“Puts you in mind of the grand passion of Catherine and Heathcliff in Wuthering Heights, the vastness of their love mirroring the wild tangle of nature.” —Washington Times
“Massicotte doesn’t push his anti-war message. He doesn’t have to. The charm of his romance juxtaposed against prosaic descriptions from the trenches… do it for him.” —San Francisco Chronicle
“With an impressive economy of means—only one set, two actors and no intermission—Massicotte has combined a fictional romance with the true story of a heroic World War I exploit.” —New York Times
“If this production had been a videotape I would have rewound it and watched the whole thing all over again the minute it ended.” —New York Theatre Review
“Mary’s Wedding could only have been written by a young playwright because only the young would dare skirt so close to the edge of pulp fiction sentimentality. And only a playwright with mature promise could pull it off.” —Calgary Sun
“As dreams do, Massicotte’s script collages things prosaic with things fantastical, things recalled with things imagined—heightened, skewed memories, letters, news from the war.” —CityBeat, Cincinnati
“NAFTA commerce should all be this good.” —New York Theatre Wire