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Mickalene Thomas’s vivid paintings, collages, and photographs explode off the wall. Their larger-than-life women stare back and down at the viewer, confronting them head on. Over the course of her prolific career, Thomas has created a body of work that expands notions of beauty, gender, sexuality, and race, offering a complex vision of what it means to be a Black woman.
In Femmes Noires, Thomas moves breezily between pop culture and the long history of Western and African art, inserting images of Black women into iconic paintings. At times she poses them nude; at other times, she draws on elements as diverse as 1970s black-is-beautiful images of women, Edouard Mamet’s odalisque figures, the mise-en-scène studio portraiture of James Van Der Zee and Malick Sidibé, and her own collection of personal portraits and staged scenes. Her ability to detect and contain contradictions and to wrestle with stereotypes translates into powerful, self-possessed depictions of Black women that confront and subvert stereotypes.
Femmes Noires is a bold examination of Thomas’s work and her artistic practise at an important moment in history. It blends writing from iconic Black writers and essayists (Alice Walker, Chimamanda Ngozi Adichie, Edwidge Danticat, and Lorraine O’Grady) with 120 reproductions from Thomas’s oeuvre (collages, paintings, film stills, and photographs). Original essays by Andrea Andersson, visual arts curator of the Contemporary Art Center of New Orleans; Julie Crooks, curator at the Art Gallery of Ontario; and writer-art critic Antwaun Sargent complete the book.
Mickalene Thomas: Femmes Noires accompanies an international touring exhibition organized by the Art Gallery of Ontario and the Contemporary Art Centre in New Orleans..
Go deep into the L.A. underworld with the true story of one obsessive gangster’s unparalleled quest for privilege, power, and paydays
This biography of celebrity gangster Mickey Cohen digs past the sensational headlines to deliver a remarkable story of a man who captivated, corrupted, and terrorized Los Angeles for a generation.
When Bugsy Siegel was murdered, his henchman Mickey Cohen took over the criminal activity in Los Angeles. Mickey Cohen attained such power and dominance from the late 1940s until 1976 that he was a regular above-the-fold newspaper name, accumulating a remarkable count of more than 1,000 front-pages in Los Angeles papers alone, and was featured in hundreds of articles in national and international periodicals. His story and the history of mid-century L.A. are inextricably intertwined.
Mickey Cohen is a seductive, premium-octane blend of true crime and Hollywood that spins around a wildly eccentric mob boss. Author Tere Tereba delivers tales of high life, high drama, and highly placed politicians, among them RFK and Richard Nixon, as well as revelations about countless icons, including Shirley Temple, Lana Turner, Frank Sinatra, and the Reverend Billy Graham. Meticulously researched, this rich tapestry presents a complete look at the Los Angeles underworld.
Go deep into the L.A. underworld with the true story of one obsessive gangster’s unparalleled quest for privilege, power, and paydays
This biography of celebrity gangster Mickey Cohen digs past the sensational headlines to deliver a remarkable story of a man who captivated, corrupted, and terrorized Los Angeles for a generation.
When Bugsy Siegel was murdered, his henchman Mickey Cohen took over the criminal activity in Los Angeles. Mickey Cohen attained such power and dominance from the late 1940s until 1976 that he was a regular above-the-fold newspaper name, accumulating a remarkable count of more than 1,000 front-pages in Los Angeles papers alone, and was featured in hundreds of articles in national and international periodicals. His story and the history of mid-century L.A. are inextricably intertwined.
Mickey Cohen is a seductive, premium-octane blend of true crime and Hollywood that spins around a wildly eccentric mob boss. Author Tere Tereba delivers tales of high life, high drama, and highly placed politicians, among them RFK and Richard Nixon, as well as revelations about countless icons, including Shirley Temple, Lana Turner, Frank Sinatra, and the Reverend Billy Graham. Meticulously researched, this rich tapestry presents a complete look at the Los Angeles underworld.
Micro Miracle is the moving account of a first-time mother whose expectations of childbirth and parenting are dramatically altered when she gives birth sixteen weeks prematurely to Madeline. Weighing just over a pound, with eyes fused shut, and thin, fragile skin, Madeline could fit in a hand, but she’s too ill to be touched. Unflinchingly honest, Micro Miracle is a true story of a medical triumph.
As Jennifer Bowering Delisle was on her path through infertility towards motherhood, she was simultaneously losing her own mother to a rare degenerative neurological disease and an approaching medically-assisted death. The lyric essays in Micrographia explore how losses can collide and reverberate both within our own lives and in our relationships with the rest of the world. How much do we share of our stories, and how much do we understand of what others are experiencing? Ultimately, this is a book about connection; “micrographia” is both the term for the diminished handwriting caused by neurological disease, and the narrative fragments offered here.
Midday at the Super-Kamiokande is part existentialist cry, part close encounters of the other kind. Think Kierkegaard in a spacesuit, Kubrik in a Left Bank café.
Like the neutrino observatory of its title, Midday at the Super-Kamiokande seeks “glimpses of the obscure” to carve out meaning, alternately a resistance to rationalism and its champion. It aims to tear through abstraction with the concrete, either catastrophic – road accidents, nuclear explosions, floods, extinction, eviction, suicide – or quotidian, finding threads of love, empathy, and belief within the fray. These poems delight in aphorism, paradox, puns, and wit, each stanza a closure that moves tangentially to the next, each poem more bricolage than narrative, more shuffle than playlist. These are poems with no middle. These are poems of beginnings, and of ends.
We all know adults who are stranded in the amber of adolescence. Growing older but not necessarily growing up is the central theme of Middle-Aged Boys & Girls, featuring characters who, to varying degrees, are stuck in adolescent roles of rebel, outcast, enfant terrible and cool kid. All are linked by losses–of looks, of status, of job security, of health, of confidence–which forces them to life’s inevitable turning point. Given that we are living in an age where fifty is the new forty, and forty is the new thirty, and twenty is the new god-knows-what, these stories, with their sometimes painful, sometimes funny and always unflinching truths, resonate.
Midgic is a small community on the edge of New Brunswick’s Tantramar marshes, thought by historian William Francis Ganong to have been named for a Mi’kmaq descriptive for “a point of highland into a marsh.” In this new suite of poems, Douglas Lochhead displays the sure, grid-laying eye of the archeologist, mapping each small detail in his concise lyric shorthand. Like Lochhead’s High Marsh Road (1980) and Dykelands (1989), Midgic employs a method of repeated encounters with a specific place to reveal over time a rhythm and logic otherwise invisible in both the landscape and the visitant. Lochhead’s gift lies in his ability to amplify the truths of the greater world while speaking of a single place in whispers.
A traumatized young man steps away from his protective family and embarks on a transformative two-month stint as a tree planter in Northern Ontario. There he seeks comfort and healing in new friends, a mix-tape and letters to his dead brother.
Reading John Reibetanz, one is struck with the way language, closely attended to, kept oiled and sharp, can give experience back its bite. And conversely, how experience can be the whetstone for language, chastening its presumptions and requiring from it fresh exactitudes of music and insight. Whether the subject is a cord of wood, a painting, or the New York Times (deeply and dancingly read) John Reibetanz brings a nearly invisible craft into close attunement with the details of life, hearkening with words. Again and again the glass slipper fits the foot.
Winner, Hollis Summers Poetry Prize
Kwame Dawes is one of the premiere reggae poets of our time. A musician, actor, scholar, and writer with roots in Ghana, the Caribbean, and Canada, Dawes is one of those rare artists who can move from lyrics to poetry in a single beat. In this new collection of poetry suffused with raw sensuality and a reggae aesthetic, Dawes presents a collision of sounds, tensions, and rhythms. Drawing deeply on his experiences in Africa, the Caribbean, Canada, England, and the American South, Dawes seeds his poems with questions of inheritance and “hieroglyphs of belonging.”
His portrait of an old man on a tropical beach is shaded with memories of colder places. In the 11-page title poem, “a dialect of ire” unfolding like “the hung man dangling/from a live oak,” Dawes transforms the poetry of protest into a compassionate search for the “dusty graves” of his ancestors, insisting that his readers look beneath “affinities of skin, sin and suffering” to the roots of a brutal inheritance. In “Excursion to Port Royal,” he confronts the abject hunger of history.
Like Dawes’s earlier work, the poems in Midland treat the mysteries of displacement, loss, and belonging. Now, he has added to this mix the slavery upon which the American South was built and which continues to haunt it today. Midland is Dawes’s seventh poetry collection and the first to be published simultaneously in Canada and the US. Prior to publication, it was awarded the Hollis Summers Poetry Prize from Ohio University Press.
Hailing from a small Northern Ontario town, Walker Devereaux, age nineteen, is in Toronto to discover the truth behind the harrowing circumstances of his early life. At age three, he was found, he was found abandoned on a country road, terrified and clinging to a wire fence. Walker finds a job driving a cab and becomes romantically involved with the night dispatcher, Krista, who helps him track down the horrific secret behind his parents’ suicides. But in doing so, they comes within the deadly grasp of Bobby, a young man who has matured from early cruelty to a murderous pleasure.
The year is 1982 in Lawrence Osgood’s Midnight Sun and the isolated village of Poniktuk (population 156) exists by and for itself in the central Arctic, virtually undisturbed by intrusions of the outside world. Free of television, telephones, and other modern conveniences, the only real communications come to the village by the almost weekly mail delivered by the “sched,” the scheduled flight that originates in Inuvik and touches down at other villages on its way to Poniktuk.
The quiet little village becomes troubled when a white man steps off the sched and stirs up talks of land rights with Simon Umingmak, long-time chairman of the Poniktuk settlement council. Tensions rise as Simon and his 18-year-old nephew, Nate, square off on the delicate issue. When a white woman, the lone survivor of wilderness canoe trip, is rescued by the head of the Hunters’ Association and brought to Poniktuk, a teenage girl, fascinated by the stranger, nearly dead from hunger and exposure, starts a cult around her striped tuque.
Then, Aningan, the spirit of the moon, intervenes unexpectedly, a herd of caribou surrounds the village, and Sedna, the spirit under the sea, returns to the world where she left it. In one long bright night, spirits and humans collide with horrific consequences.
An intense portrait of Inuit life intertwined with the rich mystical folklore of the north, Midnight Sun is a powerful first novel by Lawrence Osgood. An original work of fiction by a writer steeped in the mystical culture of the north, Midnight Sun is one of the first works of Canadian fiction to examine and encompass the Arctic’s three crucial elements: the landscape, its people and their legends, an enthralling combination sure to thrill and captivate literary fiction and fantasy fans alike.
This provocative, inspirational, and heartbreaking collection of true-life tales from megachurch counseling centers, drug rehabs, and graveyard shifts on the crisis-response team explores the toughest and darkest times of people’s lives. J. M. Blaine—a semiagnostic, evangelical absurdist, existential Christian, and licensed psychotherapist—writes with deep concern for the depressed, the discouraged, and the disillusioned in this gritty, ragged memoir of his time spent guiding those through messy lives. The personal insights, parables, and often unbelievable stories offer a street-level vision of charity, as Blaine discovers that there are no easy answers for those struggling to find meaning, attain peace, and live in grace.
All her life, Joy’s been haunted by a man she’s never met — her visionary grandfather, the artist Lorenzo. At work on digging a New York subway tunnel, his pickaxe struck the remains of an ancient Dutch trading ship — and a vision lit up the underground, convincing him that he was blessed. As it turned out, his children did well in life, and almost a century later, his granddaughter Joy, a gifted linguist, married the Canadian descendant of the lost ship’s captain. Yet nonno’s story also led to the death of Joy’s cousin Leonora, her Aunt Elena’s only child. It was a tragedy that might have been prevented by Joy’s father, Eddie, a man who’s been bruised by life and who seldom speaks to his sister. Yet in the year 2000, he has no choice. Wealthy Aunt Elena and Uncle Carlo are coming from Rome to New York City to celebrate their fiftieth wedding anniversary. They’ve invited the family to dine at the sky-high tower restaurant above the tunnel where nonno Lorenzo saw his vision long ago. On the first day of summer, Elena and Eddie will face each other at last. Midsummer is a story of family ties and fortune, and of Minding peace as life nears its close, high above the historic place where nonno’s story began
Ben Allan, a Montreal literature teacher, finds himself fixated on an obscure mental illness called dromomania: a condition that causes men to abandon their daily routine and go wandering for days, even months. As he juggles strained relationships with his widowed father, his art-therapist wife and his television-addicted teenage son, it comes as no surprise that the idea of walking away from it all becomes so compelling.
Allan is certain he will never wander, but when an attractive young woman with connections to the art world suddenly enters his world, the temptation to stray becomes more than an idle fancy.
Written by award-winning author David Homel, Midway contains everything that readers look for to change their world: engaging characters, entertaining banter, fascinating psychology and a genuine love of life and its everyday comedy.