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“I have thought every thought about how I would rather be somewhere else, anywhere else. I have thought that there is no place on earth that I would rather be. I have asked myself, Why do I persist?”
Skin Boat is John Terpstra’s frank reflection on faith and church in a secular era. In the contemplative but direct prose style of his previous works of prose, Terpstra draws on his daily interactions with friends, neighbours and fellow congregation members, his work as a carpenter and cabinetmaker, and the stories of St. Brendan and St. Cuthbert. Turning over words like worship, praise and makermainstays of the Christian lexiconTerpstra prods at vocabulary too often glossed over by believers and nonbelievers alike, approaching faith as equally an intellectual as instinctual and physical act.
“As this book began to grow,” says Terpstra, “I knew that I wanted to work the story lines of two medieval saints into it. The one, Cuthbert, had been rattling around in my brain for twenty years or so. It wasn’t his life or achievement that interested me most, but his uncorrupted body. He was exhumed a decade after burial, but his flesh had not decayed and he appeared to be only sleeping. He slept on, and became a spiritual tourist attraction for centuries afterward. Brendan, my second saint, was famous for a sea voyage. He may have been the first European to set foot on North Americain the sixth century. I had read an account of a modern re-enactment of his fabled journey: a gripping high-adventure, a kind of North Atlantic Kon-Tiki. What I found when I turned to the original medieval account of the journey was mesmerizing, mysterious, contradictory, open-ended and, well, as strange as Cuthbert’s uncorrupted body. I thought I would hook my sail to their boats and see where they took me.”
Over the course of the book, Terpstra considers the religious tradition in which he was brought up, his and his wife’s decision to leave that tradition, the evolution of their adoptive church community, and occasional visits to other denominations. Conversations with members of his congregation, friends and co-workers illuminate and complicate any provisional conclusions reached en route. Ultimately, it is this degree of honesty and perplexity, too often missing from contemporary examinations of faith, that set Skin Boat apart as a thoughtful inquiry into its persistence.
Middle-aged couple Daphne and Rollie and their friend Alex have found themselves out of work and out of luck. So when they come across a mistakenly rented X-rated movie, they get the idea to make their own porno film for some quick cash. The only problem is none of them want to star in it themselves. As if on cue, Jill, a birthday telegram messenger, accidentally arrives on their doorstep and their cast is set.
Oh my goodness. Did you ever get to thinking that “down on your luck” isn’t just an expression? And that what we need here is a bigger statement? Something that adequately describes the scope of the situation? Like when your ex-wife spends all of her time angrier than a five-dollar pistol at everything on the planet, but mostly at you (well, really only at you, and she brings back your record collection, but she sets fire to it on your porch and the flames spread to your house and that just proves what you’ve said all along: that she is crazier than a box of frogs. Or when your ninety-year-old stick of a father uses his gnarled up knuckly fingers to apply “the nut twister” on you every chance that he gets. And you haven’t been with a woman for a very long time and about the only chance you will ever have of getting laid again is to crawl up a chicken’s ass and wait.
This shit is dire. Well, what I mean is that “down on your luck” doesn’t quite cut it when bad luck has become a way of life. You just have to remember: You can have everything you want in this life. Provided all you want is a stained mattress and a hangover.
Skin House is a story about two guys who end up in the same bar they started out in. Maybe they’re slightly better off than they were at the start. Or maybe not. One has a girlfriend though. They both have a little extra cash, enough to order nachos whenever they want to without going through their pockets first. They’re not dead, and that’s something right there. And they’re not arrested, which is the quite surprising part.
Skinny-Dipping with the Muse
Poems that take the skin off emotion, let laughs out like hens from the roost: Skrag, farm mongrel, springs to the whistle in bony narrative, endearing as the musk he charms and obeys; “Descartes & Dick,” mad-cap Western, turns Descartes loose on a plane of rustic lunacies where cowboys attend closely upon ladies and the finer points of grammar; lyrics, including “The Cottage Poems,” stray through a landscape of pain and rejoicing where those who wait are sustained by the smallest miracles.
Critically acclaimed novelist Michelle Butler Hallett rolls out her raucous brand of satire in this tender exploration of the human need for communication, communion, and love. Skywaves is set against the development of radio in Newfoundland and Labrador, and told in 98 non-linear but interconnected chapters. It crackles with comedy, modulates through history, and toys with a new signal-to-noise ratio. Skywaves is definitely a lively and sometimes demented “aural” culture novel. Butler Hallett worked in radio for several years and has long been haunted by the story of a cousin who crashed his plane while looking for a lost child.
Poems written only from three-letter airport codes demand a new kind of passport. Every major airport has a three-letter code from the International Air Transport Association. In perhaps history’s greatest-ever feat of armchair travel, Nasser Hussain has written a collection of poetry entirely from those codes. In a dazzling aeronautic feat of constraint-based writing, SKY WRI TEI NGS explores the relationship between language and place in a global context. Watch as words jet-set across the map, leaving a poetic flight path. See letters take flight (and leave their baggage behind).
Skydive explores the world of dreams and imagination: the universal human desire to push beyond our physical limitations and to fly.
Having grown apart after a traumatic and defining moment in their youth, two brothers reconnect to fulfill a life-long ambition to go skydiving. Morgan (a feckless schemer who has recently reinvented himself as a counsellor) arrives on the doorstep of Daniel (a housebound agoraphobe), offering to help “liberate” his brother by administering his newly invented technique of “Paratherapy.” Convincing Daniel to face his fears by pursuing their long abandoned childhood dream of jumping from an airplane, the brothers begin a series of misguided training exercises to prepare for their adventure.
Yet we realize that something is being subverted as we watch the comedy rooted in a lighthearted nostalgia for their youth in the 1980s give way to a high-stakes adventure in a surreal environment of lucid dreams and startling visions occurring in the final seconds of a freefall adventure gone horribly wrong.
Commissioned by Realwheels, a Vancouver-based theatre company that aims to increase audiences’ understanding of the disability experience, Skydive was created to be performed by one able-bodied, and one differently-abled actor. Using the technology of Sven Johansson’s ES Dance Instruments (a 17-foot, counterweighted lever that allows a performer to fly in all directions as well as cartwheel and somersault through space), the show is written to be staged almost entirely in the air, intricately choreographed and performed in a tightly orchestrated dance between the actors and the four operators who control the instruments. These instruments, both liberating and restrictive, equalize the bodies of the performers allowing not only for images of flight and freefall, but also for the physical metaphor of the power of dreams, imagination and human connection that lifts us above our individual physicalities.
Slagflowers is the story of a fourth generation son of miners and his journey beyond the world underground. It’s the story on a city struggling to grow beyond its past and become more than just a mining city. It’s the story of everyone’s struggle to be more than their family history, more than their past. It’s the story of breaking through the earth and into the light.
A Cross-Continental Roar!
In 2021, sixteen Indigenous spoken word artists from North and South America performed their works at the Festival of the Peripheries (FLUP) in Rio de Janeiro, Brazil and the Toronto International Festival of Authors (TIFA) in Toronto, Canada. This anthology, featuring poems from each of the performers, is the result of this remarkable cross-border collaboration. Digitally enhanced with QR codes, Slam Coalkan links readers to the poets’ performances at the festivals.
From these pages the poets sing their hopes and their dreams. These are the voices of resistance, voices that speak out against the evils of colonialism, racism, transphobia, and genocide. Voices that cry, shout, whisper and roar passionate messages to the world.
Founded by Greg Oliver and John Powell, SLAM! Wrestling (http://slam.canoe.ca/Slam/Wrestling/home.html) changed the way North America’s true favorite pastime was presented on the web. With the backing of Sun Media and Canoe, SLAM! Wrestling brought pure journalism to the muddy waters of the pro wrestling media coverage. Never in the Internet Age had the squared circle been viewed with a keen eye by reporters and analysts who broke down the philosophy of wrestling and feted its legends, while also not being afraid to show the very human side of the locker rooms that are hidden from the plain eye inside the world’s biggest arenas.
SLAM! Wrestling takes readers on a journey through SLAM! Wrestling’s first dozen years and the often all-too real world of professional wrestling. From WWE to the independent leagues that dot North America’s landscape, SLAM! Wrestling gives the unique view of the reporter’s eye as history unfolds, including interviews with “Stone Cold” Steve Austin, John Cena, “The Rock” Dwayne Johnson, Trish Stratus and many others.
Plus, for the first time ever, SLAM! Wrestling’s writers take you behind the scenes and share their insights into what made the site stand out as one of the most respected sources for information in all of the Internet wrestling community. From the celebration of WrestleMania XVIII in Toronto, to the tragic death of Owen Hart and many others, SLAM! Wrestling has covered it all and now brings the history of the mat wars straight to your bookshelf.
Slander is set in rainy, foggy Seattle. The narrator, Liz Finnegan, is a brash, bright, petite women’s rights lawyer. She’s 26, and a defender of abortion clinics (they’re being bombed by “Christian” rednecks), abused women, and related liberal causes. Her nemesis is a handsome, long-haired judge (Vandergraaf) whom she publicly savages, at a press scrum, for giving a slap-on-the-wrist sentence to a white-collar rapist. Along comes a new client, a middle-class woman who has gone back to university as a mature student. When last in college, she was raped by Judge Vandergraaf (she says), then a law student, but was dissuaded by her religiously conservative parents from reporting it.
Blocked in her every effort to open up this old case, Liz finally holds an impromptu press conference, laying out the accusations, and daring the judge to sue for slander. It’s the only way she can get the matter before the courts. Vandergraaf takes up the challenge, and sues for $10 million.
This is a very well-written legal thriller, more Scott Turow than John Grisham. In addition to delving into women’s issues, the book offers insight into the law of slander. How do courts deal with submerged memories? Are judges beyond the law? Do women receive equal treatment in courts?
These fun, easy-to-understand puzzles and quizzes are perfect for fans of all ages who will be challenged and intrigued by the variety of skill-testing questions about hockey and all of its leagues.Sudoclues test readers’ knowledge of players’ jersey numbers to help readers fill in sudoku grids. Lost Teams is a word search with a twist–readers must locate 17 hidden NHL teams without the aid of a word list. International Men of Mystery tests readers’ knowledge of foreign players. The release of this highly entertaining book coincides with the 2009/10 NHL season and the 2010 Winter Olympics in Vancouver–when interest in men and women’s hockey will be at a peak. Ross’s previous book, The Amazing Allstar Hockey Activity Book (1998), is a Canadian bestseller.Praise for Ross’s previous hockey puzzle book:”…a jam-packed compendium of every kind of hockey activity imaginable.”–Quill & Quire
Slash is Jeannette Armstrong’s first novel. It poignantly traces the struggles, pain and alienation of a young Okanagan man who searches for truth and meaning in his life. Recognized as an important work of literature, Slash is used in high schools, colleges and universities.
ONE OF CBC BOOKS CANADIAN NONFICTION TO READ IN THE FALL
A poet recounts his experience with madness and explores the relationship between apprehension and imagination.
In the summer of 1977, standing on a roadside somewhere between Dachau and Munich, twenty-two-year-old Mike Barnes experienced the dawning of the psychic break he’d been anticipating almost all his life. “Times over the years when I have tried to describe what followed,” he writes of that moment, “it has always come out wrong.” In this finely wrought, deeply intelligent memoir of madness, its antecedents and its aftermath, Barnes reconstructs instead what led him to that moment and offers with his characteristic generosity and candor the captivating account of a mind restlessly aware of itself.