alterNatives

By (author): Drew Hayden Taylor

A very liberal contemporary couple—Angel, an urban Native science fiction writer, and Colleen, a “non-practising” Jewish intellectual who teaches Native literature—hosts a dinner party. The guests at this little “sitcom” soirée are couples that represent what by now have become the clichéd extremes of both societies: Angel’s former radical Native activist buddies and Colleen’s environmentally concerned vegetarian / veterinarian friends. The menu is, of course, the hosts’ respectful attempt at shorthand for the irreconcilable cultural differences about to come to a head during the evening: moose roast and vegetarian lasagna.

Like all of Drew Hayden Taylor’s work, alterNatives manages to say things about “Whites and Indians” that one is not supposed to talk about—it digs up the carefully buried, raw and pulsing nerve-endings of the unspeakable and exposes them to the hot bright lights of the stage. That he does so with a humour that the politically correct among his audiences continue to miss entirely beneath the sound and fury of their own self-righteous indignation is a measure of his immense talent as a dramatist. In the end, the play is not about cultural differences at all, but instead constitutes a full frontal attack on the personal qualities the sitcom holds most dear and pushes hardest at its audiences: Taylor actually has the temerity to suggest that neither “attitude” nor “sincerity” are enough to address basic human issues, no matter which side of the cultural fence the characters are on. And that’s hard for the pushers of what is considered a globally enlightened culture to take.

Cast of 3 women and 3 men.

AUTHOR

Drew Hayden Taylor

Drew Hayden Taylor has done many things, most of which he is proud of. An Ojibway from the Curve Lake First Nation in Ontario, he has worn many hats in his literary career, from performing stand-up comedy at the Kennedy Center in Washington D.C., to being Artistic Director of Canada’s premiere Native theatre company, Native Earth Performing Arts. He has been an award-winning playwright (with over 70 productions of his work), a journalist/columnist (appearing regularly in several Canadian newspapers and magazines), short-story writer, novelist, television scriptwriter, and has worked on over 17 documentaries exploring the Native experience. Most notably, he wrote and directed REDSKINS, TRICKSTERS AND PUPPY STEW, a documentary on Native humour for the National Film Board of Canada.

Reviews

“Taylor, who has been accused of denigrating Native people on the one hand and ‘witless white-bashing’ on the other, has in alterNatives created a deft piece of Canadian social satire that should generate heated discussion.”
—CBRA


“By turns thought provoking and hilariously funny, alterNatives unerringly skewers both liberal and Native stereotypes. Perhaps more importantly, alterNatives is a great read.”
—Calgary Sun


alterNatives is pure hilarity with some serious social punch.”
—Scene


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Excerpts & Samples ×

A very liberal contemporary couple—Angel, an urban Native science fiction writer, and Colleen, a “non-practising” Jewish intellectual who teaches Native literature—hosts a dinner party. The guests at this little “sitcom” soirée are couples that represent what by now have become the clichéd extremes of both societies: Angel’s former radical Native activist buddies and Colleen’s environmentally concerned vegetarian / veterinarian friends. The menu is, of course, the hosts’ respectful attempt at shorthand for the irreconcilable cultural differences about to come to a head during the evening: moose roast and vegetarian lasagna.

Like all of Drew Hayden Taylor’s work, alterNatives manages to say things about “Whites and Indians” that one is not supposed to talk about—it digs up the carefully buried, raw and pulsing nerve-endings of the unspeakable and exposes them to the hot bright lights of the stage. That he does so with a humour that the politically correct among his audiences continue to miss entirely beneath the sound and fury of their own self-righteous indignation is a measure of his immense talent as a dramatist. In the end, the play is not about cultural differences at all, but instead constitutes a full frontal attack on the personal qualities the sitcom holds most dear and pushes hardest at its audiences: Taylor actually has the temerity to suggest that neither “attitude” nor “sincerity” are enough to address basic human issues, no matter which side of the cultural fence the characters are on. And that’s hard for the pushers of what is considered a globally enlightened culture to take.

Cast of 3 women and 3 men.

Reader Reviews

Details

Dimensions:

144 Pages
8.5in * 216mm * 5.5in * 140mm * 0.5in13mm
223gr
7.875oz

Published:

September 15, 2000

City of Publication:

Vancouver

Country of Publication:

CA

Publisher:

Talonbooks

ISBN:

9780889224285

9781772010695 – Kindle

9780889229532 – EPUB

9780889228450 – EPUB

9781772010701 – PDF

9781772010688 – EPUB

9780889228023 – EPUB

9781772013092 – EPUB

9781772013276 – EPUB

9780889228030 – EPUB

Book Subjects:

DRAMA / Canadian

Featured In:

All Books

Language:

eng

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