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?Golfers wanting to know the colourful stories behind names like Alcatraz, Biarritz, Cleopatra, Dell, Eden, Postage Stamp, and Redan can now turn to the only book ever devoted exclusively to the par-three hole. In Golf’s Finest Par Threes Tony Roberts and Michael Bartlett have assembled what they call a “an exemplary collection of the most spectacular, historic, challenging, and unusual one-shot holes on the planet.”
The heart of the book is the authors’ list of the 100 greatest par threes in the world, chosen from thousands they’ve seen during more than 30 years profiling and photographing golf courses. These are designated as gold and silver, and arranged by design and geographical categories such as links, island and peninsula, blind, drop shot, and more. Striking photography and fact-filled profiles combine to reveal the distinct character of each hole.
Golf’s Finest Par Threes also explains how the greatest course designers — notably, Macdonald, Colt, Tillinghast, MacKenzie, Ross, Thomas, Jones, Fazio, Nicklaus, Dye, and Doak — have created par threes. A closing section offers new perspectives on the one-shot hole: “Best Sets” and “Out-of-the-Box” threes, historic shots on par threes, and more.
Golf’s Finest Par Threes is a beautifully packaged tour of golf’s great short holes, one guaranteed to inform, entertain, and provoke vigorous debate about what makes a par three superior and memorable.
Gone But Not Forgotten:Tales of the Disappearing Grain Elevators is a treasure trove of stories that reach beyond the buildings of timber and nails and put a human face on the history of these towering structures that once represented prosperity and stability on the Prairie landscape. Through a series of biographical sketches and photographs, this book portrays a vivid picture of life in and around Prairie grain elevators over the past century.
Theft, extortion, embezzlement, mafia ties, drunk driving and even murder — these are the true stories of priests gone bad.
It’s a dark and windy Easter in Toledo, Ohio when Sister Margaret is found murdered in the chapel, the victim of a Satanic ritual. Twenty years later her murderer is revealed to be the parish priest Father Gerald. Monsignor Skehan and Father Guinan embezzled 8.1 million dollars from their affluent Palm Beach, Florida, church, Guinan fleeing to Ireland and leaving Skehan to face the music. Father Fink of Texas crashed his car into a restaurant while driving drunk, injuring ten people. The civil lawsuits that ensued featured innovative — and shady — defense tactics.
Radic dramatically retells these stories and many others, drawing on his personal trials as a pastor convicted of embezzlement, forgery, and fraud.
In Gone to Pieces an entire family’s lives are consumed by a single story: a tall tale about a forest fire and the horses who fled into a lake of ice to escape the flames. Everything they do, everything they watch, and everything they speak about revolves around the story of that fire and those horses, and their father’s deep belief that it is real.
Curzi grew up feeling both resentful and beholden to her father’s story. Something that causes her to flee her family when she is young, but also, upon learning that her father is on his deathbed, makes her determined to wade through the tale just as he would have wanted.
But Gone to Pieces is a story about more than just this one thing: it’s about the habits we form, the complexities of family, and the complicated histories that we escape and revisit. The story spans decades and continents, from Curzi’s father’s birthplace in Italy to the butcher-shop-filled Chicago of her childhood, on to her estranged brother’s home in Stockholm and the Russian Lake Lagoda with its fabled story of the “ice horses” from Italian writer Curzio Malaparte’s 1944 novel, Kaputt .
Gone to Pieces is a poetically told tale about the pain of the past and what it takes to move on from it.
Unlike some other dogs at the dog park, Timmy’s family never have to worry about him misbehaving. But Timmy is also the relative of wild wolves, the cousin of cunning coyotes, and the descendant of daring dingoes. In his dreams, Timmy wonders: What if he wants to chew up a sweater or sneak into the cereal cupboard? What if Timmy wants to be a Bad Boy instead?
Timmy leaps into life with Eugenie Fernandes’ playful and expressive illustrations and Eric Walters’ rhythmic and quirky storytelling. In exploring Timmy’s world — from rambunctious walks at the dog park to quiet days at home when his family is away — readers will relate to his dreams of acting out and making a mess, but come to understand, at the end of the day, that it’s good to be good.
Walter Ostrom has been described as an “innovative traditionalist,” a disruptive force shaking up ceramic conventions while simultaneously enriching them. Hired to teach studio and Asian art history at Nova Scotia College of Art and Design in 1969, Ostrom was one of many American artists who moved north to Canada in the fallout from the Vietnam War.
Ostrom’s work, from his embrace of conceptual art in the 1970s to his current exploration of the vast history, hybridization, and social foundation of ceramics, marks him as a major force in the development of contemporary ceramics. As Ray Cronin writes, Ostrom’s works “declare themselves to be art and craft at once, tradition and innovation merged, beauty and function reconciled, thought and action combined. What more could one ask from any work of art?”
Accompanying a major retrospective exhibition at the Art Gallery of Nova Scotia opening in May 2020, Good Earth features essays by leading scholars and curators along with full-colour reproductions of over fifty examples of Ostrom’s works.
Welcome to Anne Bradstreet College, an all-girls prep school in Boston, where a high SAT score is the ultimate status symbol, followed closely by a string of Tiffany pearls. At ABC, as the school is affectionately known, high school isn’t just about shoes, boys and weekend getaways; it’s about becoming more accomplished than Joan of Arc. Good Girls follows the various personalities of the ABC Debate Team, a collection of high-achieving young women who never break curfew, always do their homework, and all have plans of attending Ivy League colleges. Perhaps the most over-achieving of all her friends is Allie Denning, a tenth grader who is the youngest captain of the ABC Debate Team in the school’s long history. Little does Allie know, her tidy life is about to change. Enter the 15 year-old Octavia Irving, a wild party girl from Montreal, and daughter to now-estranged trust fund-baby parents, Sophie and Mordecai. Allie is a consummate rule-follower, while Octavia loves to break any rule she can for the sake of it. By getting to know each other, both girls influence and change one another. Ultimately, Good Girls is a feminist coming-of-age story about two very different young women. Each girl must decide whether to embrace the life she’s been living, or rebel against her current reality.
Good Girls is the first book in a planned series of witty, daring and feminist-first YA novels that will follow Allie and Octavia throughout their time as students at ABC.
A personal meditation on the wild world that is sexuality now. “‘I want you to tell me why you wrote this story,’ my mother said. I had once again written an article about sex. ‘I made it all up, none of it is true,’ I said. Her voice over the phone line, sounding tense, confrontational — and worried — had made me feel instantly ashamed.”
So begins Good Girls Do, a personal meditation on the wild world that is sexuality now. From transgendered women living as men, S/M dominatrixes, bathhouses, and the explosion of amateur pornography, Simona Chiose investigates a world in which old notions of morality have become irrelevant and we are making up our own rules. No more sneaking around with the Playboy or the Penthouse, the Anaïs Nin, the pictures of Betty Page. Sex is for sale everywhere, openly, profitably. It’s a wonder our mothers can still shame us. Funny, honest and fearless, Good Girls Do blends observations on our sex-saturated culture with personal experiences and profiles of the pioneers who are dragging us — some kicking and screaming — into this brave new world. A whiff of sex that will make both the shameless and the modest sit up, Good Girls Do documents a future where everyone is a sexual outlaw and everyone is in love.
As Paul Wakefield paddles his kayak across Mouat Channel off Vancouver Island, he hears the engine of a yacht cutting through the fog toward him. In an instant, the cruiser swamps Paul and the young girl beside him, then disappears into the fog, never to be seen again. Dumped into the winter ocean, the terrified girl thrashes in the ice-cold water, submerging Paul in her frenzy to survive. In a desperate attempt to save them both, Paul makes a fateful decision.
Good Morning Comrades
Canadian literary legend George Bowering lays bare his process as reader and lover of poetry in this curated collection of poems to be read in the morning.
In a series of deeply astute and conversational essays, two-time Governor General’s Award winner and inaugural Parlimentary Poet Laureate of Canada George Bowering travels through five hundred years, give or take, of English-language literature, adding historical, political, feminist, socio-economic, anecdotal, and literary context to each poem and poet. His selection of poems ranges from the best known to the barely known, each piece treated with depth and reverence, while demonstrating his razor-sharp wit and skill as writer, critic, and reader.
Recalling the work of George Saunders and Sina Queyras, in their interactions with established literature, George’s insight in the poetic mind is invaluable, making this is must-read collection for anyone interested in reading or writing poetry.
Wheatley reflects on her experience with the Canadian Women’s Army Corps — exploring her own coming-of-age and offering an historical testament to the Canadian women who joined the Corps in World War II. Rich with sentiment, Wheatley’s poems are never sentimental, but enlivened by honesty and wit.
My mind is threadbare
on your subject, Lesbia, ruined
by our ignoble encounters,
the power of your devotion.
I can’t wish you a good day,
though you are good,
and if you were not so,
I’d still want you.
In Goodbye Horses, Nathaniel G. Moore reanimates the lion’s share of Catullus’ surviving poems in an absorbing homage to the beloved romantic, his world, the friends he loved, his style (elegy, anaphora, hyperbaton), the myths he riffed on (Attis, Laodamia and Protesilaus), the writers he admired (Sappho, Cicero) and the family he left behind.
Goodbye, Guns N’ Roses transports the reader into a mind-altering trip through the colors, scandals, nihilism, and mythology that make Guns N’ Roses so much more than another “hair metal” band.
A valentine and a breakup letter to one of rock’s most controversial bands.
Goodbye, Guns N’ Roses is a genre-rattling attempt to explain the appeal of America’s most divisive rock band. While it includes uncharted history and the self-lacerating connoisseurship of a Guns N’ Roses fetishist, it is not a recycled chronicle — this book is a deconstruction of myth, one that blends high and low art sketches to examine how Guns N’ Roses impacted popular culture. Unlike those who have penned other treatments of what might be considered a clichéd subject, Art Tavana is not writing as a GNR patriot or former employee. His book aims to provide an untethered exploration that machetes through the jungle of propaganda camouflaging GNR’s explosive appeal.
After circling the band’s three-decade plundering of American culture, Goodbye, Guns N’ Roses uncovers a postmodern portrait that persuades its viewer to think differently about their symbolic importance. This is not a rock bio but a biography of taste that treats a former “hair metal” band like a decomposing masterpiece. This is the first Guns N’ Roses book written for everyone; from the Sunset Strip to a hyper-digital generation’s connection to “Woke Axl,” it is a pop investigation that dodges no bullets.