Praise for Breaking and Entering

“In a quiet story that takes place over only a few summer months, the Canadian author deftly converges doubt, infidelity and the fragility of family in a narrative that is both thrilling and relatable.”
—New York Times

“Surely the most interesting midlife crisis of the year.”
—Marion Winik, Oprah Daily

“Gillmor succeeds at pulling you into the hopes, dreams, expectations, desires, anxieties and pathologies of his characters … Like jazz, the moments of tension in the book give away to moments of relief, only to return to building tension once more … reading it will strike a chord.”
—David Moscorp, Globe and Mail

“Hilarious and devastating.”
—Globe and Mail

“Bea (is) … a powerfully drawn character … Every aspect of the novel feels true. Her relationship … is not only closely (almost clinically) observed, but also deeply felt, lived in. That balance, between critical distance and emotional immersion, lends the novel a powerful verisimilitude.”
—Toronto Star

“The genius of this book is to capture the exact way a familiar world of aging parents and divorcing friends and nice charcuterie platters could go right around the bend. … A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)”
—Kirkus Reviews (Starred Review)

“Knowledge is mostly sadness in this intelligent … book: No matter where Bea breaks in, she keeps finding herself.”
—Sam Sacks, Wall Street Journal

“Gillmor is adept at capturing the zeitgeist with sweeping brush strokes and vivid references.”
—Literary Review of Canada

“A searing tale of midlife, the need to be seen, and how easy it is to lose oneself by slow degrees, Breaking and Entering is written with Gillmor’s trademark power and insight, a novel of depth and painful truths filtered through strikingly rendered characters.”
—Open Book

“Breaking and Entering is a character study of a privileged woman in mid life who is challenged with finding meaning in a world on the brink of collapse … Yet Gillmor suffuses the book with humanity and humour … This is a thoughtful, entertaining, and beautifully written novel.”
—Glenda MacFarlane, The Bridge

“The novel follows main character Bea’s path in the world of amateur lock picking through a story that includes family drama, the hottest summer in Toronto’s history, a mid-life crisis and a Google search.”
—Devon Banfield, Now Toronto

“Breaking and Entering is a red-hot novel, sweaty and sexy, that pulls off a complex three-way analogy between the unsustainability of intimacy, our increasingly unlivable and volatile climate, and the coy seduction of caressing a lock until it eases open. Unsurprisingly, Bea’s perverse thrill at being an invisible intruder slides into voyeurism, creating an amusing interplay where she, the readers, and the author are all complicit in the desire to probe into the lives of strangers.”
—McGill Tribune

“Gillmor is a skilled writer.”
—Winnipeg Free Press

“While we don’t recommend stealing, we do recommend living vicariously through Bea’s sticky fingers.”
—Zoomer

“A good read.”
—The Miramichi Reader

“A devastating and droll portrait of middle age that will be instantly recognizable to the ‘sandwich generation,’ stuck between kids and parents, and just generally stuck. It’s a period of life that makes you want to do crazy things, and the only escape is other people.”
—Stephen Marche, author of The Hunger of the Wolf

Praise for Don Gillmor

“To The River: Losing My Brother is haunting, beautifully written and rightly hesitant about any certainties regarding an act as ultimately unknowable in social terms as it is in individual decisions.”
—Brian Bethune, Maclean’s

“Gillmor took on the thankless, though compelling, existential task of understanding another man’s life, happiness and grief. And what makes it worth leaving.”
—Globe and Mail

“[Long Change] is an intimate epic, a tightly focused personal narrative set against one of the most powerful economic forces of the twentieth century … a window into a world which few readers will have really considered.”
—National Post

“A wisely, darkly, deeply, hysterically funny novel. I could have read a thousand pages of [Mount Pleasant‘s] insights into the absurd and terrifying enlightenments of middle age.”
—Linden MacIntyre, author of The Winter Wives

“As he explores the cultural, sociological and psychological questions surrounding suicide, Gillmor circles ever closer to an answer to the central question of those left behind: Why? On the way, he draws back the curtain on a subject too little discussed … At its heart, though, To the River is a family story, focused on a brother’s love and loss. It is a keen-edged, frank book, beautiful and unflinching, painful and important.”
—Robert J. Wiersema, author of Seven Crow Stories

“A beautiful, shattering book. Wise and honest, and exquisitely written. Insight for anyone who has known the gnawing sorrow or the endless accusation of a senseless loss. It will also make you laugh out loud. Go figure.”
—Linden MacIntyre, Scotiabank Giller Prize-winning author of The Bishop’s Man