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?Thousands have paid big bucks to learn winning poker strategies from Angel Largay — one of the world’s most consistent winners in maximum buy-in no-limit games. Now, Largay offers a wider audience his poker teaching expertise in No-Limit Texas Hold’em.
Although millions play, only a few have the skill to cash in on the explosion fueled by maximum buy-in no-limit games. Whether you’re a novice or a veteran, an online player, casino regular, or home game specialist, Largay’s progressive teaching method takes you step-by-step through the intricacies of the game.
Largay shows students what works and what doesn’t, common mistakes, and how to get beyond them. Today, many of his students are full-time professional players. If you’re aspiring to become a professional—or simply to play like one—No-Limit Texas Hold’em will help you make it happen.
A Japanese detective agency in Midwest America; a sex triangle with the vampish Angela at its apex, and love-sick Pohl and lust-warped Burnett at the receiving ends; a Fat Man devouring a huge luncheon amidst the splendors of his garden; and has-been vixen Violet seeking justice and revenge. Just some of the elements of No. 22 Pleasure City, a novel that ranges in flavor between Japanese manga, pulp fiction and tongue-in-cheek pornography. The novel is a story of betrayal, obsession, rejection, friendship, and–ultimately–redemption.
This biography tells the story of how a great intellect, Noam Chomsky’s, was shaped. It describes the political and intellectual contexts that helped form the unyielding principles by which Chomsky lives, and the arenas of scholarship, political action, and ideology to which he still contributes. Along the way, the book provides an engaging political history of the last several decades, and many insights into how history too often gets rewritten. Chomsky’s views on the uses and misuses of the university are highlighted, as are his doubts about the legitimacy of post-modernist inquiry, and his overall assessment of useful political engagement. In a sense, this book strives to be the autobiography that Chomsky will probably never write by letting Chomsky speak for himself on the matters of greatest concern to him, through well-placed excerpts from his copious body of published writings and unpublished correspondence.
What does it mean to be a nobody? How does it feel to be a somebody? And why is it so hard to be ourselves? These are the questions at the heart of Nobodies, a darkly comedic collection in which a neurotic teenager experiences his first rejection; a stalker emails her favourite movie star; a young man wages war against God; and an aspiring philosopher tries to save the world from itself. In seventeen genre-bending stories, Nobodies explores the paradoxes of status anxiety, the pitfalls of fame, and the dialectics of identity in the twenty-first century.
“The internet’s best friend.” — Flare
From the author of the popular newsletter That’s What She Said, Nobody Cares is a frank, funny personal essay collection about work, failure, friendship, and the messy business of being alive in your twenties and thirties.
As she shares her hard-won insights from screwing up, growing up, and trying to find her own path, Anne T. Donahue’s debut book offers all the honesty, laughs, and reassurance of a late-night phone call with your best friend. Whether she’s giving a signature pep talk, railing against summer, or describing her own mental health struggles, Anne reminds us that failure is normal, saying no to things is liberating, and that we’re all a bunch of beautiful disasters — and she wouldn’t have it any other way.
Dawn, the narrator of Nobody Cries At Bingo, invites the reader to witness first hand Dumont family life on the Okanese First Nation. Beyond the sterotypes and cliches of Rez dogs, drinking, and bingos, the story of a girl who loved to read begins to unfold. It is her hopes, dreams, and indomitable humour that lay bear the beauty and love within her family. It is her unerring eye that reveals the great bond of family expressed in the actions and affections of her sisters, aunties, uncles, brothers, cousins, nieces, nephews, and ultimately her ancestors. It’s all here — life on the Rez in rich technicolour — as Dawn emerges from home life, through school life, and into the promise of a great future. Nobody Cries At Bingo embraces cultural differences and does it with the great traditional medicine of laughter.
In this action-packed caper novel, a long-retired cop gets wrapped up with a girl on the run
Long-retired cop Fitch Henry Haut is terminally ill and living out his final years alone. As he sits in his favorite diner enjoying the meatloaf special, he watches as a young girl steps in and spots two rough-looking men at the counter. When they see her, she runs off and they give chase.
His cop instincts kick in and Fitch follows, catching up with them in the parking lot. As the two men try to force her into their vehicle, Fitch manages to get the upper hand, and he and the girl take off in his broken-down Winnebago.
The girl is Wren Jones, a runaway from an abusive foster home. Earlier that day she overheard the two men going on about a casino robbery they just committed, and this was the second time she got away from them that day. Fitch realizes the men will come hunting for them again, and that the ailing rig he’s driving won’t be hard to spot. A bond forms as Fitch and Wren struggle to escape out of town, both aware that time is not on their side.
“Perhaps you are wondering why you are brought down from your home leaving your friends and perhaps family behind. The reason is that you are sick, and if you were left at home, you may endanger those at home. So you are here to get well again… But do not be afraid. Nobody here will harm you.”?Mountain Views, Hamilton Sanatorium, 1955
With this quote Shawn Selway begins his thorough investigation of the evacuation of 1,274 Inuit and Cree sufferers of tuberculosis from the Eastern Arctic to Mountain Sanatorium in Hamilton, Ontario, from 1950 to 1965. Selway considers not only the political culture, and the systemic racism within that culture, in which the decisions were made, but also the technological and economic changes that made these relocations possible. Selway carefully documents the impact of the evacuations on the Inuit community and has included an assortment of archival images within the book. This is an important look at a difficult time in our country’s history.
Nobody Rides For Free: A Drifter in the Americas chronicles former bike courier John Hughes’ rambles through Latin America on a bicycle. In this gripping mosaic-travellogue, readers are introduced to banditos, artists, grifters, would-be wives, dope fiends and attacking monkeys: a cast of characters who conspire to reduce him to alcoholic destitution. His last remaining $400 is spent sailing the Amazon, flying to Miami, and then hitchhiking across some of the most frightening highways in the United States with the goal of making it safely home to Vancouver. Throughout his adventures we learn about con-artistry, fear, and kindness set against the imposing backdrop of everything we think we know about the Americas. Nobody Rides For Free sheds light on obscure 1990s road culture while gearing itself to the needs of anyone with a desire to run from their demons on the open road.
A witty and irreverent look at the collision of two dangerous subjects — live television and sex. “Sue, I have a question about vaginal odour.” The young woman on the phone sounds earnest. On the television screen, the sixty-something host leans forward with the concern of an attentive great aunt, listening intently. “Yes?”It’s late Sunday evening, and all across Canada, 300,000 viewers are watching The Sunday Night Sex Show, eavesdropping on this most intimate of conversations.
“Well, I don’t think mine smells very good, and a friend told me I should take a bath in vinegar”
Without a second’s hesitation, Sue Johanson exclaims: “What are you trying to do? Pickle it?!” And then she laughs, a warm, inclusive, non-judgmental laugh that tells the young woman on the phone that she’s poking fun at the suggestion, not the caller. Viewers chuckle at the gag, and then settle back to listen to the country’s best-loved sexual educator give a well-informed, honest answer to an honest question.For six seasons, Sue Johanson has been ruining people’s Mondays by making them stay up late Sunday night. Sex sells, but it’s really not the topic that keeps viewers tuning in. It’s Sue. They love her. In this book, RJ Gulliver, Sue’s long-time director and consultant, tells the stories behind the shows. Transcripts of classic phone calls (both funny and poignant), stories of the erotic toys that didn’t make it on the air, what goes on behind the cameras, and Sue’s own story fill this book that will make you laugh out loud, and give you a new appreciation of Canada’s favourite sex-ed teacher. It also includes a chapter written by Sue about the best herbal remedies to common sexual problems.In Canada, if Saturday night belongs to hockey, Sunday night belongs to Sue.
Weyman Chan’s second poetry collection elaborates his singular and solitary work on the renaissance of the contemporary lyric form. Unmistakably present in these poems are the sensibilities of Li Po, wherein the powers of nature illuminating a meticulously built landscape articulate a poignant, harmonious but fleeting epiphany; Keats’ vision of beauty as an act of passion inscribed on a work of art for all time; and Ovid’s understanding that our engagement with the world always demands of us a metamorphosis, the inescapably wondrous child of a marriage of the self and the other.
The lyric voice of these poems, the sage of our hearts and minds, reveals a multiplicity of forms in shaded clearings between myth and mystery, and especially in the musicality encountered by the reader in the poet’s carefully crafted score of the written word. Kissed and séanced into being, these subtle and seamless poems cast long shadows on our worldly marketplace of war, our arenas of competition and the haunting absence of our spiritually dispossessed gods.
As Weyman Chan crafts words for his stratified layers of landscape across space and time, a path is made for the reader to follow. Beneath the narrative foliage of Chinese pre-history, family stories of love and survival, and wanderings from the compass point of the conventional, our sage “teaches all / and leaves none out”—what it takes to enter this new world is our willingness to travel with some unlikely spirit guides: a five-thousand-year-old, elixir-wearied Lunar rabbit; an old man who wears the sun’s countenance; a microscopist in search of Ingram CoreSources in the illusion of darkness beyond death.
This book is an intimate journey of rituals attempting to find their origin, where past and future are seen to conjoin to construct one biography in a fractured and disbelieving age.
Famed musician and poet Scott Nolan has built a complex world out of paper collage, aptly titled Nolanville. Venture into the unnamed city’s seedy underbelly, its scintillating skyscrapers and downtrodden cutout characters, as vulnerable as those real strangers that we pass on the street everyday. Made up of paper and cheap glue, Nolanville reminds us all of the fragility of our own existence. Glossy eye-candy by the poet laureate of the gutters.
Winner, Writer’s Studio at Simon Fraser University’s First Book Competition
Nondescript Rambunctious is a genre-busting thriller with a beating, human heart. More than a simple story of a killer and his victims, the novel takes the reader into the life of a family, the days of a community, and the very real possibility that evil is everywhere – maybe even inside us. Woven through this dark tapestry are the glittering threads of humanity, humour, and in the form of one young woman, the promise of redemption.
Like a sinister dream, Nondescript Rambunctious pulls you in and doesn’t let go. There is no easy way out.
Praise for Nondescript Rambunctious:
“Jackie Bateman’s debut novel is very impressive. The writing is taut, controlled, and relentless. Nondescript Rambunctious is a dark, murderous thriller, a winner with a variety of narrators, surprising turns and shifts, and some hard, hard corners.” (Mark Anthony Jarman, author of My White Planet and 19 Knives)
“… Nondescript Rambunctious, for which Jackie Bateman won the Writer’s Studio at Simon Fraser University’s First Book Competition in the fiction category, is a thriller that succeeds by nodding politely to the formula, then turning it on its head. The novel has four narrators, but Bateman weaves their voices together effortlessly, and the build-up retains all the suspense and intensity one expects from a crime thriller. … Bateman hasn’t imagined a world of dogged cops, rumpled detectives, or amateur sleuths. Nondescript Rambunctious is about the heartbreaking consequences of human depravity, not tying up loose ends or piecing together clues. It wouldn’t be wrong to label this novel a thriller, but it also confounds the expectations of that label, to great effect.” (Quill & Quire)
“Vancouver’s Jackie Bateman draws on her Scottish roots for a bewitching first novel that transforms from gentle domestic comedy into gripping suspense. … it’s a real page-turner, and Bateman takes it to a surprising and satisfying conclusion.” (Prairie Fire)
The 19th-century German mathematician Georg Friedrich Bernhard Riemann’s ideas had a profound effect on the development of modern theoretical physics and provided the concepts and methods used later in Einstein’s relativity theory and Heisenberg’s “uncertainty principle.” Riemann is popularly known for his challenge of Euclidean geometry’s axiomatic (“given” or “natural”) presumption of space, hinging on the question of the value of zero. In the simplest possible terms, in this realm of theoretical physics and mathematics, zero represents not the absence of something in and for itself, but only the potentiality of some thing existing in relation to some other thing. This means that what is “known” or “perceived” by any observer can only ever be defined by and through that act of perception, and not by its absence, which can never be experienced but can only ever be postulated. Thus everything we can communicate about the known world consists entirely of a cascade of perpetually unfolding “non zero definitions.”
Fiction writers such as James Joyce, Gertrude Stein, William Burroughs, and poets such as William Carlos Williams and Robert Creeley have applied these theories from the physical sciences to their acts of writing, but the pyrotechnics of their progressive narrative deconstructions and reconstructions have remained muted by a lingering textual self-awareness. Not until the work of Gil McElroy’s clearly present mentor, bpNichol, did the language of poetics emerge into the light of the purely formalist and luminous “definitions” of things and their movements in which McElroy excels so brilliantly. In the poems of McElroy’s NonZero Definitions, things can never cease to be; they only can, and do, gloriously engage in the ceaseless metamorphosis of replication in all of their luminous present and endlessly unfolding possibilities.
These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study of about 55 pages. Each contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.