Over the years, I’ve spoken to Tegan and Sara a handful of times, and a handful more for this book. The first few interview opportunities I got were whirlwind junkets, a revolving door of journalists sitting in the same chair likely asking the subject the same set of questions regarding their latest project. The first time I sat across from Sara, she described these interactions as “like speed dating.” While promoting their 2016 album, Love You to Death, I drew the short straw and interviewed Tegan and Sara last on a press day that was crammed wall-to-wall with bite-sized twenty-minute conversations. Understandably, they were tired and, as is the case in interviews with multiple people off-camera where one needs not to be “on” the entire time, I could spot one sister staring off into the distance as the other spoke. But still, they attempted to smile through and be kind and caring with their responses, a trait that has been a constant in all of our conversations and echoed by many of their closest friends and collaborators.
When I got the chance to speak to them individually, for multiple hours over the phone and Zoom (the writing process for this book largely took place during the COVID-19 pandemic), their larger-than-life personas deflated slightly. There was no need for them to toss in jokes or to be “on” for cameras. What I got in return was still Tegan and Sara—candid, self-deprecating and quick-witted—but also relaxed and forthright, unencumbered by time limits and willing to speak at length about everything from their music to Sara’s new interest in gardening and Tegan’s eager search for a new dog. Tegan is often unafraid to dissect the wording of statements and questions, always combating it promptly in a way that reveals years of experience feeling the need to have her and Sara’s stories told correctly and with precision. Sara, on the other hand, takes a little more time to process things, but is equally meticulous with her words, sometimes even taking an extra moment to look up and read aloud quotes or find songs and artists she wants to credit properly.
When Sara states that she doesn’t expect to see her and Tegan’s names on year-end lists, it comes after an almost two-hour conversation largely about the sexism and homophobia she’s encountered throughout her career.