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Jamey Popilowski dreams of becoming a rock star and Lilah Cellini dreams of Jamey. Together the young couple leave their childhood home of Terrabain Street and hit the open asphalt, kicking up a musical storm along the way. Entering their raw mix of carelessness and longing is Zeke, destiny in black leather. Zeke is the soundman, producer, preacher, but is he angel or devil? Lilah can’t make up her mind; however, one thing is certain, he changes all their lives forever. While Jamey embraces the musician’s lifestyle, along with its excesses, Lilah is confronted by choices that will ultimately lead her to her own goals.
A Raw Mix of Carelessness and Longing follows the intertwined lives of friends and idols and articulates the fine balance between the love of making and performing music and the temptations that hide in the shadows.
Deluxe redesign of the Gerald Lampert Award-winning classic.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A Really Good Brown Girl features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one’s self and one’s Métis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature.
I am looking at a school picture, grade five, I am smiling easily … I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well. –from “Memoirs of a Really Good Brown Girl”
“No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it.” –Lee Maracle, from the Introduction
Canada’s first poet laureate George Bowering is one of the best known writers and literary personalities in the nation. Poet, novelist, essayist, historian, critic and teacher, he is a prolific, irrepressible writer whose works have been published and produced in an extraordinary variety of forms. A Record of Writing traces the development of Bowering’s consciousness as a writer through four decades of work—from his early days with the Oliver Chronicle and The Ubyssey, to his involvement in the avant-garde writing community of the 1960s and 1970s, to his life as a mature writer, confident in a wide range of literary genres and activities.
Dr. Roy Miki’s unique bibliographic method proposes that the writing cannot be separated from the writer: throughout the book there are illustrations, photographs, annotations, choice excerpts from Bowering’s works, and passages from his lively correspondence, all of which illuminate and enrich the tremendously detailed bibliography.
What does it mean to make a home inside a story? Stories are safe, comfortable, familiar. Fairytales and myths, these stories we all know and grew up with are even more so.
A Refuge of Tales takes everyday tropes and asks: safe for who? This is a collection of poems for anyone who has ever felt outside of the myth.
With language both sharp and lyrical, Lynne Sargent weaves a treatise on the power of stories, and how those who have been left behind can take up that power and use it to build a new, better world.
Report on the Afterlife of Culture, A
By turns tender and rough-hewn, and always structurally inventive, the poems in Wendy McGrath’s new collection show a writer reaching the height of her creative powers.
Whether evoking the vulgar give-and-take of a men’s poker night, fleeting moments of connection between mothers and sons, afternoons spent in overgrown backyard gardens, or wondrous childhood trips to the drive-in, McGrath’s feel for the bygone details of working-class life is uncanny. The book’s highlight is the playful poetic sequence that gives the book its title, the product of a more-than-decade-long improvisational collaboration with printmaker Walter Jule, a series of not-quite-mirror poems whose meanings reflect on each other in kaleidoscopic ways.
A Rogue’s Decameron consists of ten stories – tales – that loosely follow the fabliaux style and are based within the spirit of Chaucer’s The Canterbury Tales and Boccaccio’s The Decameron: extravagance, joy and ribald humour around sex, lust, vice, death and other ?hungers’ of human beings. Using similar framing technique as these works – a prologue, a short description of each story and an epilogue, the stories explore themes such as social commentary and satire aimed at personal politics, societal mores and customs, hierarchies, and religious beliefs. All with Toronto as a backdrop and brought up to date for the sensibilities of a 21st century audience.
World-renowned cartoonist Seth returns with three new ghost stories for 2023.
Reverend Nigel arrives at Tilchington Rectory expecting a comfortable living in the beautiful countryside. But when he stubbornly opens a locked chamber, it isn’t long before he is plagued with disturbingly devilish visions.
‘A Room in the City’ is a self-revelatory journey into a world of darkness and light, a place of blatant lies and transcendent truths. Photographer Gabor Gasztonyi presents a Vancouver with deep roots in an otherwise forgotten past, and an East End populated by people seeking shelter, safety, and love in extreme social conditions. ‘A Room in the City’ presents Gasztonyi’s five-year project of photogrpahing the residents of the Cobalt, Balmoral, Regent, and Sunrise Hotels in Vancouver’sDowntown Eastside, the poorest postal code in the country. They are represented in private moments, with respect and dignity-in their rooms and on the streets-as they wish to be seen. Gasztonyi’s style continues in the great documentation tradition of Czech photographer Zdenek Tmej and Jousef Koudelka, the photographer of the Roma.
” ‘A Room in the City’ is a haunting collection of photographs by Gabor Gasztonyi. … There’s more here than prostitution and crack pipes, although they’re in evidence. Whether confronting the lens or averting their gaze, the subjects expose their vulnerability but also their attachment to another human being or a cosseted pet. In the book’s foreword, addiction expert Gabor Maté notes that for many of these people, mental illness or substance abuse is a response to trauma. Their entire life,’ he adds, has been one of survival against odds.’ We’re left wondering how people have to live this way in Canada.” -Uptown Magazine
“Gabor Gasztonyi spent five years photographing and talking to the men and women of Vancouver’s Downtown Eastside, and ‘A Room in the City’ is the mesmerizing result. The black-and-white images, and Gasztonyi’s diary entries, forcefully and unforgettably capture the desperation-and the unexpected glints of dignity and joy-of lives ravaged by poverty, drugs, mental illness and social dislocation.” -The National Post
Finalsit , George Ryga Award for Social Awareness In Literature
<p>Nineteen-year-old Lily knows she doesn’t belong at a dead-end job in her father’s small-town Alberta furniture store, not when she’s been offered a job in the ancient forests of Haida Gwaii. But her search for a sense of place becomes more complicated when a band of tree planters she meets on the road question her assumptions about whose land she is moving towards. Once at the logging camp, the rugged work and her rough co-workers make her even more uncertain about where she fits in.</p><br><p>While measuring trees, Lily sees a mysterious figure who disappeared into the forest years before. Is he a man or a myth? Everyone has a different opinion. With a logging protest looming, Lily’s coworker and sometimes-friend, Chaz—a young half-Haida man whose white father owns the logging camp—ditches his job thanks to his uncle’s influence. As she meets more locals and learns about the community, Lily discovers surprising secrets about her estranged mother’s time in the area—and that her connection to this place may not be what she thought. Do the rumours Lily keeps hearing about a mysterious hermit have anything to do with her? As more and more questions rise to the surface, Lily plunges deeper into the forest to find out.</p><br><p>Former Haida Gwaii reporter and freelance writer Heather Ramsay makes her fiction debut with a startling coming-of-age novel about challenging old beliefs and finding one’s place in the world.</p>
A new edition of the acclaimed debut story collection by two-time Lambda Literary Award winner Casey Plett.
By the author of Little Fish and A Dream of a Woman:eleven unique short stories featuring young trans women stumbling through loss, sex, harassment, and love in settings ranging from a rural Mennonite town to a hipster gay bar in Brooklyn. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.
A Safe Girl to Love, winner of the Lambda Literary Award for transgender fiction, was first published in 2014. Now back in print after a long absence, this new edition includes an afterword by the author.
A Schizo-Philosopher’s Colouring Book is a playful experiment in what the philosopher Gilles Deleuze might call ?crowned anarchy.? The crown of authority is worn by the format ?colouring book,? in a style that repeats with difference. Anarchy enters via a swarm of figures from philosophical, literary, theological, and art history, each with a quotation. These distribute themselves over fifty-two drawings, producing little machines that are desirous of colour and driven by paradox, whose ?organization of surface … assures the resonance between two series.?