The Negroes Are Congregating

In this unapologetic and sharp-witted perspective about the evolving Black experience in Canada and around the world, a rhythmic fusion of spoken word, satire, and soulful dialect emerges steady as a heartbeat through a journey of raw truths and deep-rooted questions. How does a racialized group teach their future generations to unlearn internalized self-hatred? What is the essence of Blackness beyond skin colour? Is it possible to be free living in present-day systemic racism? Designed to ignite necessary conversations, this powerful collection of engaging scenes that range from church to Black Twitter to Africville aims to construct an understanding of what it means to be Black.

AUTHOR

Natasha Adiyana Morris

Natasha Adiyana Morris is a soft-spoken, dramatic storyteller. Born in Winnipeg and raised in Toronto’s West End—in the most encouraging and full’up Jamaican household—being (h)extra is in her blood. Recognized for founding PIECE OF MINE Arts, an initiative that presents works in progress by Black play creators, she owes a great deal to the esteemed tutelage of b current, anitafrika! dub theatre, Obsidian Theatre, and Volcano Theatre. Her debut production The Negroes Are Congregating (PIECE OF MINE Arts, Theatre Passe Muraille) was nominated for a Dora Mavor Moore Award for Outstanding New Play. She is honoured to be a Soulpepper Academy and York University (Sociology B.A.) alumni.


Reviews

“A poetic yet scathing deep dive into racism in Canada and around the world . . . this play asks certain questions that will stick with you.”


The Negroes Are Congregating is a relentless, in your face, mélange of sketch, vignette, and spoken word that takes you to church and into the Black psyche living with anti-Black racism, all without missing a beat. The play is intricate, funny, contemplative, and incredibly fast-paced.”


The Negroes Are Congregating will be eye-opening for some and cathartic for others. It is a much-needed wake-up call on the realities of Black existence in a society we fondly think of as progressive for everyone.”


Awards

  • Contra Guys Award for New Performance Text 2018, Winner
  • Excerpts & Samples ×

    Scene 4

    We are transported to South Africa. It is 1993 and WINNIE MADIKIZELA-MANDELA (57) is addressing the country in her first presidential bid, running against Nelson Mandela. This is a fictional speech that reimagines a different outcome for South Africa’s future post-apartheid regarding the process in which apartheid related crimes were treated through the factual Truth and Reconciliation Commission that took place from December 1995 – 1998. Winnie is sharp, witty and a natural public speaker. The speech is broken up into three parts over the course of the play that is intended to continue right where it ended.

    WINNIE

    Many believe I love to fight, that I wake up and say, “Please Lord, grant me my daily bread and an extra serving of combat on the side.”  No, no, no. I have had enough beatings from this current government and media to last me ten lifetimes. But what I can say is, I am a woman who is not afraid to fight, and, if I decide to fight, I fight to win.

    I come before my people to run for president of South Africa, to establish a political party that serves and protects the freedom of our people, our right to be sovereign. The direction in which my former husband has chosen to lead is his own undertaking, but I, myself, have experienced and witnessed far too much cruelty to accept a mere game of ‘Never Have I Ever.’

    The leaked decision of Mr. Mandela to enact a Truth and Reconciliation Commission, as one of the first orders of business, is the common grave mistake of our people. We are in a self-sabotaging habit of coddling our enemy. Rather than stand our ground to Afrikaaners who may pout and cry for the consequences they deserve, we are quick to forgive and absent-mindedly forget.

    But consider how the white man has treated his own. Most Nazi war criminals swiftly committed suicide before they could be tried for their crimes, and those who were caught had been hanged or imprisoned. And here we are, with a leader who is willing to provide amnesty…AMNESTY for a simple confession. Not even a slap on the wrist.

    Scene 5

    We listen to an unconventional commencement speech, in which MVP rejects the label of being the ‘first Black’ attached to his accomplishment. He proudly lays claim to his African heritage rather than an assigned/loaded colour.

    MVP

    I am not Black

    I am African

    I am not dark

    This be melanin

    I am brown-brown

    Brown stew, brown view

    Bronze chin, gold win

    Learned to float in the deep end

    I am not a ‘POC’

    Person of colour

    Dash wey minority, visibly or other

    That National Geographic anthropology

    Don’t need a next label like the ones from the past

    Nigger, Negro, Coloured

    Let Black be the last

    I may not know my roots, but I mos def know your design

    Box me into social housing without batting an eye

    From Flemo to Tanridge to Oakwood & Vaughan

    Suspensions, carding, and raids before dawn

    Bet. You’d never thought in a million years

    Adversity. I still walk cross the stage of Queen’s University

    Throws graduation cap up in the air.

    Reader Reviews

    Details

    Dimensions:

    88 Pages
    7.50in * 5.00in * .20in
    .27lb
    100.00gr

    Published:

    January 31, 2023

    ISBN:

    9780369103918

    Book Subjects:

    DRAMA / Women Authors

    Featured In:

    All Books

    Language:

    eng

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