A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 3873–3888 of 9248 results
Hoping to erase her unhappy old life, Hazel jumps in her beat-up old car and speeds away. When she pulls up to the Evening and Morning Star Trailer Park, where nothing turns into even more of nothing, she decides it just might be the new life she’s looking for.
At the centre of this new life is King, a motorcycle-riding, hard-drinking, guitar-playing kind of guy. Hazel loves him to death. He spends his days fixing cars, while Hazel spends hers working at the town’s thrift shop. Evenings they spend with Spiney and Sissy, playing cards or drinking at Old Joe’s. It’s a clear kind of life, pure as water in the old quarry.
As Hazel settles into the trailer park, she begins to settle into her new life too. She covers the trailer’s yard with wildflowers. She makes new friends, like Egbert (Egg), who helps her create elaborate tableaux in the thrift-shop window. She may even learn how to cook.
But when King’s repeated brushes with the law bring him a spell in jail, things begin, slowly and surely, to unravel. Maybe Hazel hasn’t outrun herself after all, maybe year-round Christmas lights and thrift-shop glamour can’t outshine honesty, and maybe Hazel can’t make her world perfect by willing it so.
Fun and sad and true, King feels like a slumber party: just you and your best friend in sleeping bags whispering through the long night. And when you wake up in the morning, you’ll blink, shake your head, and for a second, just a second, the world will seem like a more magical place.
Jerry King tries to be as inept as possible in his role as a professor, but his inability to get anything done only makes him more appealing to his higher-ups.
Hartley Addison is probably the nicest guy in Port DEspere, Ontario. Everybody loves him, even when they disagree with him. He’s never officially run for mayor of his small lakeside town but he keeps getting elected anyway. The town has been a major environmental dumpsite for decades and most of his constituents prefer to look the other way and accept the government line: There is no problem. At home, his wife is slowly disappearing before his eyes, and the young reporter hes taken under his wing is out on the lake every night doing something downright mysterious. When the media circus comes to town chasing a runaway story about Boyd Banta, an escapee from the local poultry plant, Hart wants to believe that help has arrived at last. Will he finally get some much-needed national attention and possibly a little justice for his contrary citizenry, whether they want it or not? King of Hope brings Southern Ontario Gothic with an environmental twist, through the lens of a small town that’s been facing radical environmental uncertainty for generations.
Eve and Manny are engaged in post-civil war Israel. Eve studies at the Hebrew University for Jewish Renewal, an island of militant secularism in the religiously-run Shalem State, while Manny is an unemployed graduate student with a secret: he is falling in love with his religious roots and turning his back on modern moral relativism. As their wedding date approaches, Manny deserts Eve, then devastates her a second time with the revelation that he has pre-empted their wedding with a marriage to a new lifestyle. In the midst of this betrayal, Eve collides with a pre-soul who has had his out-of-this-world eyes on her all along. The collision leaves Eve with a choice: reconcile with Manny or else condemn a soul to never living.
Now, more than a decade later, the couple live with their three children off the Tel Aviv Coast on the manmade Yovel Islands. But Eve’s uncanny encounter has left a mark and she now has her own secret, one that may save her only son’s life, or else tear her family apart. King of the Class is a futuristic satire on the toxic brew of religion and politics in modern Israel, poking a playful finger at parental gold-digging and technological dependence.
New York City, 1928. Master-thief Mac must join an FBI sting operation against a cadre of corrupt bankers. Music, murder, and mayhem ensue – at the speakeasy where criminals scheme and on Wall Street where financiers conspire.
This trenchantly satirical play was first produced at the Stratford Festival in 2009, where director Jennifer Tarver described it as being loosely based on John Gay’s Beggar’s Opera (1728) which was later immortalized in the great Brecht-Weill composition The Threepenny Opera (1928). Readers familiar with these works will delight in Walker’s inspired pairing of Mac and Polly, Peachum and his missus, Jenny Diver, and a host of others within the corrupt world of Wall Street bankers immediately before the 1929 market crash. Readers meeting these characters for the first time will find much to enjoy in Walker’s ready wit and keen sense of story.
When the FBI blackmails Peachum into helping bring down a group of corrupt bankers, he partners with Mac, his son-in-law, to discover that the bankers are using their wealth to inflate the market, plotting to pull their assets just before the bubble bursts. They scheme to make new for- tunes by providing loans after everyone else goes bankrupt. If all of this sounds distressingly familiar, it should.
At its heart, King of Thieves, like both its predecessors, is an examination of criminal behaviour at all levels of society, and of the disturbing truth that everyone can fall prey to dishonesty and corruption. But the element of fun in Walker’s script makes us laugh and his sense of zaniness reflects the bafflement many of us feel when contemplating our own world: a place where men of dubious moral integrity still inhabit the corridors of power and are still not taken to task for their dishonourable – if not downright criminal – behaviour.
Cast of 11 men and 4 women.
Living in different worlds and separated by an ocean, a father and son try to stay connected through the power of imagination as their distanced lives pull them further apart.
Awale takes a job as a cab driver in Canada’s remote city of Yellowknife in order to provide for his family back home in Gaalkaycyo, Somalia. As his wife Warsan and young son Afrah struggle with his absence, Awale creates a world-building epic inspired by the wonders of his new Arctic home, in order to keep his son close to him. Afrah dives deep into this magical world of Jaÿrikas, and through his imagination, the myths, legends, and diversity of the north are brought to life in such powerful ways that when tragedy strikes and all the worlds start to collide, Afrah is left with only one choice: to become the King Warrior.
A story spanning the globe both imaginary and real, King Warrior celebrates the turbulent glory of boyhood while encouraging the reader to reconnect with that rich inner palace of youthful imagination that ultimately holds the key to our freedom.
In this thrilling sequel to The Nor’Wester, Duncan Scott returns to England from Canada to search for his long-lost sister, Libby. Arriving on the Liverpool docks, Duncan learns that his sister’s fate has captivated the entire country. He also learns a name: Elizabeth Fry, a prison reformer who helped Libby and who holds the key to her location. But before he can meet Fry and find his sister once and for all, Duncan is kidnapped by a Press Gang in a dockside inn. Forced to take the “King’s Shilling,” Duncan must serve in the Royal Navy where he once again becomes an unwilling player in the game of Empire. Now on board His Majesty’s Ship Cerberus, Duncan meets old friends and makes dangerous enemies. Before Duncan’s service ends, he will face deadly cannon fire on the Baltic, and will go on to fight an epic battle with Napoleon’s fleet in the Mediterranean Sea, a battle that could very well seal his own destiny, that of his sister Libby, and of the British Empire itself.
king’s(mère) is an imaginative and audacious interpretation of the life of William Lyon Mackenzie King, Canada’s 10th prime minister. In his debut collection, Nathan Dueck explores the realm where poetry and prose meet, through seances, letters, diary entries and faux bible scripture, all written by King. king’s(mère) does not offer us the William Lyon Mackenzie King of our school books, but a character “ashamed/to record it all.””Finally, a Canadian that’s bigger than life! Bigger even than Canada! Thank you, Mr. Dueck.”–Guy Maddin, filmmaker, The Saddest Music in the World, author of From the Atelier Tovar
Kingdom is a collection of poems that asks questions and argues with the answers. Although confessional, they do not repent. Both comedic and sombre, these poems search for the meaning found in everyday experiences. Whether describing an elephant’s death at the zoo or a sibling road trip, these wide-ranging and visceral poems explore identity, love, family bonds, and our primal link with the natural world.
“Mad Men beguiles like a Christmas catalog of all the forbidden vices … a sleek, hard-boiled drama with a soft, satirical core.” —New York Times
“If this is the future of TV, the future’s looking good.” — USA Today
Not since a certain mob boss battled anxiety attacks has a series tapped into the zeitgeist with such speed. And yet, this sophisticated show about 1960s Madison Avenue advertising house Sterling Cooper has surpassed even The Sopranos in cultural resonance. From critical reviews that swoon over the elegant storytelling to fashion designs that pay homage to the sleek sensibility, everyone is talking about Mad Men.
Fans of creator Matthew Weiner’s show enjoy not only the high-calibre storytelling but the ironic view of recent history. As such, they thirst for a companion volume that will deepen their understanding and appreciation of the show. Kings of Madison Avenue provides detailed episode guides of the first two seasons, cast biographies, and rich sidebar content (how to party like the Mad Men and a travel itinerary for the perfect Mad Men Manhattan weekend).
But because the fans of this show are also connoisseurs of history, this book offers further historical context not often available in companion guides, such as influences of the show (Sex & the Single Girl author Helen Gurley Brown, Revolutionary Road‘s Richard Yates, Billy Wilder’s The Apartment), or historical touchstones intertwined in the storylines (the landmark “Think Small” Volkswagen Beetle campaign, the Nixon/Kennedy presidential campaign, the creation of Lucky Strike’s “It’s toasted” slogan).
A series that not only sketches the cultural landscape with skill but has also taken a place in that very landscape requires a guide that reflects the breadth and depth of this effect. Kings of Madison Avenue: The Unofficial Guide to Mad Men is just that book.
In his second book of poems, David Martin digs deep into an examination of the world using the lens of geology. With lyrically experimental poems expanding and retracting, this collection finds sonic and conceptual energy from the perspective of deep time and the geological forces that have shaped and continue to shape the Earth. Enacting seismic shifts, catastrophes, and erosions throughout the natural and cultural worlds, Martin’s poetic practice pushes forward to contend with the contemporary environmental changes and the structure of the Anthropocene that affect how we live in the twenty-first century. The collection veers from the Rocky Mountains and explorations of “fossilized” towns to family histories and myth-soaked theories, all while seeking a balance between disruptive poetic techniques and the centred lyrical voice.
Interviews, criticism, photographs, Maddin’s own memoires and more make up this first comprehensive exploration of the life and work of Guy Maddin, who is the youngest filmmaker to have won the Telluride Lifetime Achievement Award, which places him in the company of the giants of modern directing.
Kipling
Consumed by fantasies of opulent fabrics and women’s high fashion, a young man desperately tries to restore his mother’s tarnished reputation. Channeling Yves Saint Laurent, his idol and muse, Hugo sets out to right the widespread rumours about his mother, Béatrice, by designing the perfect outfit for her court appearance. Through the story of Hugo and his mother, Michel Marc Bouchard explores the root of artistic creation and explores whether art can be a source of consolation.