Insomnia Bird

By (author): Kelly Shepherd

The poems in Kelly Shepherd’s Insomniac Bird are a cartography and a geography of Edmonton. The poems which shift between short, individual lyric pieces and found text emulate a black-billed magpie’s nest with the subject-matter and also physically, with the words and lines. The poems generate the theme of home (the bird’s nest, the city), and not feeling at home; sleeping, and the inability to sleep. The magpie (the insomnia bird) is the protagonist and the muse, the thread that connects everything to everything else in this work.


As such, Shepherd’s poems move across the surface at speed, like Edmonton’s NAIT train, and dive like magpies after the occasional tasty image or crumb of detail. The city as it spreads out across the Prairies, can do nothing to prevent urban sprawl, and grows taller with each new highrise building and office tower and sinks deeper into the ground, which is memory!


The city with purple fingers and black feathers
is bending branches outside the window.
In the photosensitivity of morning,
The city is an open window that can’t hear itself think.



While Shepherd’s poems are at times critical of Edmonton’s automobile culture and urban sprawl, his tone remains ironic rather than moralizing and he is consistent in his use of dark humour to avoid being didactic. With such guidance the poems effectively disclose what is not seen, what is repressed, what lies behind the scenes in the city he shares with magpies.

AUTHOR

Kelly Shepherd

Kelly Shepherd is an active writer and performer. He has been part of numerous poetry reading events including creative collaborations with other writers, musicians, and visual artists; has had participation in The Rasp and the Wine reading series in Edmonton, the Spoken Word on the Move series in Kelowna, and the Raving Poets series in Edmonton. He has been a kindergarten teacher in South Korea and a construction worker in northern Alberta. He has a Religious Studies MA from the University of Alberta, with a thesis on sacred geography, and an MFA in Creative Writing from UBC Okanagan. He has written five poetry chapbooks: The First Metaphor (2014), Fort McMurray Tricksters (2014), if one petal falls (2012), the bony world (2010), and Circumambulations (2003); his writing has been published in numerous journals including The Goose, The Coastal Spectator, Lemon Hound, and Geist. He is also a poetry editor for the environmental philosophy journal The Trumpeter. Originally from Smithers, British Columbia, Kelly currently lives and teaches in Edmonton.

Awards

  • Alberta Public Library’s People’s Choice Award 2017, Long-listed
  • Excerpts & Samples ×

    The city with purple fingers and black feathers
    is bending branches outside the window.
    In the photosensitivity of morning,
    The city is an open window that can’t hear itself think.
    It is the glare of streetlights and headlights
    on a windshield specked with Prairie insects
    on a car that’s been driving since evening.

    Sometimes the thunder of hooves
    or voices muffled by the sound of the river
    wake someone up in the night
    but the city rolls over and keeps sleeping,
    keeps telling itself,
    keeps telling itself keeps
    telling itself it is home to the living.

    —(both from “You’ve Made Your Point, Said the Elm Tree to the Ford F-150”)

    You are the House Sparrows who nest year after year in the gap between bricks in the wall of that place on 84th Avenue &

    the guy who used to play guitar in front of Army & Navy &

    the guy who saves up to replace his headlight covers with sick tinted ones; you are the gravel from under a van’s tires that cracks them &

    the haiku written by a dog & revised by a coyote in Mill Creek Ravine snow &

    —(from “Purple City: Afterimages”)

    Albino Magpie of Belgravia Station,
    you are birch bark, you are driftwood, you are bone.
    You are the colour of cloud, not precious stone.
    In a forest where every tree is the burning bush,
    sacred ground is the only place not on fire.
    You carry for your people the knowledge of being alone

    but down here buses may move and stop abruptly—
    ETS: “hold on tightly.”

    Soup and sandwich: $8.49. The sound
    of a scream draws my eyes to the window.
    Two young men are fighting on the sidewalk.
    People stand and watch. It is construction season.

    “Take care when stepping off the bus,”
    recommends ETS, “especially in icy weather.”
    The bus door might be the boundary between that world and this.

    —(from “Seeker-Friendly Churches for Sleek Predators”)

    Reader Reviews

    Details

    Dimensions:

    96 Pages
    8.5in * 5.5in * .25in
    275gr

    Published:

    October 01, 2018

    Publisher:

    Thistledown Press

    ISBN:

    9781771871693

    Book Subjects:

    POETRY / Canadian

    Language:

    eng

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    By (author): Kelly Shepherd