Ali and Ali

In this sequel to the hilarious and hard-hitting The Adventures of Ali & Ali and the aXes of Evil, the agitprop collaborative team of Camyar Chai, Guillermo Verdecchia, and Marcus Youssef turns its idiosyncratic brand of political satire to new global realities.

Following the election of U.S. president Barack Obama in 2008, collective optimism for a more tolerant, peaceful, and co-operative post-Bush world spreads to Canada – and to the backroom of Salim’s Falafel Shoppe in Toronto. There, Ali Hakim and Ali Ababwa, refugee entertainers from the fictitious, war-torn country of Agraba, are inspired to write a stage play in celebration of the new president’s message of “hope and change.” The premiere of their Yo Mama, Osbama! (or, How We Learned to Stop Worrying and Love the Half-Black President) halts abruptly when an RCMP constable arrives at the theatre and arrests the pair for its financial ties to the Agrabanian People’s Front, an alleged “terrorist organization” on the Canadian government’s watch list.

Continuity becomes more apparent than change when Ali and Ali are swiftly put on trial. As the hapless playwrights try to defend themselves in the farcical deportation hearing that unfolds, racial and cultural stereotypes are invoked – and lampooned – as quickly as dubious evidence is presented. But, in the midst of the biting comedy, more serious questions are raised about the cost for some when we endeavour to protect the “freedoms” of others.

Cast of 1 woman and 3 men.

AUTHOR

Marcus Youssef

Marcus Youssef is based on unceded Coast Salish Territory, a.k.a. Vancouver, Canada. His fifteen or so plays have been produced in multiple languages in scores of theatres in twenty countries across North America, Europe, and Asia, from Seattle to New York to Reykjavik, London, Venice, Hong Kong, Vienna, Athens, Frankfurt, and Berlin. In 2017, Marcus received Canada’s most prestigious theatre award, the Siminovitch Prize in Theatre, for his body of work as a playwright. He is also the recipient of Berlin’s Ikarus Theatre Prize, the Vancouver Mayor’s Arts Award, the Rio Tinto Alcan Performing Arts Award, the Floyd S. Chalmers Canadian Play Award, the Seattle Times Footlight Award, the Vancouver Critics’ Innovation Award (three times), and the Canada Council Staunch-Lynton Award. Marcus co-founded the East Vancouver artist-run production hub Progress Lab 1422 and was the inaugural chair of the City of Vancouver’s Arts and Culture Policy Council. Talon has published his Adrift, Adventures of Ali & Ali and the aXes of Evil, Ali and Ali, Jabber, King Arthur’s Night and Peter Panties, and Winners and Losers. He is currently International Artistic Associate at Farnham Maltings in the UK, Playwright in Residence at Tarragon Theatre, and Artistic Associate at Neworld Theatre in Vancouver. Marcus also sits on SCALE, a national arts roundtable formed in partnership with the Climate Emergency Unit of the David Suzuki Foundation, inspired by Seth Klein’s remarkable book, A Good War: Mobilizing Canada for the Climate Emergency.

AUTHOR

Guillermo Verdecchia

Guillermo Verdecchia is a writer of drama, fiction, and film; a director, dramaturge, actor, and translator whose work has been seen and heard on stages, screens, and radios across the country and around the globe. The author, or co-author, of, among other works, The Noam Chomsky Lectures and Insomnia (with Daniel Brooks); Fronteras Americanas, The Terrible but Incomplete Journals of John D., bloom; A Line in the Sand (with Marcus Youssef), and the controversial Adventures of Ali and Ali and the aXes of Evil (with Camyar Chai and Marcus Youssef). He is a recipient of the Governor General’s Award for Drama, a four-time winner of the Chalmers Canadian Play Award, a recipient of Dora and Jessie Awards, and sundry film festival awards for his film Crucero/Crossroads, based on Fronteras Americanas and made with Ramiro Puerta. He lives in Toronto with Tamsin Kelsey, his partner of many years, and their two children.

AUTHOR

Camyar Chai

Camyar Chai has worked in theatre and film for over twenty years. He is the founder of Vancouver’s acclaimed Neworld Theatre. He has worked as a freelance actor, director, and writer, and has also engaged in arts education. In addition to writing plays, Camyar has also written librettos for opera. An award winning theatre maker, he received his Master of Fine Arts in Directing from the University of British Columbia. Talon has published his Ali and Ali: The Deportation Hearings and Adventures of Ali and Ali and the aXes of Evil, both of which he co-wrote with Guillermo Verdecchia and Marcus Youssef.

Reviews

“Razor-sharp timing in a play loaded with controversy … funny and disturbing, all at the same time. It looks at both sides of the terrorism issue, from the point of view of the government and from the point of view of the accused, and both are deeply troubling.”
Globe and Mail


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Excerpts & Samples ×

In this sequel to the hilarious and hard-hitting The Adventures of Ali & Ali and the aXes of Evil, the agitprop collaborative team of Camyar Chai, Guillermo Verdecchia, and Marcus Youssef turns its idiosyncratic brand of political satire to new global realities.

Following the election of U.S. president Barack Obama in 2008, collective optimism for a more tolerant, peaceful, and co-operative post-Bush world spreads to Canada – and to the backroom of Salim’s Falafel Shoppe in Toronto. There, Ali Hakim and Ali Ababwa, refugee entertainers from the fictitious, war-torn country of Agraba, are inspired to write a stage play in celebration of the new president’s message of “hope and change.” The premiere of their Yo Mama, Osbama! (or, How We Learned to Stop Worrying and Love the Half-Black President) halts abruptly when an RCMP constable arrives at the theatre and arrests the pair for its financial ties to the Agrabanian People’s Front, an alleged “terrorist organization” on the Canadian government’s watch list.

Continuity becomes more apparent than change when Ali and Ali are swiftly put on trial. As the hapless playwrights try to defend themselves in the farcical deportation hearing that unfolds, racial and cultural stereotypes are invoked – and lampooned – as quickly as dubious evidence is presented. But, in the midst of the biting comedy, more serious questions are raised about the cost for some when we endeavour to protect the “freedoms” of others.

Cast of 1 woman and 3 men.

Reader Reviews

Details

Dimensions:

96 Pages
8.5in * 216mm * 5.5in * 140mm * 0.3125in8mm
159gr
5.625oz

Published:

October 15, 2013

City of Publication:

Vancouver

Country of Publication:

CA

Publisher:

Talonbooks

ISBN:

9780889227828

9780889227279 – EPUB

9780889227835 – EPUB

9780889229334 – EPUB

9781772010831 – EPUB

9781772014310 – EPUB

9781772010848 – Kindle

9781772014259 – EPUB

9781772010855 – PDF

9780889229518 – EPUB

Book Subjects:

DRAMA / Canadian

Featured In:

All Books

Language:

eng

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