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One of the most controversial and uncompromising Canadian plays in recent memory, C. E. GatchalianÕs Falling In Time is an epic exploration of armed conflict, masculinity, sexuality, love, and forgiveness.ÊSet in Vancouver in 1994, the year of the death of North Korean leader Kim Il-Sung, the play criss-crosses two hemispheres and spans more than forty years. Through all this, four distinctly different lives intertwine. Steve is an aging, outrageous, bisexual Korean War vet who embodies the sadistic tendencies of Western imperialism that polite society has too often tried to sweep from view. Jamie is an aloof, repressed ESL teacher haunted by a troubled childhood. Chang Hyun is a young Korean student brimming with anti-Western sentiment and still reeling from a traumatic experience in the military. In the middle of it all is Eun Ha, a woman who lives through the Korean War and, against all odds, finds the will to survive.ÊA brutally honest depiction of war, rape, racism and animal sexuality, Falling In Time asks the question ÒHow do we let go?Ó
This book is what happens when one person becomes completely enamoured of the landscape in the city where he livesespecially if this person, like John Terpstra, engages the world with the imagination and curiosity of a poet. Terpstra’s investigations centre around the Iroquois Bar, a giant glacial sandbar which lies beneath one of Hamilton’s busiest transportation corridors. Combining history and geology with gumshoe work and poetic intuition, Terpstra puzzles out just how much the physical and social geography of the area has changed since the sandbar was formed. This close study is nested inside a broader consideration of modern society’s constant and often ill-considered alteration of landscape. Terpstra’s acute focus on his neighbourhood offers insights of global value in a book that is both provocative and entertaining.
Listed as one of the Hamilton Spectator’s “Best books of the year” in 2002 for its appeal to “aficionados of history, geography, geology, poetic language, fine prose and the landscape around us.”
One starry night the body of young man, still strapped into his airplane seat, falls from the sky into the yard of Harold and ElsieÕs chicken farm. As the night unfolds, their mysterious guest effects a profound transformation in his hosts.ÊFalling: A Wake is a haunting and surprisingly funny play about love, loss, and the redemptive power of letting go.
False Friends is the first full-length poetry collection from Stephen Cain in more than ten years. In it, he takes inspiration from the linguistic term “false friends”–two words from different languages that appear to be related, but have fundamentally different meanings. In this book are poems both humourous and unforgiving that Cain uses to explore errors, misapprehensions, and mistranslations and offer insights into the “secret operations” hiding within everyday language.
These poems spin punk with pastoral, comic book with lyric, the misunderstood with the obvious. And at its core, False Friends is a thought-provoking investigation of the power of poetry as political dicourse.
“[U]ndeniably fruitious and wild.”- Kemeny Babineau, The Danforth ReviewFalse Maps for Other Creatures expands the taxonomy of insects, mushrooms and trees to inventive meditations on life and language. A fascinating and multi-layered journey across the geography of the imagination, False Maps for Other Creatures is the perfect book for those of us with no interest in the obvious.
False Starts presents a series of determining moments between two people stuck reliving the same moment over and over, but in unexpected ways and in different genres (from diary to dramatic dialogue, film script to sound installation). Their interdependence and fundamental inability to say how they feel for one another over twenty years – in spite of their eloquence, in spite of their creativity – constitutes the background of the ongoing spectacle of their relationship.
Made up of a series of short pieces originally published in French as Dialogues fantasques pour causeurs éperdus, this translation by the author and Alexandre St-Laurent with Katia Grubisic, also offers previously unpublished texts. Originally staged for the stage, screen, and elevator at Montreal’s matralab.
On June 17, 1958, Vancouver’s Second Narrows Bridge collapsed while under construction, Eighteen men plunged to their deaths. On the cusp of the 50th anniversary of the disaster, critically acclaimed poet Gary Geddes provides an intimate portrait of the many lives affected by the toppling of that seemingly indomitable structure. Pairing his polyphonal narrative with grainy archival photos, Geddes displays a sure-footed authority while balancing the line between documentary and fiction. The Second Narrows collapse was real, and Geddes has a real connection to it: his father, a former navy diver, was called to the bridge to search for bodies in the wreckage. The voices that speak from the page are fiction; at times raw, occasionally profane, they ring with awful truth.
?What was there to do but to play music?? Thus begins the first and title poem of Matthew Gwathmey’s Family Band. What follows describes becoming a family of seven (?It Seemed That We Had Hardly Begun And We Were Already There?), complete with made-up bedtime stories (?Bear The Bear?), the learning of language (?A High Frequency Words List?), road trips (?Stargazing?), pastimes like gardening (?Different Kinds Of Blight?) and fishing (?Salmon Fishing?), games (?Hide & Seek?), TV shows (?Closed Captions Of Sweet Tooth, Season 1, Episode 6?), more games (?The Impossible Game?), and the joys of home ownership (?This House?). These poems catalogue family life up until the moment that the band decides to break apart, and everyone chooses to pursue their respective solo careers.
Mandel’s essays scrutinize the leap from modern to postmodern writing. Mandel also examines individual writers such as Gary Geddes, Leonard Cohen, P.K. Page, Frank Davey, Margaret Atwood and John Glassco.”The quality of Mandel’s criticism is uniformly high. He grinds no particular literary axe, speaks for no school but the school of intelligent inquiry.”–Books in Canada
Shortlisted for the 2017 Brage Prize
Fanny, a 17-year-old high school senior, has lost both her parents in a car accident. Granted permission to live independently in the family home located on the outskirts of a small Norwegian town, the days pass by as she performs her daily routine: going to school, maintaining the house, chopping and stacking wood, and keeping the weeds at bay. As Fanny grieves and attempts to come to terms with the sad circumstances of her life, a fairy tale-like world full of new possibilities begins to emerge around her.
Written by Rune Christiansen, one of Norway’s most exciting literary talents, and masterfully translated by Kari Dickson, Fanny and the Mystery in the Grieving Forest is a beautiful, poetic portrait of grief, friendship, independence and transgression.
Earth and sky are devoid of colour. There are no beginnings or endings.
Then the snow melts.
Maybe it’s the dead cars. It could be the escaped bison roaming the downtown core. Mosquitoes? Sure. Dragonflies? Absolutely.
And it’s also entirely possible it’s the pomegranate tree at the corner of Portage and Main. Or maybe, just maybe, it’s the people, like Dickie Reimer. Any way you slice it, something’s going on in Winnipeg.
That’s really true.
At some point, every Peg will ask so why’d you move here? Jack hopes the city will be the one place no one will look for him. An infamous guerilla street artist, Jack is on the run. Again. Under scrutiny from international authorities, anonymity is his only protection. He promises himself he’ll quit, but blackmail is powerful persuasion.
Tracked by a relentless special agent, Jack navigates the absurdity of the city while befriending (and avoiding) the eccentric characters that proudly claim it as their home.
Evil dust bunnies, botanical horrors, werewolf landlords, and more! We’ve gathered all of our most thrilling tales together in this terrible tome of terrors, known only as… FANTASTIC FRIGHTS. Drawing inspiration from shows like, Tales from the Crypt and Freaky Stories, Fantastic Frights is a dreadfully delightful return to the pulp horror anthologies of the past, featuring stories from over 20 creators that are sure to entertain both new readers and seasoned horror veterans alike!
Following in the tradition of Ghost Rider and Traveling Music, Rush drummer Neil Peart lets us ride with him along the backroads of North America, Europe, and South America, sharing his experiences in personal reflections and full-color photos. Spanning almost four years, these twenty-two stories are open letters that recount adventures both personal and universal — from the challenges and accomplishments in the professional life of an artist to the birth of a child. These popular stories, originally posted on Neil’s website, are now collected and contextualized with a new introduction and conclusion in this beautifully designed collector’s volume.
Fans will discover a more intimate side to Neil’s very private personal life, and will enjoy his observations of natural phenomena. At one point, he anxiously describes the birth of two hummingbirds in his backyard; at the same time, his wife is preparing for the birth of their daughter — a striking synchronicity tenderly related to readers.
A love of drumming, nature, art, and the open road threads through the narrative, as Neil explores new horizons, both physical and spiritual. This is the personal, introspective travelogue of rock’s foremost drummer, enthusiastic biker, and sensitive husband and father. Far and Away is a book to be enjoyed again and again, like letters from a distant friend.
Following in the tradition of Ghost Rider and Traveling Music, Rush drummer Neil Peart lets us ride with him along the backroads of North America, Europe, and South America, sharing his experiences in personal reflections and full-color photos. Spanning almost four years, these twenty-two stories are open letters that recount adventures both personal and universal — from the challenges and accomplishments in the professional life of an artist to the birth of a child. These popular stories, originally posted on Neil’s website, are now collected and contextualized with a new introduction and conclusion in this beautifully designed collector’s volume.
Fans will discover a more intimate side to Neil’s very private personal life, and will enjoy his observations of natural phenomena. At one point, he anxiously describes the birth of two hummingbirds in his backyard; at the same time, his wife is preparing for the birth of their daughter — a striking synchronicity tenderly related to readers.
A love of drumming, nature, art, and the open road threads through the narrative, as Neil explores new horizons, both physical and spiritual. This is the personal, introspective travelogue of rock’s foremost drummer, enthusiastic biker, and sensitive husband and father. Far and Away is a book to be enjoyed again and again, like letters from a distant friend.
Now in trade paper
Whether navigating the backroads of Louisiana or Thuringia, exploring the snowy Quebec woods, or performing onstage at Rush concerts, Neil Peart has stories to tell. His first volume in this series, Far and Away, combined words and images to form an intimate, insightful narrative that won many readers.
Now Far and Near brings together reflections from another three years of an artist’s life as he celebrates seasons, landscapes, and characters; travels roads and trails; receives honours; climbs mountains; composes and performs music. With passionate insight, wry humour, and an adventurous spirit, once again Peart offers a collection of open letters that take readers on the road, behind the scenes, and into the inner workings of an ever-inquisitive mind.
These popular stories, originally posted on Peart’s website, are now collected and contextualized with an introduction and conclusion in this beautifully designed collector’s volume.
Whether navigating the backroads of Louisiana or Thuringia, exploring the snowy Quebec woods, or performing onstage at Rush concerts, Neil Peart has stories to tell. His first volume in this series, Far and Away, combined words and images to form an intimate, insightful narrative that won many readers.
Now Far and Near brings together reflections from another three years of an artist’s life as he celebrates seasons, landscapes, and characters, travels roads and trails, receives honors, climbs mountains, composes and performs music. With passionate insight, wry humor, and an adventurous spirit, once again Peart offers a collection of open letters that take readers on the road, behind the scenes, and into the inner workings of an ever-inquisitive mind.
These popular stories, originally posted on Peart’s website, are now collected and contextualized with a new introduction and conclusion in this beautifully designed collector’s volume.