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With intellectual energy, Sarah Klassen takes the reader on an unforgettable journey by Klassen’s unsettling, stimulating and wonderful experiences in Israel/ Palestine and Lithuania, as well as life at home. Combined with reflections on nature, the poems explore the ongoing challenge of how to live in this world with compassion, hope and faith. Nature and personal experience, beyond what media and books can convey, bring together both the spiritual and physical dimensions of living in this conflicted world. Remaining firmly grounded in reality, Klassen seeks enlightenment and higher understanding of humanity through moments of clarity.
“Where is everybody?” That’s the question physicist Enrico Fermi posed to his Manhattan Project colleagues now 70 years ago. They knew what he meant. Decades of reaching out to intelligent beings elsewhere in the universe, and no response. Zero. Nothing. A fact which remains true today. Mont Babel sling-shots off the Fermi paradox using the opposing forces of father and son. Jim Benedict’s a humanist, a man of the word, his son an engineer who’s bored by Shakespeare and likes the NFL. “In the beginning was the word. In the beginning was the Big Bang: two party bumper stickers of our current malaise,” writes Jim Benedict. Father and son rarely communicate. If they do, it is by email. What brings them together is the lovely Iris Doubt, Tom Benedict’s south African geologist girlfriend, one of the Ariel School children who claimed to have been visited by aliens. Now working in Canada, she spends her free time as invitee to UFO conferences and as investigator of impact craters, one of which is l’oeil du Québec, Mont Babel. Macrocosm meets microcosm in Mont Babel, quantum mechanics and astrophysics, neutrinos and black holes, raising questions about perception and consciousness, heaven and family peace.
Mont Babelfeatures an Introduction by Don C. Donderi, author of UFOs, ETs, and Alien Abductions: A Scientist Looks at the Evidence
Montage for an Interstellar Cry is an experimental collection, encompassing the MX Missle, Wood Mountain, and Pinochet’s Chile.
With war raging in Europe, the Allies worried about advances being made by Germans scientists. The British wanted to get a jump ahead of Hitler and the physicists working for the Third Reich. England was too close to the enemy, so they decided to secretly establish a nuclear research laboratory in Montreal. The best scientists moved to Montreal with two goals in mind: develop an ultra-powerful bomb and find a new source of energy. What started as cooperation with the Americans instead became a race to harness the energy of the atom when Washington launched the Manhattan project.
Montreal and the Bomb breathes new life into the exhilarating saga of European scientists secretly developing a strategic nuclear laboratory in the halls of the Université de Montréal. It?s a story peopled by leading figures of modern physics, bold chemists, and scientists accused of spying. The one idea driving them is to master the atom, whatever the result may be.
Montreal Before Spring
Montreal Confidential, first published in 1950, is a gossipy and sometimes gritty chronicle of Montreal after-dark during the 1950s. Al Palmer, who covered the entertainment and police beat for the Montreal Herald and later the Montreal Gazette, colourfully describes the glamorous cabarets, restaurants, late night bars, singers and dancers, and various underworld characters, when Montreal was an open city. In this new edition, published in its original pocketbook format, the addition of archival photographs of the people and places mentioned in the book compliment Al Palmer’s spirited prose.
First Edition (1950) back cover
Our Old Man used to always say that you can take the boy out Montreal but you can’t take Montreal out of the boy.
Some cities are merely bolts on the landscape with the approved collection of steel and stone buildings and the ever-present supermarkets. Most have absolutely nothing to distinguish them from a thousand similar cities.
Some, notably New York, New Orleans and San Francisco, have certain characteristics which set them apart from other cities.
And then there’s Montreal.
There is little doubt but that our home town has developed into the most colourful community on the continent. Nothing which New York, New Orleans or San Francisco–or any other city for that matter–can offer that Montreal hasn’t more of.
It is a helluva town to visit, a helluva town to live in and a helluva town to come back to. We love every grimy square of it.
Montreal, an island in the St. Lawrence River, is an emotional city. To walk its streets is to sense a mood — sometimes warm, sometimes anxious, depending upon the political climate — but always invigorating and vital. The Québécois culture offers a striking contrast to that of the rest of North America. Montreal is far more European, epicurean, and stylish than most — or perhaps any — other North American cities. This book will offer you a glimpse into the lives and attitudes of Montrealers, the beauty and rough charm of the city, and the rich historical legacy that informs its everyday life — a daily life of stimulating sights, sounds, tastes, events, and people. It is a city that, once visited, is impossible to forget.
WINNER 2001 CANADIAN JEWISH BOOK AWARDS Izzy and Betty Kirshenbaum FoundationPrize for Yiddish translation Montreal of Yesterday was originally published in Yiddish in 1947. It had earlier appeared in installments in the pages of the Keneder Adler – the Canadian Eagle – Montreal’s legendary Yiddish-language newspaper. For the first time, this captivating classic on Jewish immigrant life in Montreal (1900-1920) is available in English. In the 54 short chapters of Montreal of Yesterday Medres writes with charm and gentle humour about immigrant life, class divisions, the first socialists, the first Jewish bookstore, Canadian life, the press, art and business, Yiddish vaudeville, politics and citizenship, Jewish soldiers, writers, the poor, and religious observance.
Entries juried by Cameron Awkward-Rich, Martin Breul, Heather Christle, Nabina Das, Liz Howard, Joanne Limburg, Conor O’Callaghan, Tanure Ojaide, Michael Prior, Medrie Purdham, Mark Tredinnick, and Rhian WilliamsFinalists judged by Lorna GoodisonFounded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The 2022 anthology continues the work of its predecessors, building the community of contemporary poetry on the twin principles of aesthetics and accessibility. Under this banner – poetry is for everyone – these poems speak of historic desolation and everyday bravery. Their images grip and hold. Here common experience crystallizes into stanzaic form, lending dignity to life in a ravaged world; here poetry melts into a rising, increasingly acidic ocean of prose that weeps for a prior earth.From thousands of entries, these sixty poems were chosen for the virtue of their speaking to the reader, artfully and clearly. Lorna Goodison, winner of the Queen’s Gold Medal for Poetry, then judged the finalists, selecting the one poem – included here – to take the $20,000 prize. From Canada, Australia, the Caribbean, India, Ireland, New Zealand, Romania, Tunisia, the United Kingdom, the United States, and elsewhere, these lyrics voice a reality that you will recognize as strangely yours.
Founded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The Montreal Prize Anthology 2020 explodes with talent, combining radiant vision with striking invention in form. The loss of a father finds equivalence in a tornado’s blowing an apartment open to the night sky. Sacred and profane images of a mother pile up in couplets, making a heap of gold. Family memory stirs in the dreamy measures of a sestina. Racial injustice is defied and reversed in the unflinching mirror of a palindromic poem. A doctor confesses her life work to be a striving to right the wrong done her father. These poems, a handful of the thousands submitted to the 2020 competition, were chosen for the lone virtue of their speaking directly to the reader, with conviction and with art.
In 2019, the founder of the Montreal Prize, Asa Boxer, transferred it to the Department of English at McGill University. A team of dedicated faculty and graduate students recruited a distinguished international jury, headed by Pulitzer-prize-winner Yusef Komunyakaa, to judge the entries. This book is the result.
Montreal Standard Time is drawn from Mavis Gallant’s columns in The Montreal Standard during her six-year tenure at the newspaper, beginning in 1944, when she was 22. Gallant reported on an extraordinary range of subjects: labour issues, mining, existentialism, immigration, comedy, mercy killings, feminism, and suffrage. Her journalism is peopled by a rich cast of characters: writers, painters, politicians, criminals, street kids, war brides, refugees, and unwed mothers. Eighty years after they first saw the light, the columns remain as fresh as ever.
Written with a precision, flair, and wit that would become her trademark, Montreal Standard Time is journalism of the first order. Taken together, the pieces create a remarkable portrait of Montreal in the eventful years during and after WW2, and of a young woman, fiercely independent and politically active, making her way through it. The book also corrects a long-standing gap in the Gallant oeuvre. Her celebrated reporting on the student riots in Paris in 1968 and on the Gabrielle Russier case are brilliant examples of her in-depth journalism. But that, and her insightful reviews and occasional pieces, have already been collected. Her earliest reporting from The Montreal Standard, however, has never circulated or appeared in book form.
Edited by Neil Besner, Marta Dvorak, and Bill Richardson, with a preface by Mary K. MacLeod, Montreal Standard Time is indispensable not only for the light it throws on Gallant’s time and place, but in how it reveals a major writer coming into her powers.
MONUMENT is a conversation with Mughal Empress Mumtaz Mahal, which moves her legacy beyond the Taj Mahal.
MONUMENT upturns notions of love, monumentalisation, and empire by exploring buried facets of Mumtaz Mahal’s story. The collection layers linear time and geographical space to chart the continuing presence of historical legacies. It considers what alternate futures could have been possible. Who are we when we continue to make the same mistakes? Beyond distance, time, and boundaries, what do we still carry?
“A profound evocation of unbelonging.”–Bhanu Kapil
“Bandukwala is a lyric truth-teller.”–Farzana Doctor
“A sensitive, urgent, astonishing, masterful, and necessary debut.”–Doyali Islam
A penetrating and unflinching examination of the modern Canadian male, Monument is told through the eyes of Seth Wilhelm, a talented young hockey player whose career is cut short by injury, sending him spiralling out of control. A failed stint at college sets the stage for a second fall from grace, a car accident which claims the life of his new girlfriend, leaving Wilhelm himself to blame. Using his undisclosed innocence as the impetus to piece his life back together and move on with his once promising career, albeit in a washed-up senior men’s league, Seth soaks up the Vancouver nightlife–the women, the liquor, the drugs, the fights–all in an effort to mask his survivor’s guilt and an early childhood trauma. If there’s hope for this antihero, it must come in the form of something monumental, a communion he’s desperately in search of before he finally loses it all.
When the feisty and rebellious Moragh (Moo) MacDowell meets the intriguing Harry Parker, she decides nothing will ever separate them … and Harry has been running ever since. Moo is an unconventionally comedy of love and obsession. Cast of 5 women and 3 men.