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Shortlisted for the Gerald Lampert Memorial Award
Emergencies, faith, truancy, and poverty intersect in this wry debut that volunteers a transfusion of the unpredictable for those who yearn to transition beyond a muralized Olive Garden world.
Stevie Howell’s [Sharps] takes its cue from an Egyptian hieroglyph used interchangeably to represent “waters,” the letter N, and all prepositions within a sentence. Similarly, [Sharps] alters its structure and functionality from page to page. The Queen launches an advertising campaign to procure our envy. The last unicorn crochets a sweater out of the sisal cords of the books. The falsity of Billy Joel’s New York propaganda is grounds for libel. We discover the one thing you can do “With a sawed-off rifle, a low IQ, and curiosity/about human biology.”
From certain angles, [Sharps] embraces the possibilities of poetry — from others, it engages in a protracted street fight with language.
Pop culture and the balladry of bedlam collide in this wry debut that volunteers a transfusion of the unpredictable to readers yearning for more than a muralized Olive Garden world.
In [Sharps], a visit to the last Dollar Store becomes a meditation on the global supply chain. Unicorns and sarcophagi turn up in the most unlikely of places. Pushers shark outside of a short-staffed methadone clinic. A fan of Bill Callahan almost falls into New York’s underbelly. Canmore moviegoers scoff at Alec Baldwin, and the Queen resembles Rip Torn.
Joyously ominous, blissfully melancholic, Stevie Howell’s highly anticipated debut picks a street fight with language, half cut with its exuberant possibilities.
88 Pages
155gr0.295in5.5in * 8.5in
October 07, 2014
9780864922045
9780864927262 – PDF
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