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Go Figure is the hauntingly beautiful tale of a Montreal couple alienated from each other after suffering the miscarriage of twin girls. Mammy, the wife of Rémi Vavasseur, has gone away. Not because she no longer loves him but because she no longer loves herself. She is criss-crossing Europe and Africa in the company of the dangerous and blonde Raïa, Rémi’s former mistress. Meanwhile, Rémi remodels a ramshackle house in rural Quebec, designed for Mammy, if she ever comes back, “in flesh and bed.” The novel is the journal that he keeps during their parallel journeys.
Ducharme’s writing, which has contributed to the recasting of the literary canon of Quebec, is full of echoes, juxtapositions and double meanings. With the likes of Marie-Claire Blais, Jacques Godbout and Michel Tremblay, Réjean Ducharme is one of the select québécois fiction writers who have contributed to the transformation of québécois letters since the Quiet Revolution of the 1960s.
In 2022, during a period of creative and emotional crisis, Marianne Apostolides stumbled on a scientific article that would profoundly change her understanding of the human mind. Ten months later, she was interviewing the article’s lead author and embarking on a complex and revelatory journey to unravel current approaches to mental health.
Go/No-Go documents Apostolides’s quest to decipher the research underlying new treatments for mental disorders—and to understand how that research is reshaping our fundamental sense of ourselves. She talks with leading neuroscientists, gathering information about their studies, their methods, and the resulting treatments that are in the pipeline, soon to be offered to people. All the while, she reflects on her own experiences, making the science more immediate, understandable, and relevant.
With writing that’s propulsive yet tethered to hard data, Apostolides prompts us to look at how contemporary neuroscience is redefining who we are, and why we struggle. Through vital questions posed in the book, readers come to see the flaws and failures of the current approach to mental health—while also learning how society can change course to better support people in their own journey.
Combining scientific investigation with humour, empathy, and artistic curiosity, Go/No-Go is a groundbreaking addition to an urgent dialogue about mental health.
“Sure to score big with soccer fans, especially girls who play the sport themselves.”- Julie Chychota, CM MagazineSoccer is the most popular sport for more than 350,000 Canadian girls, and their heroines and role models are the talented players profiled in Goals and Dreams: A Celebration of Canadian Women’s Soccer. Goals and Dreams is a detailed, in-depth look at how a diverse group of soccer-crazed Canadians developed into one of the world’s best teams. Through unique access to the players’ world–both on- and off-field–the authors reveal the passion and commitment these players have for the game and how they balance school, work and training. It follows their journey from the Edmonton Under-19 Women’s World Championships– where 50,000 fans plus a huge TV audience cheered them on–to the Women’s World Cup–where they beat Argentina, Japan and China to capture fourth place–and concludes with the Under-19 World Championships held in Thailand in November 2004. It features interviews with world-class stars like Charmaine Hooper and Christine Sinclair as well as up-and-coming teenagers like Brittany Timko, Kara Lang and Aysha Jamani. It also contains a brief history of women’s soccer in Canada, as well as information on national team selection, chances for a professional career and training routines. Goals and Dreams includes an introduction by stellar midfielder Andrea Neil, who helped the Canadian Women’s soccer team to their fourth-place finish in the recent World Cup and is their longest-serving midfielder. She recently played in her one-hundredth match for Canada.
While panhandling outside a coffee shop, Johnny, a Cree woman who lives on the streets, is shocked to recognize a face from her childhood, which was spent in a First Nations residential school. Desperate to hear the man acknowledge the terrible abuse he inflicted on her and other children at the school, Johnny follows Anglican bishop George King to his office to confront him. Inside King’s office, Johnny’s memories are fluid, shifting, and her voice cracks with raw emotion. Is the bishop actually guilty of what she claims, or has her ability to recollect been altered by poverty, abuse, and starvation experienced on the streets? Can her memories be trusted? Who is responsible for what? At its core, God and the Indian, by celebrated Aboriginal playwright Drew Hayden Taylor, explores the complex process of healing through dialogue. Loosely based on Death and the Maiden by Chilean playwright Ariel Dorfman, the play identifies the ambiguities that frame past traumatic events. Against the backdrop of Canada’s Truth and Reconciliation Commission, which has facilitated the recent outpouring of stories from First Nations residential school survivors across the country, the play explores what is possible when the abused meets the abuser and is given a free forum for expression.
Cast of 1 woman and 1 man.
A tenth-anniversary edition of Vivek Shraya’s first book: a YA story collection that celebrates racial, gender, and religious diversity.
In 2010, Vivek Shraya self-published God Loves Hair, her first book; since then, Vivek has published six more titles, including a novel, poetry collection, graphic novel, and children’s picture book, while also working as an artist, musician, and academic.
God Loves Hair is a collection of short stories that follows a tender, intelligent, and curious child who navigates the complex realms of gender creativity, queerness, brownness, religion, and belonging. This tenth-anniversary edition, published in hardcover for the first time, includes a foreword by award-winning YA writer Cherie Dimaline (The Marrow Thieves), as well as a new preface, story, and illustrations.
Told with the poignant insight and honesty that only the voice of a young narrator can convey, God Loves Hair is a moving and ultimately joyous portrait of the resiliency of youth.
Written in the near absence of creative works by Ukrainian Canadians of her generation, God of Missed Connections is a breakthrough collection by one of Canada’s leading young poets. This book is profound, devastating, and draws on Ukraine’s brave and bloody history as a means to explore the author’s place in the contemporary world.”This book explores a century of cultural assimilation in the West, an experience that is not unique to a Ukrainian-Canadian sensibility. In this book, I wanted to capture the sense of what it feels like to not know where you’re from, to be looking for connections, and to come up with ghosts. God of Missed Connections is just the way I’ve gone about sifting through my own cultural detritus. What makes it through time, what doesn’t? That’s what interests me.”–Elizabeth Bachinsky
Diane Tucker writes from experience and “the sustaining power of memory” in this first collection of poems. She writes of falling in love with the wrong person: “For you I ride without a seat belt, willing to be thrown clear at first impact”; her daughter at four months, whose fingertips “are globes of amber salmon roe/ cool smooth/ and salty”; and growing up as an adopted child: “mystery breathes on my bare shoulders/ whispers between my spread-eagled arms:/ you could be anyone in the whole wide world.” Tucker treats her subjects with respect, compassion and a subtle playfulness. Her love of language, humour and poetic consciousness transforms images from everyday life into lyrical, intimate and original works of art, offering the reader fresh insights – with just a touch of magic.
Don Gutteridge approaches his home town of Point Edward, Ontario, with an array of listening and recording devices, mixing poetry, documentary newspaper collage, interviews and photography. A milestone in the documentary poem.
“A unique and intriguing book.” — Quill & Quire
God’s Zoo captures the brutality of the Second World War in Eastern Europe, told through the eyes of young Fenix, a boy who lives in the small Hungarian-Czechoslovak city of Ipolyság. Fenix lives in a loveless world, abused by his cold, materialistic mother, and neglected by his often absent father. He seeks refuge in the care of Judit, a young woman who works as a nanny and servant in the family home. Judit and Fenix form a deep and complex bond that is at once familial and erotic, embodying friendship, kinship, motherhood, romantic love, and sexuality. Together, they bear witness to the city’s successive occupation first by troops from Hungary, followed by the German army, and, finally, the Russians. As the devastating events of the war unfold around them, their love perseveres and grows stronger–until its surprising end.
The trillionaires were powerful enough to reshape the world, but it wasn’t enough. Now they want more . . .
In a world where trillionaires assisted by powerful AIs call themselves gods, a world where miracles are engineered and secret technology is wired into the very air, James Kessler and Maree Shell stumble upon a conspiracy that defies possibility: the new gods’ plan to encode their consciousness into the world and seize control of reality itself, to literally become the gods they have so far only pretended to be.
From the world’s gleaming new AI-crafted cities to the crumbling ruins of the old ones, the two unlikely allies, one a childhood survivor of the Bad Times and the other a privileged daughter of wealth, must run a gauntlet of hostile AIs, vengeful modern-day gods, and mysterious ancient deities, desperately trying to disrupt the plans of the most powerful people who have ever lived. Nothing less than the fate of free will itself hangs in the balance.
A mind-bending cyberpunk thriller of rebellion and redemption, Gods of a New World is a visceral dive into the soul of a world on the brink.
It’s a parents’ nightmare: Mr. And Mrs. Ichinose disapprove of their daughter Yayoi’s fiance. The problem is, he’s more than a little bit unsuitablehe’s Godzilla! The chaos that results from the lovers’ announcement to marry is hard on the Ichinose family and their car and their entire town. With Grandmother Ichinose to provide historical context, and Mothra as wedding emcee, is it possible that Yayoi and the Big Guy will find happiness? This new translation of Yasuhiko Ohashi’s smash-hit comedy is a treat for fans of Godzilla and anyone who has ever been in love.
Graham Goods second translation with Ronsdale; introduction on Goethes life and poetry.
Goethe’s poetry has delighted readers around the world for over two centuries, but for English readers there was clearly a need for a new contemporary translation. In an age which prizes both individual self-development and cultural diversity, one looks to Goethe (1749-1832) as the first writer to show how these two values could be combined. Goethe was a global thinker, learning from the lyric poetry of countries such as Persia and China, and coining the
term “world literature” (Weltliteratur). His poetry encompasses a wide variety of themes, from love and creativity to nature and religion. For Goethe, life is a process with no final answers: “All meaning is only asking.” This selection of Goethe’s poetry aims to represent its formal and thematic variety in verse translations which follow the formal patterns as far as possible, while rendering the sense in an idiom accessible to readers of modern poetry in English.
The spirit of the departed — source, origin, heritage, history — is the essence of this book, rich with the tang of Newfoundland speech.
Agnes Walsh’s first book, In the Old Country of My Heart, is one of the most read and best loved books of poetry to come out of Newfoundland. Going Around with Bachelors and Other Poems continues and extends Walsh’s distinctive subject matter: the past in the present, Ireland and Portugal in Newfoundland, weather internal and external, the Cape Shore. Here are poems of place and of people in place, of family both immediate and extended, with heritage deep and rich. They are also absolutely contemporary poems by a poet, gifted with a remarkably flexible and distinctive voice, who is planted, in her own words, “straight up and down into what’s new.” Included with the book is a CD of readings by Agnes Walsh.
Written by a Mohawk Institute Residential School survivor, this is a fierce and candid story that reveals the heartbreaking trauma of that tragic time in our history. The author portrays how the ongoing impact of the residential schools confinements has affected Indigenous communities over several generations and has contributed to many social problems that continue to exist today. By exploring that devastating history, the author finds and celebrates the resilient and hopeful spirit that many residential school survivors, like herself, have managed to retain in the face of horror and torment.