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In this blistering new novel from visionary author John Jantunen, three young men with a history of violence are on a collision course set against the idyllic backdrop of northern Ontario’s cottage country.

Rene Descartes, a recently released ex-con, is living in a ramshackle trailer only a short distance from Hidden Cove, a secluded paradise where the country’s rich and famous relax in opulent gated summer retreats. A savage attack against Rene by the son of the fourth richest man in the country spurns a brutal act of revenge that will ignite this paradise into a fiery vision of hell on earth. As the flames threaten to engulf rich and poor alike, only Deacon Riis, a small-town reporter haunted by his own past, suspects it wasn’t Rene who set Hidden Cove ablaze but someone with a far more sinister agenda: to write into life the apocalyptic world imagined by the late George Cleary, a local novelist who was convinced that the end of times is now.

The rats are stirring under the streets of Oakwood and twelve-year-old Jill knows it. She’s been feeding them bread in her basement, and before this business is over, four dogs will be dead and three houses will be up for sale on Glendale Avenue.

Jill and her best friend Phoebe are spies. They ride around Oakwood on their bikes,keeping track of the teenage boys, The Witch in the old wooden house, and new headstones in the graveyard. They also share a secret. Jill’s mother hits her fairly regularly, hard enough to leave bruises. Jill has mostly stopped eating. That’s why she and Phoebe are stuffing her school sandwiches down the grate in the basement. It’s also why the rats are surfacing.

Jill discovers her mother is terrified of rats, Jill feels the power of the rats coursing through her, giving her strength to confront her mother. As Jill becomes focused, able to instill fear, her friendship with Phoebe begins to falter. The girls are poised between innocence and experience, childhood and adolescence. There is a growing tension between them. Jill is working part-time as a mother’s help for neighbour Laurel Murray. But Laurel herself is trembling on the edge of something, searching for answers just out of reach. Laurel suddenly packs up the car, gathers her three little kids and announces to her husband that she’s driving west. Laurel’s journey is juxtaposed with daily life back in Oakwood, where four dogs have turned up dead. Poisoned.

The media descend on Oakwood, and Jill and Phoebe spend much effort tracking the reporters. When the old Warbanskis are victims of a home invasion, it’s the last straw for some long-time residents of Glendale Avenue. Journalists return to probe possible gang connections. The Warbanskis move to a new gated community just outside the city, patrolled and watched by videocams.

Jill and Phoebe, trying to absorb this edgy world around them, grow farther apart. Phoebe is reaching for the heavens; she wants to become an astronaut. She believes in stars. Jill is digging down deeper, where the rats live, under the surface of things.

Oakwood is a fictitious Winnipeg neighbourhood which is like many Canadian cities at the dawn of the millennium: leafy, hard-working on the outside, with a streak of violence running down the centre, just out of sight. It is this invisible current that the twelve-year-old girls know better than the adults. Satellites zoom overhead, reporters crawl the streets with laptops, home video cameras are everywhere. But who killed the dogs? Why?

It seems the more eyes we grow, the less we see.

She can picture it already: Alex, laughing as he tells her how no one believes his mother invented Pep Talk Paul, the app that saved the world. And she’ll assure him that it’s true, but she won’t tell him it’s also the reason she gets to be his mother, because by then he won’t remember that there was a time when someone else was.

Set on a Newfoundland ferry and written by the narrator Pauline from an imagined future perspective where she is wealthy and successful-and a good mother-No Wake Zone is the story of a young woman and an old man realizing a deep affinity for one another, and a timely exploration of the nature of guilt and hope, of responsibility and tenacity, and of connection with self, others, and technology. In the end it reminds us that we’re all flawed, but that we’re also all heroic.