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In 1895, the arctic explorer Captain Ian Ryder has let his house in Blackpool on the Nova Scotia coast to the recently married Clara Weiss, who is about to become the compass of a social circle far too intimate for its own good. Lost in a maze of obsessive Victorian pseudo-science and its ignorant fascinations with violence, spiritualism, the reanimation of corpses, the channelling of passions, and especially with the control of every aspect and function of the body, particularly the bodies of women, these characters are increasingly rendered impotent by the collision of their fantasies with their repressions—the sadism of their lust to penetrate others, and the masochism of their own constricted closures.
As Captain Ryder says of his crew as his claustrophobic ship continues to drift, trapped in the harsh white light of the polar ice: “How repelled I feel by this promiscuity with individuals for whom I truly feel nothing but aversion.”
Set in the year Freud published his ground-breaking essay on hysteria, this is a compulsively readable, beautiful and dark novel of personal relations so close they verge on the incestuous, and desires so vast they approach the cold crystalline purity of the archetype.
A boy finds a vocation as a weaver of bread. A Russian woman, thought dead, e-mails greetings to her adolescent sister in a Canadian suburb. An investment banker vanishes and is found fifteen years later when his daughter discovers a painting of herself in a distant gallery. With wit and ache, Daniel Karasik’s Faithful and Other Stories evokes a world of seekers, characters panning for meaning in environments by turns hostile, mystifying, and enchanted. This collection brings together stories honoured with the CBC Short Story Prize, The Malahat Review’s Jack Hodgins Founders’ Award for Fiction, and the Alta Lind Cook Prize.
“Moments are the elements of profit.” – Karl Marx, Capital Vol. 1
Composed primarily through the co-optation and recombination of internet search results, FAKE MATH is a poetic intervention into the ways the motive for profit structures our lives. Each poem exposes the fallacies, fake logics, and sheer idiocies that constrict our decision-making processes in terms of our art, industry, educational system, and our day-to-day lives, while questioning our tendency to resort to institutionalized social violence. FAKE MATH draws its inspiration from diverse sources from Marx to Freud, from Archimedes to Oprah, sending them all downstream on rapidly pulsating waves of schizophrenic glee and political gravity, often creating startling juxtapositions when mismatched ideas and images are torn from their original contexts. The effects are at once humorous and stomach-churning. Ultimately, these are poems about how we live, work, and play within larger structures of capitalism and how our attempts to move past these structures are largely failed attempts at rebellion, not real attempts at revolution or, better yet, escape.
On February 9th, 1964 the Beatles made their first phenomenal American appearance on The Ed Sulllivan Show in New York. At the same time, thousands of miles away, one of their biggest fans was being conceived.As the unnamed narrator of fake Paul scours every trace of the most boyish Beatle’s history in Liverpool and New York, Beach uncovers the poetic in dingy, sweating, underground bars, out-of-body concert experiences, and stolen wax museum heads. When Paul is found in the guise of a tribute band bassist, Beach explores those moments where obsession crosses over into possession, and love becomes an exercise in blind self-destruction.For anyone who has ever thought that if they could just get close enough, they would prove that their love is the truest.
A critical scrapbook collected from fifteen years of writing. Contains essays, reviews, interviews, journals, notes, and poetic improvisations on contemporary poetry and identity.
Falcon’s Egg, the sequel to Right to Know, is a fast-paced action-adventure. Discovering a plot to reassert Imperial control over the recently rediscovered Peregrine, Lorn Kymbal tracks the conspirators into the deepest and most dangerous reaches of the planet and beyond. Kymbal, a veteran of the war of liberation that almost cost his life, fights killer robots and his own inner demons as he tries to win freedom for himself and his planet.
In the summer of 1973, a time of subversive drug culture and changing social roles, fifteen-year-old Joe Beck lives in a small Canadian city near the U.S. border where he watches dark-suited politicians lie on TV during something called Watergate. So when his best friend Brian goes missing, Joe has a hard time believing that adults ever tell the truth. Joe knows that if Brian is going to be found, it’s up to him. Eventually, he launches his own investigation, using a tape recorder–just like the American president–to help sift through the clues with the help of his older brother and their DJ stoner friend. With the unflinching honesty of a teenager’s-eye view, Joe embarks on a perilous and enlightening journey to decipher a mental institution diary full of secrets about a drug called LSD, uncover the truth about Brian’s father, and save his best friend./
Faller mixes Roshoman style storytelling with traditional stories to describe the meeting, or juxtapositions, of a few characters on a Reservation. All of these characters are damaged in one way or the other. Faller is not narrative so much as bursts and flashes. It is not about what happens as much as moments in time. The stories fall together rather than follow each other. Faller is dark and funny in places, less sane and rational than yearning. Haunted. Not like every other book, Faller is the first work by an old young Indigenous writer, not trying to make sense of life on the Reservation, but giving a glimpse into the world he grew up in.
Winner of a 2011 Independent Publisher Book Award Silver Medal
Sometimes it’s the little things in life that make all the difference, like chromosomes, sperm, bugs or an endangered seabird that nests in old-growth forests. But, what’s big or what’s little depends entirely on your perspective. Faye Pearson is a three-and-a-half-foot tall female scientist doing entomological research in the tallest trees on Vancouver Island, who is pit with a ragtag group of protesters against the might of a multinational logging corporation.
The story of Faye and her struggle to function in a world not made for people her size is poignant and heart-warming. Whether she is lusting after her climbing partner, standing up to a conflicted logging boss, dressing down an insulting interviewee, nurturing a wayward child in the midst of an environmental standoff, or being carted off under the arm of a Mountie, you’ll be unable to resist this amazing woman. There is a fall in Eriksson’s novel, but also incredible moments of grace. Falling from Grace is a novel of no small achievement.
Two voices, two families, two interweaving narratives with thirty years dividing them. In 1972 Birdie Cormack enters a highly controversial experiment in Toronto. Her story unfolds piece by fascinating piece, mostly by way of a compelling series of letters written to her parents. And in 2002 Jeremy Jacks returns to the West Coast after a failed bid to become a writer back east. As he grudgingly reassumes his role at home, his brother Robert, fuelled by fear and rage and a recent suspension from his teaching position at the local high school, reels off on a dangerous and destructive path, exposing in the process the family’s long-hidden secrets and leading to the novel’s powerful climax. Meanwhile, as they struggle in their respective experiments, Jeremy and Birdie confront their demons–both private and public–and begin to see the possibility of love without understanding, and forgiveness without forgetting, by scraping away the lies that over the years have transformed themselves into facts. A penetrating portrait of a place and time unique in Canadian history, Falling from Heights explores the blood ties that bind us one generation to the next, while at the same time revealing the strange, oftentimes unrecognized power in us all to shape one another’s destinies.
LONGLISTED FOR THE 2024 DUBLIN LITERARY AWARD
SHORTLISTED FOR THE ETHEL WILSON FICTION PRIZE
THE GLOBE AND MAIL TOP 30 CANADIAN BOOKS TO READ IN 2023
CBC BOOKS WORKS OF CANADIAN FICTION TO READ IN THE FIRST HALF OF 2023
All talk, no action: The Mezzanine meets Ducks, Newburyport in this meandering and captivating debut
It’s a hot summer night, and Hugh Dalgarno, a 31-year-old clerical worker, thinks his brain is broken. Over the course of a day and night in an uncannily depopulated public park, he will sift through the pieces and traverse the baroque landscape of his own thoughts: the theology of nosiness, the beauty of the arbutus tree, the pathos of Gene Hackman, the theory of quantum immortality, Louis Riel’s letter to an Irish newspaper, the baleful influence of Calvinism on the Scottish working class, the sea, the CIA, and, ultimately, thinking itself and how it may be represented in writing. The result is a strange, meandering sojourn, as if the history-haunted landscapes of W. G. Sebald’s The Rings of Saturn were shrunk down to a mere 85 acres.
These digressions are anchored by remarks from the letters of Keats, by snatches of lyrics from Irish rebel songs and Scottish folk ballads, and, above all else, by the world-shattering call of the red-winged blackbird.
“From the first page to the last I felt wholly captivated by Falling Hour and Hugh’s sensitive and far-ranging digressions. Morrison has captured the magic of Sebald and made it entirely his own, a curiously anti-capitalist exploration of what it means to live in a “fake” country. ” – André Babyn, author of Evie of the Deepthorn
“Falling Hour is a profound incantatory exhalation – a quiet triumph; to read it is to engage in a smart, humane and at times very funny conversation that you will never want to end.” – Simon Okotie, author of After Absalon
“A stellar debut novel by a stellar new talent. Falling Hour is written in a prose style that enlivens every page.” – Mauro Javier Cárdenas, author of Aphasia: A Novel
“In Falling Hour, an immensity is condensed into a single day, a single park, a single empty frame. To themes of loss and dispossession that recall in scope and sensitivity the work of Teju Cole and W.G. Sebald, Morrison brings the attentive eye of a poet and a truly impish sense of the absurd.” – Jen Craig, author of Panthers and the Museum of Fire
“Falling Hour deserves mention as a notable debut along the estuary of modern fiction.” – D. W. White, Atticus Books, Phoenix, AZ
Patrick O’Connell’s second poetry collection resonates with the possibilities of dual perception, of the choices we can maked to define our relationship to the world. The poems speak of deliberation and intent, and chronicle the struggle in laying aside anger and hopelessness. Moving out from the darkest of corners, Falling in Place insists on the grace and elusive beauty of birdsong, the scent of rain, silence and the “pure white silk of the sky.”