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Showing 33–48 of 8929 results

“As Many Liars”

By: Doug Smith

$17.95

In 1998, Manitoba’s Conservative government was oozing confidence and appeared certain to cruise to re-election under Premier Gary Filmon. But when a local radio reporter began to investigate rumours about Conservative dirty tricks in the last provincial election, he broke open the scandal that led to a riveting public inquiry, and ultimately to the fall of the government. The Conservatives’ vote-splitting scheme was equal parts detective story and comedy of errors, tragedy and farce. Because it had occurred in the hardscrabble Interlake region, carried out by a wildly eccentric cast of characters, some media commentators dismissed the story as a low-rent scandal conducted by political hillbillies. But in fact the caper was masterminded by the premier’s principal secretary and supported by two of the province’s most distinguished entrepreneurs.
“Ethnic,” Multicultural, and Intercultural Theatre

$25.00

“Audiences for intercultural theatre in our experience have become increasingly diverse in recent years, at productions by genuinely intercultural companies… Productions no longer need appeal either to the traditional white middle-class audience of Canada’s so-called “main stages” (including those of the former “alternative” theatres) nor to communities narrowly defined by culture or interest—what used to be called “preaching to the converted…” —from the introduction
“For New Orleans” and Other Poems

$19.95

Hurricane Katrina moved the Editor and Publisher of this collection to embark on this attempt to delve into the hearts and minds of some of Americas finest poets, several from the south. The result is a moving collection, sometimes sad, sometimes joyous, sometimes puzzled and lost, but always celebrating the uniqueness and greatness of one of the great cities of our world.Who can forget New Orleans? It remains a magnetic centre for lovers of art and culture, still drawing them by the thousands.
(1979- )

By: Nathan Dueck

$23.95

Nathan Russel Dueck has done a few things that he’d rather you not know about until long after he’s dead. Were these things to get out, the news would put him in an early grave. See, these things aren’t just embarrassing, they’re mortifying. The problem is that keeping these things inside is somehow preventing Nathan Russel Dueck from really living.

(1979- ) collects these mortifications as a series of “epitaphs.” Occasionally hilarious, often heartbreaking, and usually harrowing, these memories are always true. (… ish)
(Ad)dressing Our Words

$22.95

This critical anthology of essays by Aboriginal academics provides an in-depth analysis of the emerging body of literature by Aboriginal authors. The contributors study the works of their peers with an insightful understanding of the significance of contemporary literature within Aboriginal cultural paradigms.This critical anthology of essays by Aboriginal academics provides an in-depth analysis of the emerging body of literature by Aboriginal authors. The contributors study the works of their peers with an insightful understanding of the significance of contemporary literature within Aboriginal cultural paradigms.
(alive)

By: Rhea Tregebov

$15.00

(alive): poems selected and new, is a volume of distilled grace. Twenty years of Rhea Tregebov?s poetry have been collected in this work along with several new poems. This volume charts the course of a poetic career which has seen Tregebov consistently praised for her elegant writing, carefully shaped lines, and strong poetic voice, all of which are showcased in this new collection. With this work, it is easy to see how Rhea Tregebov has become the well-respected and popular poet that she is today.
(flood basement

By: Jeremy Stewart

$16.95

Jeremy Stewart’s first book, (flood basement, is a young poet’s search for and discovery of his place in the local landscape. The poet is haunted by the legacy of colonialism and propelled by the struggles of a community seeking its own identity. (flood basement is the raw, shocking and innocent journey of an emerging artist in a seemingly inflexible world. In this collection Stewart shares a collage of fragments that amount to a portrait of the Prince George of his youth, a transcription of a midnight audio journey, and an introspection of the fluctuating and sometimes fragile identity of the writer. Stewart’s work pushes the boundaries of innovative and experimental poetry while weaving a visual narrative of the world in which he lives.
(In)visible

By: Ivan Baidak

$20.00

Diagnosed with Tourette’s syndrome as a teenager, Adam, now a 26-year-old freelance designer, attends his first meeting at a social support group. Here he meets Anna, a charity worker with a face hemangioma, Marta a TV anchor with alopecia, and Eva a make up artist with vitiligo. The following week he moves in with them.

Shaped after the writer’s own experience of living with Tourette’s syndrome, Adam tries to move from self-inflicted invisibility to being visible—in his family, career, and personal life.

Invisible is a book about what it means to be different. A book that encourages acceptance and tolerance. A book about fear and escape, about the necessity of being loved and accepted. It’s about the permanent struggle with your complexes and attempts to start loving yourself. It’s about hard stories. But also about big hearts.
(M)othering

$24.95

(M)othering is a universally understood phenomenon that speaks to the act of becoming something unexpected and entirely outside ourselves. And this book is a collection of writing and art about that. 56 contributors illuminate the kind of gritty, body mind soul transformations that only the mothering myth can evoke. Their work will take you to wonder and wildness, kindness, beauty, grief, love.

These writers and artists show us what it means to create, to birth something, to love it, and to suffer loss. They share their truths about being persecuted, fleeing. About trans-generational trauma. Some write of broken women, mothering their mothers and sisters, choosing not to be mothers. Having many mothers. Mothering grown children. Men who want to be mothered. They tackle identity, adoption, abortion, addiction, self-care, sacrifice, nature and nurture, making art, unravelling, invention, loneliness, anger, laughter, and joy. They are queer, Metis, indigenous, French, male, Jewish, Mennonite, descendants of the Blackfoot and the Cree, settlers and immigrants. In unison, they speak about experiences far beyond the pathologizing of the pregnant female body.
(Un)spoken

By: Marjorie Silverman

$14.95

(Un)spoken takes the reader on a journey through negative affects, sexuality, and responses to violence and trauma. Constructed as dialogues that engage directly with the reader, the poems explore the impact of repressed grief and highlight how trauma lodges in the body as eating disorders and self-inflicted wounds. Anchored in Jewish cultural identity and written in a resolute feminist voice, this collection offers a contribution to current feminist and queer conversations about sexual and psychological violence, how we survive in chilly domestic atmospheres, and what it means to obey and resist our training as ‘nice girls’ within heterosexist systems.
[boxhead]

By: Darren O’Donnell

$16.95

Dr. Actions: What do you think it all means?
Dr. Thinking: I think it means that our collaboration is destined for great heights and the basking glory of inter-planetary fame and fortune.
Dr. Actions: But you said your dream was terrifying.
Dr. Thinking: Well, I’ve always been afraid of success.
Dr. Actions: Well, get over it, Blockbrain. Now that we’ve invented the echoless yell, nothing is going to getin our way. Lay it on me.

Dr. Thoughtless Actions, a young geneticist, awakes one morning to find a cardboard box secured to his head. Unable to wrench it off, he attempts suicide, not only failing but also, unbeknownst to himself, cloning himself, creating Dr. Wishful Thinking. The two losers fall madly in love, fall in science and fail to make a baby.

The cast consists of the two boxheads, who also play two disembodied narrators. The conversationbetween the four voices, an intricately woven semantic circus, traverses boxedness, love and the more ridiculous areas of metaphysical speculation. Through a series of rapid exchanges, verbal games and musical numbers, they discover that all their thoughts come from God, all their words come from the devil, and their desire for love is a habit acquired from the cinema. Sound familiar? Don’t be so hard on yourself.

‘Audacious, thought-provoking and frequently hilarious …a tightly wound complex of existential postulations, metaphysical ruminations and poop jokes.’

– Eye Weekly
[OR]

By: Brian Henderson

$18.95

[OR] might be a book of steganography. Or not. The tension of appearance inheres in it, and ciphertexts seem to abound. As the poems take up their concealing/revealing, coded/decoded, intelligence/counter-intelligence themes, borders and borderlands appear, are crossed, or are closed. Many of the borderlands turn out to be their own interiors – “secret” workings of the codes ghosting through them. Are they abject castoffs, lost possibilities, proscribed mutations, or future events?

Codes are hidden everywhere, sliding through the atmosphere, slipping into microwave towers, handheld devices, nervous systems, brains, retinas, bar codes, antimissile systems, the antennae of DNA, the traces of virtual particles, the Chauvet Cave drawings, your Twitter account. Each broaches a transformative version of its own transduction. The buck never stops. And since it’s been documented that perception happens before we know it (Benjamin Libet), and the future might already have happened, these poems ask what this might mean – especially in an accelerated, “semio-inflated” world of signs, words, and information.

Maybe it’s no wonder that the poems use tropes from spy thrillers and code breakers. In them a character may have been murdered, or moved to another dimension. Along the way strange perturbations occur to narrative and its others: memory, (prosthetic memory), dream, reportage, code, a little history of the future, déjà vu, paramnesia, the virtual – versions, evasions, and alternatives. Each poem gets read a few times, its code deciphered or ciphered back up. Some of the poems decay. Each reader reads his or her own poem and encodes it for another. What communication crosses out, these poems try to find. They might ask “What is reading?” while at the same time “Who are you?” In asking they acknowledge fragility, and in fragility, suggests William E. Connolly, lies the beginning of freedom.
[Sharps]

By: Stevie Howell

$19.95

Shortlisted for the Gerald Lampert Memorial Award

Emergencies, faith, truancy, and poverty intersect in this wry debut that volunteers a transfusion of the unpredictable for those who yearn to transition beyond a muralized Olive Garden world.

Stevie Howell’s [Sharps] takes its cue from an Egyptian hieroglyph used interchangeably to represent “waters,” the letter N, and all prepositions within a sentence. Similarly, [Sharps] alters its structure and functionality from page to page. The Queen launches an advertising campaign to procure our envy. The last unicorn crochets a sweater out of the sisal cords of the books. The falsity of Billy Joel’s New York propaganda is grounds for libel. We discover the one thing you can do “With a sawed-off rifle, a low IQ, and curiosity/about human biology.”

From certain angles, [Sharps] embraces the possibilities of poetry — from others, it engages in a protracted street fight with language.
[Squelch Procedures]

By: MLA Chernoff

$20.00

In [SQUELCH PROCEDURES], MLA Chernoff contemplates the ways that trauma, poverty, and strict gender norms rupture the concept of childhood. The tension of multiple meanings in the word “squelch” acts as a guide to Chernoff’s unique voice, which uses language to swaddle intrusive thoughts and mimic defense mechanisms such as avoidance, depersonalization, and derealization. [SQUELCH PROCEDURES] is an ambitious attempt to show how healing and regression are often indistinguishable, while the past is always predisposed to happen more than once: first as tragedy, then as farce.
#HashtagRelief

By: Blossom Thom

$4.95

#HashtagRelief
#postdildo

By: Danielle LaFrance

$19.95

After a carnal encounter with garbage, some space emerged for Danielle LaFrance to air her dildos. In #postdildo they think and write through the limitlessness and limitations of sexuality, communication, and desire. Focusing on the dildo as sexual object and social relation, LaFrance asks, “How shall You fuck without causing harm?” What came before #postdildo if not internet porn, the confession booth, colonial capitalism, settler sexuality, patriarchy, and feminism, all providing a blueprint for how inadequately to be touched and fucked? What comes after delights? #postdildo is a mass of contradictions that more often than not finds a lot of dis/pleasure in a lot of refusal.