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In she walks for days inside a thousand eyes (a two spirit story),Sharron Proulx-Turner combines poetry and history to delve into the little-known lives of two-spirit women. Regarded with both wonder and fear when first encountered by the West, First Nations women living with masculine and feminine principles in the same body had important roles to play in society, as healers and visionaries, before they were suppressed during the colonial invasion.she walks for days inside a thousand eye (a two-spirit story) creatively juxtaposes first-person narratives and traditional stories with the voices of contemporary two-spirit women, voices taken from nature, and the teachings of Water, Air, Fire and Mother Earth. The author restores the reputation of two- spirit women that had been long under attack from Western culture as she re-appropriates the lives of these individuals from the writings of Western anthropologists and missionaries.Sharron Proulx-Turner creates a new kind of epic as she bears witness to the past. With gracious concern for tradition, and sly, soaring language, she retells a vital chapter from the First Nations, and Canadian, story.
Winner of the Nelson Ball Prize, 2023
Shortlisted for the Archibald Lampman Award
Minimalist poetry for maximalist times.
Sheets: Typewriter Works extends the minimalist explorations of Cameron Anstee’s first collection, Book of Annotations. Prompted by receiving the Olivetti Lettera 30 typewriter that belonged to poet William Hawkins after his death in 2016, the works in this book explore how small poems operate through the freedoms and constraints of the typewriter as both a decaying machine and a mode of composition. Through engagement with writers and artists like Jiri Valoch, Barbara Caruso, Leroy Gorman, Cia Rinne, William Hawkins, Dani Spinosa, Kate Siklosi, and Norman McLaren, Sheets: Typewriter Works re-embeds the minimalist poem in the typewritten page.
Sheila Watson published the iconic novel, The Double Hook, in 1959 and influenced the writing styles of many Canadian authors who followed her, including: Robert Kroetsch, Michael Ondaatje, George Bowering, Daphne Marlatt and others. This is the first collection of essays devoted to all of Watson’s writing as well as her work as editor and mentor. The collection examines not only The Double Hook but also the first novel she wrote, Deep Hollow Creek (published in 1992), her short stories and the McLuhan connection. The contributors include: Caterina Edwards, E.D. Blodgett, Mary G. Hamilton, George Melnyk, Margaret Morriss, Margot Northey, Glenn Willmott, and Sergiy Yakovenko. The collection also features material from Sheila Watson herself, including her notes on “How to read Ulysses.” Joseph Pivato is editor and contributor. The cover photo is by Rowland McMaster from 1976.
Thomas Friesen has three goals in life. Get a job. Make friends. Find a good book to curl up with. After landing a job at READ, the newest hypermegabookstore, he feels he may have accomplished all three.
All is not peaceable within the stacks, however. Discontent is steadily rising, and it is aimed squarely at Munroe Purvis, a talk show host whose wildly popular book club is progressively lowering the I.Q. of North America.
But the bookworms have a plan. Plots are being hatched. The destruction of Munroe is all but assured. And as Thomas finds himself swept along in the maëlstrom of insanity, he wonders if reading a book is all it’s cracked up to be.
If you’ve ever thrown a book against a wall in disgust; if you’ve ever loved a novel that no one else can stand; if you obsess over the proper use of punctuation; this may be the novel for you. A weirdly funny story about bookish addictions, Shelf Monkey is the ideal novel for anyone who loves good books. Or hates them.
Shelley Niro is widely known for her ability to explore Traditional Stories, transgress boundaries, and embody the ethos of her matriarchal culture. A member of the Kanyen’kehaka (Mohawk) Nation, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls.
Pushing the limits of photography, Niro incorporates imagery from Traditional Stories to focus on contemporary subjects with wit, irony, and parody. Throughout her work — in her portraiture, sculptures, landscape paintings, photography, and film and video work — Niro challenges common preconceptions about gender, culture, and Indigenous Peoples.
Shelley Niro: 500 Year Itch brings together 215 reproductions from Niro’s expansive oeuvre, including work published here for the first time. Also included in this career retrospective are three major essays about Niro’s work by Melissa Bennett, Greg Hill, and David W. Penney, as well as texts from seven guest artists, scholars, and curators. Shelley Niro: 500 Year Itch accompanies an international touring exhibition organized by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian with the collaboration of the National Gallery of Canada.
The first book in English by acclaimed Chinese-Canadian writer Xue Yiwei, Shenzheners is inspired by the young city of Shenzhen, a market town north of Hong Kong that became a Special Economic Zone in 1980 as an experiment in introducing capitalism to Communist China. A city in which everyone is a newcomer, Shenzhen has grown astronomically to become a major metropolitan centre. Hailed as a Chinese Dubliners, the original collection was named one of the Most Influential Chinese Books of the Year in 2013, with most of the stories appearing in Best Chinese Stories.
These poems are filled with awe and celebration, sadness, and ironic humour as Shepherd explores the themes of human relationships with the natural world including connection, alienation, and the negative impacts of human activity on nature; interspecies kinship – ecological as well as animistic and shamanic; and intersections of ecology and industry.
Shepherd uses numerous voices and perspectives, and such arrangements bring about a variety of moods. Whether his subjects are starlings or tamaracks, woodchucks or grizzly bears, the ever-present magic of nature guides not only the mode but directs each poem’s tone toward some unique perspective:
Some spiders know the correct use of magic
knots to tie a cluster of Oregon grape
into one single dusty purple berry. If a
black bear swallows it under the right moon
he or she will become a powerful shaman,
able to speak the languages of spiders.
But while there is a dominance of the natural world found in the poems, they also reflect the numerous meanings of the title: a shift of perspective or point of view, physically moving or shifting position, transforming or changing form or physical appearance, shifting gears while driving a vehicle, working the night shift, and so on. The book’s title is also taken from the title of one specific poem in the collection that encapsulates some of these central ideas.
Living and working on the land and bodily experiences of specific places also have their place in Shepherd’s poems. These portraits ensure a kind of visceral connection or memory to the poems as they invite reader comparisons to their own work experiences:
Your job is to take the cement –
grey-green, ugly, utilitarian, dusty and not just dusty but
poisonous, abrasive, blocky, sharp-edged, impossibly heavy
and dangerous in slings from overheard lifts –
and transform it into something else.
Pull off the present disk,
fingers fat with heavy rubber gloves,
and whack the grinder wheel’s Velcro pad
down onto the next one waiting;
Shift is a collection of poems that leave an indelible mark that we humans are interconnected and that we are intrinsically bound to the natural world. They are poems that champion the beauty and resilience of nature and remind us that we need to protect our relationships with it.
Meaghan Marie Hackinen’s follow-up to her award-nominated debut South Away charts her unforgettable, twenty-five-day journey on the Trans Am Bike Race: a coast-to-coast ride across the entire North American continent from Oregon to Virginia. Without the aid of a support crew, Hackinen must rely entirely on her wits, ingenuity and sheer determination to finish this extremely challenging feat. A sports story with a unique theme, Hackinen writes about the Trans Am Bike Race as a cultural whole, as she encounters consequences and unforeseen repercussions of an underground, unregulated athletic endeavour. Shifting Gears is another expertly-delivered travelogue and a thrilling glimpse into a world of athletes driven to impossible lengths.
Continuing from Desire Lines, Shifting Paradigms is a collection of essays on art, poetry and culture–both high and low–gathered from the astute critical work of Toronto writer Ewan Whyte. Included: essays on Yayoi Kusama, Anish Kapoor, Janet Cardiff, Damien Hirst, Viktor Mitic, Anne Carson and a number of other Canadian artists and poets.
Digital transformation expert Mark Schrutt reveals how the world’s top companies are using vast amounts of data to inform their decisions, disrupt industries, and get closer to their customers. Businesses that continue to rely only on intuition do so at their peril.
What if you had the data you always wanted and could tell what was truly an emerging trend that would forever change your industry? Shifting the Balance analyzes the turn towards data-driven decision-making and describes how best-in-class organizations use data to shift their field of vision so it is forward-looking instead of reactive. Case studies with practical examples of how leading businesses address key challenges on the path to becoming data-driven include:
Shifting the Balance offers a roadmap that will enable organizations to make better business decisions that drive even better results, and provides a fascinating read along the way.
Nominated for the 2023 ReLit Award for Short Fiction
In ten vividly told stories, Shimmer follows characters through relationships, within social norms, and across boundaries of all kinds as they shimmer into and out of each other’s lives.
Outside a 7-Eleven, teen boys Veeper and Wendell try to decide what to do with their night, though the thought of the rest of their lives doesn’t seem to have occurred to them. In Laurel Canyon, two movie stars try to decide if the affair they’re having might mean they like each other. When Byron, trying to figure out the chords of a song he likes, posts a question on a guitar website, he ends up meeting Jessica as well, a woman with her own difficult music. And when the snide and sharp-tongued Twyla agrees to try therapy, not even she would have imagined the results.
Shimmerdogs is the story of young Lester B. Hopkins – Mike to almost everyone except his mother, Master Corporal Alice Mackelwain. He is just a boy trying to make sense of his own world that is ever more complicated by the intrusion of the world of his absent soldiering mother. Mike is very worried about his mother’s safety while she is in Bosnia. He, like his sister, gets caught up in his mother’s tragic stories like the one of a little boy named Edin, whose daily life includes the nightmares of the violence and terror of war. Mike wonders how to make sense of it all, how to step outside the fears he harbours and the unanswered questions he has.
Stumbling upon a book he finds in the library that describes the ancient belief that dogs guard the doorways to death, he begins to shape an understanding of his troubles. Wasn’t he brought back to life by a shimmering white dog with “jewellery eyes” who saved him from drowning? The connections become more apparent when Mike’s dog, Merit, disappears, and he reasons she is on some kind of peacekeeping mission like his mother. Then he meets Jozef Lapinski, an elderly neighbour who has his own miraculous dog story from World War II. The pieces of his puzzling life are taking shape and he knows something but he cannot name it. Despite the admonishments of his teen sister, Nell, who is concerned about the effect of his rampant imagination on their mother, Mike pursues his instincts. As his self-doubt continues to diminish and his trust in his imagination guides his mind to make sense of what he knows, he sees more and more evidence of what he believes is true – that spirit or shimmer dogs are rescuing people from the very real dangers of our world. And for Mike, this is all the more reason to invent agents of protection for his family – or be assisted by them, whichever the case may be.
Robert Currie’s Shimmers of Light: New and Selected Poems uses the vernacular of ordinary working people to tell stories and sing songs of small-town prairie life. Like Alden Nowlan, or more recently, Billy Collins, this poet constructs poems from the unvarnished wood of common language—there’s no veneer, no glossing over here.
These poems “work like small exquisite time machines . . .” writes poet Lorna Crozier in her introduction to this extensive collection of work dating from the 1970s to the present day. Currie’s poems powerfully evoke the reality of prairie life, with a frequent focus on the hard exteriors men and boys are expected to present to the world, despite the swarm of doubt and conflict roiling inside them. The characters who populate these poems are subject to difficult weather, internal and external, but their lives are sometimes illuminated by “a sudden radiance”: a deeper understanding of self, a breathtaking expanse of sky, the generosity of a friend or lover.
The beauty of the unflinching rhythm and cadence of the poems brings light to the darker corners of even the most painful times. From a father’s tenderness in the face of his young son’s fears, to the death of a lifelong friend from ALS, to earlier narrative poems about depression-era deprivation and hardship, this work is carefully crafted, deeply honest, and open-hearted. With a foreword by Lorna Crozier and an afterword by Mark Abley.
Shiner is Eva H.D.’s powerful successor to her critically acclaimed debut, Rotten Perfect Mouth, and includes the Montreal International Poetry Prize-winning “38 Michigans.” This is lyrical poetry that is as beautiful as it is angry, bracing in the sharpness of its observations. Whether noting the emotional effects of the financial crisis, the long tail of grief, or the unfolding panorama of a cross-Canada road trip, Eva H.D. measures the world around her in vivid, rambunctious, and musical excursions that ricochet with images and ideas–a surprise at every turn.