of these women that the poet finds the inspiration and determination to move her own art forward.
Spurred on by these groundbreaking precedents that displace the narcissistic, “shopworn” notion of the ideal woman described only in terms of desired female form, Tostevin allocates space where a writer facing her own aging process can use the experience to give it new shapes in language, positing that reimagining the various creative forms of women into language is a postmodern undertaking in an artistic milieu where postmodernism may turn out to have as many heads as the mythical Hydra.
‘Singer, An Elegy’ is a long poem memorializing the author’s father and, equally, the now-obsolete industrial culture that shaped him. ‘Singer, An Elegy’ has rhetorical lightning flashes but aspires to much greater straightforwardness than Fetherling’s previous poetry.
” ‘Singer, An Elegy’ possesses all the fine qualities of Fetherling’s prose and in many ways gives them their freest rein. Eloquent passages and striking phrases allow a wide experience and erudition to operate here with often startling appropriateness.” – The Globe & Mail