Take d Milk, Nah?

Jiv is “Canadian.” And “Indian.” And “Hindu.” And “West Indian.” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology.” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world.

In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? Then again—it doesn’t really matter, because we are all Jiv.

AUTHOR

Tom Arthur Davis

Tom Arthur Davis is a T’karonto-based arts worker originally from the unceded territory of the Algonquin nation (Ottawa) with colonial lineage from the ancestral homelands of the Beothuk and the Mi’qmak peoples (Newfoundland). In 2009 he co-founded Pandemic Theatre, where he has created most of his work in close collaboration with Jivesh Parasram. Since 2018, Tom has acted as a producer for Why Not Theatre where he leads the company’s Provoke Activities (initiatives that help remove barriers for artists). Tom’s work with Pandemic and Why Not has toured across Turtle Island and overseas, including collaborations with Barbican Centre, Battersea Arts Centre, Buddies in Bad Times Theatre, Canadian Stage, The Cultch, High Performance Rodeo, Latitude Festival, National Arts Centre, PuSh Festival, Sydney Festival, The Theatre Centre, and Theatre Passe Muraille. His works for the stage include Mahmoud (co-writer), Take d Milk, Nah? (co-creator/dramaturge), and The Only Good Indian (co-creator/co-writer).


AUTHOR

Jivesh Parasram

Jivesh Parasram is a multidisciplinary artist and facilitator of Indo-Caribbean descent. He grew up in K’jipuktuk in Mi’Ma’ki (specifically Dartmouth, NS), and currently lives and works primarily on the Unceded Coast Salish Territories (Vancouver) where he works as the Artistic Director for Rumble Theatre. Jiv spent over a decade in T’karonto/Toronto working mostly in the independent theatre scene; there he co-founded the award-winning political theatre collective, Pandemic Theatre. He also worked as the Associate Artistic Producer at Theatre Passe Muraille. His performance work has toured across Canada, to the UK and Europe; and his research has taken him back to the Caribbean to Cairi (Trinidad & Tobago) Taino Carib & Arawak territory. He has been honoured with numerous awards and nominations including the Toronto Arts Foundation Emerging Artist Award, The Dora Mavor Moore Awards, The Jessie Richardson Awards, The Harolds, and the Herald Angel at the Edinburgh Festival. He is also published with playwrights Canada Press, and has been a contributor to publications including CBC, the Canadian Theatre Review, and Spiderweb Show.


AUTHOR

Graham Isador

Graham Isador is a writer and photographer in Toronto. He is a former contributing editor at VICE. His work has also appeared at GQ, Men’s Health, and The Globe and Mail. Isador’s latest play, White Heat, won outstanding performance text at the SummerWorks performance festival in 2019.


Reviews

“This engaging and powerful solo blends hilarious family-focused storytelling, incisive historical analysis of colonialism and imperialism and gut-punch first-hand accounts of everyday racism and marginalization in Canada.”
– Jordan Bimm, NOW Magazine

“I was impressed—nay, thrilled—by its boldness.”
– Carly Maga, Toronto Star

“It doesn’t matter who you are, or where you’re from, Take d Milk, Nah? Is a must-see experience.”
– Alyssa Mahadeo, Toronto Caribbean

“A thing of beauty.”
– Lynn Slotkin, The Slotkin Letter

“Hilariously entertaining and insightful.”
– Cate McKim, Life With More Cowbell

“Screamingly funny.”
– Sam Mooney, Mooney on Theatre

Awards

  • Jessie Richardson Criticsu2019 Choice Innovation Award 2020, Nominated
  • Excerpts & Samples ×

    Jiv is “Canadian.” And “Indian.” And “Hindu.” And “West Indian.” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology.” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world.

    In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? Then again—it doesn’t really matter, because we are all Jiv.

    Reader Reviews

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    Details

    Dimensions:

    120 Pages
    7.63in * 5.13in * 0.25in
    0.25lb

    Published:

    May 11, 2021

    ISBN:

    9780369100986

    Book Subjects:

    DRAMA / Canadian

    Language:

    eng

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