Dream of No One but Myself
2022 Griffin Poetry Prize Finalist * 2022 Governor General's Literary Award Shortlist * 2022 Gerald Lampert Memorial Award Shortlist * 2022 Grand Prix du Livre de Montréal Jury Selection * 2022 A. M. Klein Prize for Poetry Shortlist * 2022 Concordia University First Book Prize ... Read more
2022 Griffin Poetry Prize Finalist * 2022 Governor General's Literary Award Shortlist * 2022 Gerald Lampert Memorial Award Shortlist * 2022 Grand Prix du Livre de Montréal Jury Selection * 2022 A. M. Klein Prize for Poetry Shortlist * 2022 Concordia University First Book Prize Shortlist
An expansive, hybrid, debut collection of prose poems, self-erasures, verse, and family photo cut-ups about growing up in a racially trinary, diversely troubled family.
Dream of No One but Myself is an interdisciplinary, lyrical unravelling of the trauma-memoir-as-proof-it's-now-handled motif, illuminating what an auto-archival alternative to it might look like in motion. Through a complex juxtaposition of lyric verse and self-erasure, family keepsake and transformed photo, David Bradford engages the gap between the drive toward self-understanding and the excavated, tangled narratives autobiography can't quite reconcile. The translation of early memory into language is a set of decisions, and in Dream of No One but Myself, Bradford decides and then decides again, composing a deliberately unstable, frayed account of family inheritance, intergenerational traumas, and domestic tenderness.
More essayistic lyric than lyrical essay, this is a satisfyingly unsettling and off-kilter debut that charts, shapes, fragments, and embraces the unresolvable. These gorgeous, halting poems ultimately take the urge to make linear sense of one's own history and diffract it into innumerable beams of light.
David Bradford is a poet, editor, and organizer based in Tiohtià:ke (Montréal). He is the author of several chapbooks, including Nell Zink is Damn Free (Blank Cheque Press, 2017) and The Plot (House House Press, 2018). His work has appeared in The Capilano Review, The Tiny, filling Station, The Fiddlehead, Carte Blanche, and elsewhere. He holds an MFA from the University of Guelph and is a founding editor of House House Press. Dream of No One but Myself is his first book.
"Dream of No One But Myself immerses the reader into an archival torrent of intergenerational trauma. This stunning debut never settles for formal complacency as it navigates the rhythmical intelligence of linguistic play, the anguished vigilance of footnotes, and the creased visual proofs of tenderness. Amid his troubled subjects, David Bradford's most urgent relationship is with language. The poet's inventive language never slips into just a stunt: it surprises and stirs with its honesty and vulnerability and manages to make whole everything it has so spectacularly torn. " — Judges? Citation, 2022 Griffin Poetry Prize
"To speak of the self within the deconstruction of language, to bring meaning to language fragments through the skillful use of docu-poetics: this brings joy. David Bradford's Dream of No One But Myself is an impressive and beautiful debut, bringing together experimental poetics with an urgent lyric voice. It understands that to get at meaning one must assemble and disassemble, obscure and clarify. A book you can't stop reading once you start. " — Jury Citation, 2022 Gerald Lampert Memorial Award
"How does sound assemble meaning, assemble relationships across time lines, patterned, steeped, torn and adorned? David Bradford's lyric compositions and decompositions perform narration erasures, narrating to unnarrate, visual, textual—and to somehow also live again in language, in consideration and construction, as recognition's dream. " — Hoa Nguyen, author of A Thousand Times You Lose Your Treasure
"In Dream of No One but Myself, the structural instability of a dream is mapped onto a family. It is then reflected in the mutability of poetic form. A father's estrangement pulls a child into contradiction, toward desiring connection while straining away from that connection. Poetic form also strains, stretches from prose poems in compact rhythmic units to disjunctive works that slice across the page, to suites of anguished, cut-up family photographs and beautifully abstract, decomposing erasure works that bloom into ruinous new shapes. These formal strategies are never forced; rather, they establish a narrative that doubles—that infuses and is transformed by—the Dream of No One but Myself. " — Kaie Kellough, author of Magnetic Equator
"Perhaps I would have held my breath for the entirety of this text if not for the wisp and grey, the ventilation surfacing in tide pools of visual poems—bramble relief against whiteout smears—watercolours, combed thru brunt and backhand. The poet's vision, the constant footnote to a whole contingency, manages to bear, be bearable, to be here, to pull through, and with, "survivor-survivor" narratives held carefully and hauntingly. Much love and relation to the composite shards, difficult folds and dovetail joints Bradford realizes in this important book. " — Cecily Nicholson, author of Wayside Sang