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Revelator is the opening poem in a major sequence entitled Universe. It’s the jumping off point for a work that, were Ron Silliman to live long enough, would take him three centuries to complete. We are hopeful.
Universe is a poem of globalization and post-global poetics (which Silliman feels is an important reason for publishing this key section outside of the USA). At its core, it addresses the problem that there are only two global systems: the biosphere and capital, while every response to these global systems is invariably local.
The first appearance of Revelator in a journal won Poetry’s Levinson prize, previously given to poets such as Robert Creeley, Theodore Roethke, Geoffrey Hill, John Ashbery, Robert Duncan, Basil Bunting, William Carlos Williams, Dylan Thomas, Hart Crane, Robert Frost, and Wallace Stevens.
Most people think Alzheimer’s Disease is the same as memory loss, if they think about it at all. But most people prefer to ignore it, hoping that if they ignore it hard enough, it will go away. That was certainly Marion Agnew’s hope, even after she knew her mother’s diagnosis. Yet, with her mother’s diagnosis, Marion’s world changed. Her mother ? a Queens and Harvard/Radcliffe-educated mathematician, a nuclear weapons researcher in Montreal during Word War II, an award-winning professor and researcher for five decades, wife of a history professor, and mother of five ? began drifting away from her. To keep hold of her, to remember her, she began paying attention, and began writing what she saw. She wrote as her mother became suspicious on outings, as she lost even the simplest of words, as she hallucinated, as she became frightened and agitated. But after her mother’s death, Marion wanted to honour the time of her mother’s life in which she had the disease, but she didn’t want the illness to dominate the relationship she’d had with her mother. This moving memoir looks at grief and family, at love and music. It is a coming-to-terms reflection on the endurance of love and family.
In 1776, at the age of sixty-four, an embittered Jean-Jacques Rousseau took to rambling. Feeling rejected, neglected, and condemned, he turned his back on the society in which he had never managed to feel at ease, and found peace in wandering the fields outside Paris, noting interesting flora and fauna, and ruminating on his life and career. Rousseau jotted down his musings on playing cards he carried in his pocket; these notes would form the basis for his last book, Les rêveries du promeneur solitaire, translated as Reveries of the Solitary Walker (or a Solitary Walker). Unfinished at his death and published posthumously in 1782, the Reveries reiterate and meditate upon many of Rousseau’s central themes: the joys of solitude, the corrupting influence of society, the fragility of happiness and of human relations, and the great, healing solace of nature (not to mention his obsession with enemies and persecution).
Like Rousseau, Strang too has taken to wandering, although on her bicycle, finding cycling particularly conducive to a slow, non-deliberate thinking, an almost sub-conscious contemplation. Biking around Vancouver, she returned to several issues of lifelong interest, her own version of Rousseau’s obsessions: the difficulties of living an anti-capitalist life, the continued invisibility of much of women’s labour, the paradoxes of daily life, the nature and implications of calculations of value, and the complexities of sustainability. What is to be done, she wonders?
In homage to the playing-card origins of Rousseau’s Reveries, Strang’s Reveries of a Solitary Biker is divided into four suites.
A fast-paced fantasy YA novel that explores vital themes in today’s society – such as climate change and the environment – within the context of an exciting page-turner. This timely adventure story will empower and excite young people at the same time
Annie Jalmer stands uneasily between opposing Communists and Fascist forces in her 1930s Rocky Mountain town. As the radical politics of her family inflame tensions throughout the town, Annie becomes an unwilling double agent until a violent strike forces her to take a stand. Revolution Songs is the electrifying debut novel by award-winning writer Carissa Halton, inspired by the little-known story of a Communist union, the rise of the Canadian Ku Klux Klan, and the women who fought on both sides. Set against the charged backdrop of Depression-era politics, Halton weaves a thrilling and timely story that echoes the rising polarization of our own era.
Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be known as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium.
By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.
Rewrite, an intellectual mystery, follows Bruno Leblon, a history lecturer at a Paris university, during a six week long winter break as he tries to do research at the Public Library for his new book–a history of his family, one of the last aristocratic families in France. Bruno is shocked to find out that another library patron–“X”–is manipulating the historical evidence–late 19th century photographs of the Leblon family–that Bruno is using in his research. Abandoning his book, Bruno assumes the role of a detective and embarks on an investigation of the mysterious “X” and of the fictional aristocratic persona “X” seems to have assumed.
Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of shorthand that accurately and swiftly captures voice as evidence of the mind’s movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten.
In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future.
‘I showed this to a friend and he said “Gorgeous!” I alternated between “Cool!” and “What the hell?” We both looked at it as a source for tattoo ideas … A feast for the eyes (and mind), this collection includes a 12?-page rope alphabet, MC Escher-?like phonic art, poems and comics with made-up words.’
–? Broken Pencil
‘In Rhapsodomancy, kevin mcpherson eckhoff uncovers a world of signs, images, and marks that make meaning, that divulge sense, that reveal even as they obscure. His is a visual poetry at the edge of the textual and fully visual, resplendent with fragmentary bits of language and formal games filled with humor. We learn from this book that what we lack in writing we can make up for with divination. We learn of the continuing power of the textual and its steady descent into silence. We learn that play is the deepest form of learning. And this is the kind of learning our thinking bodies are designed to enjoy.’
?–? Geof Huth, author of Out of Character
Rhapsody in a Circle is a post-colonialist literary thriller of love and war set against a backdrop of contemporary political intrigue in Mexico and Pakistan. Bolivar Collins, aka Segovia, who goes by several names, travels from Mexico to Pakistan to teach at a women’s college, a diversion from his actual purpose, which is to use his unusual skill in service of a rogue CIA agent in league with a cartel boss to exchange drugs for arms with the Taliban. The cartel has forced Segovia to comply by holding his family hostage. In the face of human misery and depravity, is it possible for the human spirit to rise above its darkness through literature? Art? Based on actual events and tirelessly researched, Rhapsody in a Circle is a novel of our time.
Rhapsody in D continues to elaborate Todd Bruce’s love affair with language. One man’s gay-positive travelogue through a blurred series of Canadian landscapes, it utters, murmurs, groans, and punctuates countless moments in the classical and unconventional language of love. Subjects and objects of desire are manifold: the mundane and the magical, male and female, pedestrian and sophisticated.
Rhinoceros