No TV for Woodpeckers

By (author): Gary Barwin

In the pages of Gary Barwin’s latest collection of poetry, No TV for Woodpeckers, the lines between haunting and hilarious, wondrous and weird, beautiful and beastly, are blurred in the most satisfying ways. No stranger to poetic experimentation, Barwin employs a range of techniques from the lyrical to the conceptual in order to explore loss, mortality, family, the self and our relationship to the natural world.

Many of these poems reveal a submerged reality full of forgotten, unknown or invisible life forms that surround us?that are us. Within this reality, Barwin explores the connection between bodies, language, culture and the environment. He reveals how we construct both self and reality through these relationships and also considers the human in relation to the concepts of “nature” and “the animal.”

As philosophical as it is entertaining?weaving together threads of surrealism, ecopoetics, Dada and more?No TV for Woodpeckers is a complex and multi-layered work that offers an unexpected range of pleasures.

AUTHOR

Gary Barwin

Gary Barwin is a writer, composer and multidisciplinary artist and the author of 26 books including Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy, which won the Canadian Jewish Literary Award. His national bestselling novel Yiddish for Pirates won the Leacock Medal for Humour and the Canadian Jewish Literary Award, was a finalist for the Governor General’s Award for Fiction and the Scotiabank Giller Prize, and was long-listed for Canada Reads.

A PhD in music composition, Barwin has been Writer-in-Residence at University of Toronto (Scarborough), Laurier, Western University, McMaster University and the Hamilton Public Library, Hillfield Strathallan College, Sheridan College and Young Voices E-Writer-in-Residence at the Toronto Public Library. He has taught creative writing at a number of colleges and universities, to at-risk youth in Hamilton through the ArtForms program and currently mentors through the Vancouver Manuscript Intensive. His writing has been published in hundreds of magazines and journals internationally and his writing, music, media works and visuals have been presented and broadcast internationally. Though born in Northern Ireland to South African parents of Ashenazi descent, Barwin lives in Hamilton, Ontario.


Reviews

“In its best pieces (including ‘Grip,’ ‘In Memoriam,’ the eerie ‘Autopsy,’ the intriguing ‘Foot,’ ‘Gaspar’ and a monologue called ‘Alien Babies’), Barwin yokes his clowns to a serious chariot and arrives somewhere unique and utterly surprising.” – The Globe and Mail

“Barwin?s poems are struck through with a wide-eyed wonder, and when they aren?t revelling in the sound of language or crafting crazed imaginings, they work to dig out the strangeness of the everyday.” – Winnipeg Free Press

“Again and again, Barwin shows us how charlatans, business interests, and technology come together to create cultural texts and interfaces that jam, compromise and contaminate our abilities to forge meaningful relationships with one another. But by worrying ‘the empty spot’ left by Ronnie Claire Edwards’ death in the same way the speaker imagines his tongue will continually return to probe the socket of his soon to be extracted tooth, something transformative takes place. What Barwin commemorates in ‘The Waltons, My Tooth, and the Oral Torah,’ what he elegizes, is the elegiac mode itself, and by demonstrating what language can do, he allows us to feel, if only briefly, less lost, less lonely, and less alone.” – Hamilton Review of Books


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Details

Dimensions:

106 Pages
8.50in * 6.00in * .30in
200.00gr

Published:

April 25, 2017

ISBN:

9781928088301

Book Subjects:

POETRY / Canadian

Featured In:

Nature

Language:

eng

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