A delightfully cunning, sharply insightful novel about ambition and subterfuge from the author of the Giller-longlisted novel A Beauty.

This novel’s unnamed narrator is so obsessed with the desire to write the biography of her literary hero, the late poet Marianne Rasmussen, that she assumes a false name and talks her way into the house of Rasmussen’s former lover, Aubrey Ash. She gets more than a foot in the door–she moves in as a lodger, gaining precious daily contact with frail, crusty, almost-centenarian Aubrey and his handsome, younger (but hardly young) brother Harry.

The would-be biographer tries to ingratiate herself with both the Ash Brothers. She flatters Aubrey and she flirts with Harry, but the harder she tries to get her hands on the coveted prize–access to the Rasmussen papers–the more she gets tangled in a trap that might just be of her own making. Can she resist the temptation to possess, by any means, the letters, photographs and first drafts that could unlock the secret to Marianne Rasmussen’s genius?

The Rasmussen Papers is a brilliant reply to Henry James’ The Aspern Papers. Connie Gault flips James’ story on its head and slides it into contemporary Toronto’s Cabbagetown, among the marginalized and dispossessed, people the narrator studies as intently as she studies everyone she meets–until a confrontation on a streetcar makes her reconsider the limits of what you can know of another’s story, and how hidden we all are, especially from ourselves.