The Trigger

By Carmen Aguirre

The Trigger
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?When I was thirteen I was raped by the Paper Bag Rapist. I was with my younger cousin at the time, and neither one of us ever saw him?he used a paper bag to cover his own head or those of his victims. Not that we would have seen him anyway; a gun was held to the backs of our ... Read more


Overview

?When I was thirteen I was raped by the Paper Bag Rapist. I was with my younger cousin at the time, and neither one of us ever saw him?he used a paper bag to cover his own head or those of his victims. Not that we would have seen him anyway; a gun was held to the backs of our heads and if we turned around he’d kill us. He only had one bullet left, he said, so he’d have to chop up my cousin while I watched, then shoot me. By the time the attack was over and we were left lying in the mud, we were both different people.

I had wanted to write a play about this experience for years; propelled by my anger at how often rape was portrayed in a titillating, shocking, gratuitous way on screen or stage. Rapists were evil and the victims were only that: victims.

But, how would I stage it? How would I tell the story? Why would I tell this story? After a decade of chewing over these questions, the image of a young tree lying on its side came to me. A man was chopping an axe through its centre. A girl in a harness spun out of control above him. The sound of their breathing filled the space. The seed for The Trigger was planted.

The Trigger is for the 170 victims of the Paper Bag Rapist, their families, the communities affected by this predator, and every human being who has ever been sexually violated and lives with that experience in their core, which comes to the surface in intimate relationships, because, let’s face it, when one is raped, there is physical intimacy with the attacker. The Trigger deals with the ripples of this kind of violation. ”

Cast of 5 women.

Carmen Aguirre

Carmen Aguirre has written and co-written twenty-five plays, including Blue Box, The Trigger, and Chile Con Carne. She is currently touring her latest one-woman show, Broken Tailbone, and is writing three new plays. Her second memoir, Mexican Hooker #1 and My Other Roles Since the Revolution was published in April 2016 to outstanding reviews, was shortlisted for the Hubert Evans Non-Fiction Prize, is a Globe and Mail bestseller, and a National Post and CBC Best Book of 2016. Her first book, the critically acclaimed Something Fierce: Memoirs of a Revolutionary Daughter, won CBC Canada Reads 2012 and is a #1 national bestseller. Carmen is the recipient of the Hispanic Business Alliance’s 2014 Ten Most Influential Hispanics in Canada Award, Latincouver’s 2014 Most Inspirational Latin Award, the 2014 Betty Mitchell Outstanding Actor Award for her work in Alberta Theatre Projects’ The Motherfucker with The Hat, the 2012 Langara College Outstanding Alumna Award, the 2011 Union of B.C. Performers’ Lorena Gale Woman of Distinction Award, and the 2002 New Play Centre Award for Best New Play, for The Refugee Hotel. Carmen has over eighty film, TV, and stage acting credits. She is a graduate of Studio 58.

Reviews

The Trigger is a knockout … intelligent, powerful, funny, horrific, theatrically stunning, and utterly free of victimology. ”
— Jerry Wasserman

“The writing is at its most revealing when Aguirre shows us how­ the young Carmen’s mind struggles to process adult-scale horror … Going into an evening like this, you might expect sentimentalization of pain or oversimplification of politics … what The Trigger offers is so strange that it has the ring of truth, and it is never simplistic. Often, though, it is beautiful. ”
— Colin Thomas, Georgia Straight

“The writing is at its most revealing when Aguirre shows us how­ the young Carmen’s mind struggles to process adult-scale horror … Going into an evening like this, you might expect sentimentalization of pain or oversimplification of politics … what The Trigger offers is so strange that it has the ring of truth, and it is never simplistic. Often, though, it is beautiful. ”
— Colin Thomas, Georgia Straight

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