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A collection of 50 landmark books to celebrate the Literary Press Group of Canada’s 50th Anniversary in 2025.
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Winner of the 3rd Prize for Poetry in the 2017 Alcuin Society’s Book Design Awards
Winner of the Stephan G. Stephansson Award for Poetry
Shortlisted for the City of Calgary 2016 W.O. Mitchell Book Prize
Finalist for the Poetry category of the High Plains Book Awards
In his final years, Richard Harrison’s father suffered from a form of dementia, but he died without ever forgetting the poems he had memorized as a student and had taught to Richard as a child. In 2013, the poet feared his father’s ashes had been lost in the flood water that ravaged Alberta?a crisis that would become the inciting event and central theme of this collection. Combining elements of memoir, elegy, lyrical essay and personal correspondence with appreciations of literary works ranging from haiku to comic books, Richard Harrison has written a book of great intellectual depth that is as generous as it is enchanting.
The indie comic classic that inspired the hit motion picture!
Lucius Vile is a demon condemned to work in a used car dealership-slash-bookstore. With coworkers who seemingly hate his guts, a therapist whose methods aren’t quite sound, an annoying new assistant named Daniel, and a sex life that could be kindly described as highly complicated, let’s just say things are getting a bit hectic for Lucius… But who cares, right? Because today, it’s Halloween, Lucius’s favorite day of the year.
Animated by an absurd and transgressive sense of humor, Vile and Miserable is raw, laugh-out-loud comedy of terrors for grown-ups.
When Vito Santoro’s body is inadvertently unearthed by a demolition crew in Fregene, Italy, his siblings are thrown into turmoil, having been told by their sister Piera that Vito had fled to Argentina fifty years earlier after abandoning his wife and son. Piera, the self-proclaimed matriarch, locks herself in her room, refusing to speak to anyone but her Canadian nephew, David. Now scattered over three continents, the family members regroup in Italy to try to discover the truth.
Canada Lives Here tells the tumultuous story of public broadcasting in Canada, from its inception in 1933 to the CBC’s current, controversial attempts to adapt to collapsing revenues and new technologies. It explores in detail the struggle to preserve public space and foster community in an environment devoted to profit-making, arguing that the ideals of public service broadcasting are more relevant now than ever. Rowland, author of the influential Saving the CBC: Balancing Profit and Public Service (2013), identifies the issues crucial to the CBC’s survival and proposes carefully considered policy options. This is a book for everyone who wants to understand what’s really at stake with the threatened eclipse of the nation’s most important cultural institution.
Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape.
Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky.
From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strong–finding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself.
Three Canadian soldiers awaiting deployment to the war in Afghanistan beat a homeless man to death on the steps of their armoury after a night of heavy drinking. The poet, whose downtown Toronto home overlooks the armoury and surrounding park, describes the crime, its perpetrators, the victim, and a cast of homeless witnesses that includes the woman, a prostitute, who first alerts police. The subsequent trial evokes reflection on the immigrant experience the poet shares with one of the accused, and on the agony of that young soldier? mother. From Kandahar to Bridgetown to Mississauga, Ontario, Where the Sun Shines Best encompasses a tragedy of epic scope, a lyrical meditation on poverty, racism and war, and a powerful indictment of the ravages of imperialism.